The audience effect: on the collective cinema experience
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edingburgh
Edinburgh University Press
[2018]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Literaturverzeichnis: Seite 293-312 |
| Beschreibung: | ix, 325 Seiten Illustrationen |
| ISBN: | 9781474414951 9781474431774 |
Internformat
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Datensatz im Suchindex
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Contents
List of Figures vii
Acknowledgments viii
Part I Establishing Shot: Definition and History
r Introduction: What Is the Audience Effect? 3
2 Excavating the Audience Effect: Precursors in the History of Film
Theory 34
Part II Long Shot: Types of Collective Viewing
Introductory Notes 65
3 Quiet-attentive Viewing: Toward a Typology of Collective
Spectatorship, Part I 73
4 Expressive-diverted Viewing: Toward a Typology of Collective
Spectatorship, Part II 111
Part III Medium Shot: On the Cinema’s Affective Audience Effects
5 I, You, and We: Investigating the Cinema’s Affective Audience
Interrelations 143
6 Feeling Close: Conceptualizing the Cinema’s Affective
We-experiences 168
Part IV Close-up: Case Studies of Affective Audience Effects
7 Chuckle, Chortle, Cackle: A Phenomenology of Cinematic
Laughter 189
VI THE AUDIENCE EFFECT
8 When Viewers Silently Weep: A Phenomenology of Cinematic
Tears 217
9 Trouble Every Day: A Phenomenology of Cinematic Anger 248
Part V Fade-out: Conclusion
10 The Audience Effect in the Cinema and Beyond 275
Glossary 284
Bibliography 293
Index of Names 313
Index of Subjects 320
‘This book moves its attention from the images on the screen to the
audience gathered in the film theatre and eventually tells “their” stories.
Hanich makes a spectacular shift, and he unfolds a reality that film
studies has partly forgotten, as well as cinema’s nature as a “democratic”
art. A rigorous and fascinating book that will revamp audience studies.’
Francesco Casetti.Yaie University
‘The Audience Effect is an immensely important contribution to the
phenomenology of cinema. Focused on the much-neglected collectivity
of the theatrical film experience, it also touches on other modes of
collective viewing, and its rigorous descriptions of the structures, effects
and affects entailed in collective viewing are extraordinarily enlivened by
many examples and extremely accessible prose.’
Vivian Sobchack, UCLA
Is the experience of watching a film with others in a cinema crucially
different from watching a film alone? Does laughing together amplify our
enjoyment, and when watching a film in communal rapt attention, does
this intensify the whole experience? And what about being angry about
annoying spectators?
Attending a film in a cinema implies being influenced by other people, an
'audience effect' that is particularly noticeable once affective responses
like laughter, weeping, embarrassment or anger play a role. In this book,
Julian Hanich explores the subjectively lived experience of watching films
together, to discover a fuller understanding of cinema as an art form and a
social institution. Combining recent scholarly interest in viewers' emotions
and affects with insights from the blossoming debate about collective
emotions in philosophy and social psychology, this study makes viewers
more aware of their own experience in the cinema, and simultaneously
opens up a new line of research for film studies.
JULIAN HANICH is Associate Professor of Film Studies at the University
of Groningen. |
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| isbn | 9781474414951 9781474431774 |
| language | English |
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| title | The audience effect on the collective cinema experience |
| title_auth | The audience effect on the collective cinema experience |
| title_exact_search | The audience effect on the collective cinema experience |
| title_full | The audience effect on the collective cinema experience Julian Hanich |
| title_fullStr | The audience effect on the collective cinema experience Julian Hanich |
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| title_short | The audience effect |
| title_sort | the audience effect on the collective cinema experience |
| title_sub | on the collective cinema experience |
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