Heteronomic Historicism:
If classical architecture from Vitruvius to Winckelmann had been characterized by firmness, fixity, and ‘quiet grandeur’, the 19th-century monument stood anything but still. Architecture in the 19th century moved at a rapid pace, disseminated in the form of archaeological fragments, exhibition displ...
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| Format: | Elektronisch Artikel |
| Sprache: | English |
| Veröffentlicht: |
05 Apr 2017
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| Schlagworte: | |
| Online-Zugang: | Volltext |
| Zusammenfassung: | If classical architecture from Vitruvius to Winckelmann had been characterized by firmness, fixity, and ‘quiet grandeur’, the 19th-century monument stood anything but still. Architecture in the 19th century moved at a rapid pace, disseminated in the form of archaeological fragments, exhibition displays, texts, and images. One of the most striking examples of this newfound mobility is the proliferation of architectural images distributed by the new illustrated press. Presenting the old and the new, the high and the low, the local and the global alongside each other, the new media challenged the hegemony of classicism and opened up a new, heteronomic field of architectural expression and deliberation. Using the mid 19th-century public press as a point of departure, this essay addresses historicist attempts to legitimize architecture in an age when even monuments seemed to move. |
| Beschreibung: | Illustrationen |
| ISSN: | 2050-5833 |
| DOI: | 10.5334/ah.216 |
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| 520 | |a If classical architecture from Vitruvius to Winckelmann had been characterized by firmness, fixity, and ‘quiet grandeur’, the 19th-century monument stood anything but still. Architecture in the 19th century moved at a rapid pace, disseminated in the form of archaeological fragments, exhibition displays, texts, and images. One of the most striking examples of this newfound mobility is the proliferation of architectural images distributed by the new illustrated press. Presenting the old and the new, the high and the low, the local and the global alongside each other, the new media challenged the hegemony of classicism and opened up a new, heteronomic field of architectural expression and deliberation. Using the mid 19th-century public press as a point of departure, this essay addresses historicist attempts to legitimize architecture in an age when even monuments seemed to move. | ||
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| issn | 2050-5833 |
| language | English |
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| spelling | Hvattum, Mari 1966- Verfasser (DE-588)130345490 aut Heteronomic Historicism Mari Hvattum 05 Apr 2017 Illustrationen txt rdacontent c rdamedia cr rdacarrier If classical architecture from Vitruvius to Winckelmann had been characterized by firmness, fixity, and ‘quiet grandeur’, the 19th-century monument stood anything but still. Architecture in the 19th century moved at a rapid pace, disseminated in the form of archaeological fragments, exhibition displays, texts, and images. One of the most striking examples of this newfound mobility is the proliferation of architectural images distributed by the new illustrated press. Presenting the old and the new, the high and the low, the local and the global alongside each other, the new media challenged the hegemony of classicism and opened up a new, heteronomic field of architectural expression and deliberation. Using the mid 19th-century public press as a point of departure, this essay addresses historicist attempts to legitimize architecture in an age when even monuments seemed to move. Illustrated press, Austen Henry Layard, Assyrian art, Gottfried Semper Architectural histories / European Architectural History Network, EAHN London, 2017 Volume 5, Issue 1 (2017) (DE-604)BV041185030 2050-5833 (DE-600)2726365-4 text/html http://doi.org/10.5334/ah.216 Verlag kostenfrei Volltext |
| spellingShingle | Hvattum, Mari 1966- Heteronomic Historicism Illustrated press, Austen Henry Layard, Assyrian art, Gottfried Semper |
| title | Heteronomic Historicism |
| title_auth | Heteronomic Historicism |
| title_exact_search | Heteronomic Historicism |
| title_full | Heteronomic Historicism Mari Hvattum |
| title_fullStr | Heteronomic Historicism Mari Hvattum |
| title_full_unstemmed | Heteronomic Historicism Mari Hvattum |
| title_short | Heteronomic Historicism |
| title_sort | heteronomic historicism |
| topic | Illustrated press, Austen Henry Layard, Assyrian art, Gottfried Semper |
| topic_facet | Illustrated press, Austen Henry Layard, Assyrian art, Gottfried Semper |
| url | http://doi.org/10.5334/ah.216 |
| work_keys_str_mv | AT hvattummari heteronomichistoricism |