Interactive and sculptural printmaking in the Renaissance:
Suzanne Karr Schmidt's 'Interactive and Sculptural Printmaking in the Renaissance' tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervad...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Abschlussarbeit Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Leiden ; Boston
Brill
[2018]
|
Schriftenreihe: | Brill's studies in intellectual history
volume 270 Brill's studies on art, art history, and intellectual history volume 21 |
Schlagworte: | |
Online-Zugang: | KUBA2 Volltext |
Zusammenfassung: | Suzanne Karr Schmidt's 'Interactive and Sculptural Printmaking in the Renaissance' tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions - part text, part image, and part sculpture - engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself |
Beschreibung: | 1 Online-Ressource (XXVII, 439 Seiten) Illustrationen |
ISBN: | 9789004354135 |
DOI: | 10.1163/9789004354135 |
Internformat
MARC
LEADER | 00000nmm a2200000 cb4500 | ||
---|---|---|---|
001 | BV044628996 | ||
003 | DE-604 | ||
005 | 20220125 | ||
006 | a m||| 00||| | ||
007 | cr|uuu---uuuuu | ||
008 | 171116s2018 |||| o||u| ||||||eng d | ||
020 | |a 9789004354135 |c Online |9 978-90-04-35413-5 | ||
024 | 7 | |a 10.1163/9789004354135 |2 doi | |
035 | |a (OCoLC)1012258311 | ||
035 | |a (DE-599)BVBBV044628996 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Schmidt, Suzanne Kathleen Karr |d 1978- |e Verfasser |0 (DE-588)136350143 |4 aut | |
240 | 1 | 0 | |a Art - A user's guide |
245 | 1 | 0 | |a Interactive and sculptural printmaking in the Renaissance |c by Suzanne Karr Schmidt |
264 | 1 | |a Leiden ; Boston |b Brill |c [2018] | |
264 | 4 | |c © 2018 | |
300 | |a 1 Online-Ressource (XXVII, 439 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 1 | |a Brill's studies in intellectual history |v volume 270 | |
490 | 1 | |a Brill's studies on art, art history, and intellectual history |v volume 21 | |
502 | |b Dissertation |c Yale University |d 2006 | ||
520 | 3 | |a Suzanne Karr Schmidt's 'Interactive and Sculptural Printmaking in the Renaissance' tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions - part text, part image, and part sculpture - engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself | |
600 | 1 | 7 | |a Hartmann, Georg |d 1489-1564 |0 (DE-588)118925563 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1450-1750 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Druckgrafik |0 (DE-588)4113357-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Presse |0 (DE-588)4047150-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Illustration |0 (DE-588)4123412-1 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Druckgrafik |0 (DE-588)4113357-2 |D s |
689 | 0 | 1 | |a Geschichte 1450-1750 |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Presse |0 (DE-588)4047150-0 |D s |
689 | 1 | 1 | |a Illustration |0 (DE-588)4123412-1 |D s |
689 | 1 | 2 | |a Geschichte 1450-1750 |A z |
689 | 1 | |5 DE-604 | |
689 | 2 | 0 | |a Hartmann, Georg |d 1489-1564 |0 (DE-588)118925563 |D p |
689 | 2 | |8 1\p |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Print-Ausgabe |z 978-90-04-34013-8 |w (DE-604)BV044450977 |
776 | 0 | 8 | |i Erscheint auch als |t Art - A user's guide |w (DE-604)BV037653592 |
830 | 0 | |a Brill's studies in intellectual history |v volume 270 |w (DE-604)BV000625542 |9 270 | |
830 | 0 | |a Brill's studies on art, art history, and intellectual history |v volume 21 |w (DE-604)BV023373212 |9 21 | |
856 | 4 | 0 | |u https://doi.org/10.1163/9789004354135 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ebook | ||
940 | 1 | |q KUBA2-EK-vlebooks | |
999 | |a oai:aleph.bib-bvb.de:BVB01-030027076 | ||
883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
966 | e | |u https://www.vlebooks.com/vleweb/product/openreader?id=ZKIG&accId=9165305&isbn=9789004354135 |l KUBA2 |p ebook |q BZI |x Aggregator |3 Volltext |
Datensatz im Suchindex
_version_ | 1804178036754481152 |
---|---|
any_adam_object | |
author | Schmidt, Suzanne Kathleen Karr 1978- |
author_GND | (DE-588)136350143 |
author_facet | Schmidt, Suzanne Kathleen Karr 1978- |
author_role | aut |
author_sort | Schmidt, Suzanne Kathleen Karr 1978- |
author_variant | s k k s skk skks |
building | Verbundindex |
bvnumber | BV044628996 |
collection | ebook |
ctrlnum | (OCoLC)1012258311 (DE-599)BVBBV044628996 |
doi_str_mv | 10.1163/9789004354135 |
era | Geschichte 1450-1750 gnd |
era_facet | Geschichte 1450-1750 |
format | Thesis Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03571nmm a2200637 cb4500</leader><controlfield tag="001">BV044628996</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220125 </controlfield><controlfield tag="006">a m||| 00||| </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">171116s2018 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789004354135</subfield><subfield code="c">Online</subfield><subfield code="9">978-90-04-35413-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1163/9789004354135</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1012258311</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044628996</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Schmidt, Suzanne Kathleen Karr</subfield><subfield code="d">1978-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)136350143</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Art - A user's guide</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Interactive and sculptural printmaking in the Renaissance</subfield><subfield code="c">by Suzanne Karr Schmidt</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leiden ; Boston</subfield><subfield code="b">Brill</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2018</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XXVII, 439 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Brill's studies in intellectual history</subfield><subfield code="v">volume 270</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Brill's studies on art, art history, and intellectual history</subfield><subfield code="v">volume 21</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Yale University</subfield><subfield code="d">2006</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Suzanne Karr Schmidt's 'Interactive and Sculptural Printmaking in the Renaissance' tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions - part text, part image, and part sculpture - engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Hartmann, Georg</subfield><subfield code="d">1489-1564</subfield><subfield code="0">(DE-588)118925563</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1450-1750</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Druckgrafik</subfield><subfield code="0">(DE-588)4113357-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Presse</subfield><subfield code="0">(DE-588)4047150-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Illustration</subfield><subfield code="0">(DE-588)4123412-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Druckgrafik</subfield><subfield code="0">(DE-588)4113357-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1450-1750</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Presse</subfield><subfield code="0">(DE-588)4047150-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Illustration</subfield><subfield code="0">(DE-588)4123412-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1450-1750</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Hartmann, Georg</subfield><subfield code="d">1489-1564</subfield><subfield code="0">(DE-588)118925563</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Print-Ausgabe</subfield><subfield code="z">978-90-04-34013-8</subfield><subfield code="w">(DE-604)BV044450977</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="t">Art - A user's guide</subfield><subfield code="w">(DE-604)BV037653592</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Brill's studies in intellectual history</subfield><subfield code="v">volume 270</subfield><subfield code="w">(DE-604)BV000625542</subfield><subfield code="9">270</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Brill's studies on art, art history, and intellectual history</subfield><subfield code="v">volume 21</subfield><subfield code="w">(DE-604)BV023373212</subfield><subfield code="9">21</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1163/9789004354135</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ebook</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2-EK-vlebooks</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-030027076</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.vlebooks.com/vleweb/product/openreader?id=ZKIG&accId=9165305&isbn=9789004354135</subfield><subfield code="l">KUBA2</subfield><subfield code="p">ebook</subfield><subfield code="q">BZI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV044628996 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:57:35Z |
institution | BVB |
isbn | 9789004354135 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-030027076 |
oclc_num | 1012258311 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
physical | 1 Online-Ressource (XXVII, 439 Seiten) Illustrationen |
psigel | ebook KUBA2-EK-vlebooks ebook BZI |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Brill |
record_format | marc |
series | Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history |
series2 | Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history |
spelling | Schmidt, Suzanne Kathleen Karr 1978- Verfasser (DE-588)136350143 aut Art - A user's guide Interactive and sculptural printmaking in the Renaissance by Suzanne Karr Schmidt Leiden ; Boston Brill [2018] © 2018 1 Online-Ressource (XXVII, 439 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Brill's studies in intellectual history volume 270 Brill's studies on art, art history, and intellectual history volume 21 Dissertation Yale University 2006 Suzanne Karr Schmidt's 'Interactive and Sculptural Printmaking in the Renaissance' tells the story of a hands-on genre of prints: how innovative paper engineering redefined the relationship of early modern viewers to art, humanism, and science. Interactive and sculptural prints pervaded the European reading market of the sixteenth and seventeenth centuries. Single sheets and book illustrations featured movable flaps and dials, and functioned as kits to build three-dimensional scientific instruments. These hybrid constructions - part text, part image, and part sculpture - engaged readers; so did the polemical, satirical, and, occasionally, erotic content. By manipulating dials and flaps, or building and using the instruments, viewers learned to think through images as well as words, interacting visually with desires, social critique, and knowledge itself Hartmann, Georg 1489-1564 (DE-588)118925563 gnd rswk-swf Geschichte 1450-1750 gnd rswk-swf Druckgrafik (DE-588)4113357-2 gnd rswk-swf Presse (DE-588)4047150-0 gnd rswk-swf Illustration (DE-588)4123412-1 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Druckgrafik (DE-588)4113357-2 s Geschichte 1450-1750 z DE-604 Presse (DE-588)4047150-0 s Illustration (DE-588)4123412-1 s Hartmann, Georg 1489-1564 (DE-588)118925563 p 1\p DE-604 Erscheint auch als Print-Ausgabe 978-90-04-34013-8 (DE-604)BV044450977 Erscheint auch als Art - A user's guide (DE-604)BV037653592 Brill's studies in intellectual history volume 270 (DE-604)BV000625542 270 Brill's studies on art, art history, and intellectual history volume 21 (DE-604)BV023373212 21 https://doi.org/10.1163/9789004354135 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Schmidt, Suzanne Kathleen Karr 1978- Interactive and sculptural printmaking in the Renaissance Brill's studies in intellectual history Brill's studies on art, art history, and intellectual history Hartmann, Georg 1489-1564 (DE-588)118925563 gnd Druckgrafik (DE-588)4113357-2 gnd Presse (DE-588)4047150-0 gnd Illustration (DE-588)4123412-1 gnd |
subject_GND | (DE-588)118925563 (DE-588)4113357-2 (DE-588)4047150-0 (DE-588)4123412-1 (DE-588)4113937-9 |
title | Interactive and sculptural printmaking in the Renaissance |
title_alt | Art - A user's guide |
title_auth | Interactive and sculptural printmaking in the Renaissance |
title_exact_search | Interactive and sculptural printmaking in the Renaissance |
title_full | Interactive and sculptural printmaking in the Renaissance by Suzanne Karr Schmidt |
title_fullStr | Interactive and sculptural printmaking in the Renaissance by Suzanne Karr Schmidt |
title_full_unstemmed | Interactive and sculptural printmaking in the Renaissance by Suzanne Karr Schmidt |
title_short | Interactive and sculptural printmaking in the Renaissance |
title_sort | interactive and sculptural printmaking in the renaissance |
topic | Hartmann, Georg 1489-1564 (DE-588)118925563 gnd Druckgrafik (DE-588)4113357-2 gnd Presse (DE-588)4047150-0 gnd Illustration (DE-588)4123412-1 gnd |
topic_facet | Hartmann, Georg 1489-1564 Druckgrafik Presse Illustration Hochschulschrift |
url | https://doi.org/10.1163/9789004354135 |
volume_link | (DE-604)BV000625542 (DE-604)BV023373212 |
work_keys_str_mv | AT schmidtsuzannekathleenkarr artausersguide AT schmidtsuzannekathleenkarr interactiveandsculpturalprintmakingintherenaissance |