A history of American crime fiction:
"A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that co...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "A History of American Crime Fiction places crime fiction within a context of aesthetic practices and experiments, intellectual concerns, and historical debates generally reserved for canonical literary history. Toward that end, the book is divided into sections that reflect the periods that commonly organize American literary history, with chapters highlighting crime fiction's reciprocal relationships with early American literature, romanticism, realism, modernism and postmodernism. It surveys everything from 17th-century execution sermons, the detective fiction of Harriet Spofford and T. S. Eliot's The Waste Land, to the films of David Lynch, HBO's The Sopranos, and the podcast Serial, while engaging a wide variety of critical methods. As a result, this book expands crime fiction's significance beyond the boundaries of popular genres and explores the symbiosis between crime fiction and canonical literature that sustains and energizes both"... |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 363 Seiten |
| ISBN: | 9781107131019 |
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Datensatz im Suchindex
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| adam_text | A HISTORY OF AMERICAN CRIME FICTION
/ / /
: : : 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
^^ - FILM NOIR AND NEO-NOIR WILL SCHEIBEL; 24. CRIME FICTION TELEVISION
DAVID BIANCULLI; 25. DEAD RECKONINGS: THEORETICAL AND CRITICAL
APPROACHES TO DETECTIVE FICTION CHRISTOPHER BREU
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
List of Contributors page viii
Acknowledgments x
Introduction i
Chris Raczkowski
PART I EARLY AMERICAN ERA II
1 From Sermon to Story: Early American Crime Literature 13
Jodi Schorb and Daniel E. Williams
2 The Theft of Authorship: Crime Narrative in
Post-Revolutionary Early American Literature 27
Jodi Schorb and Daniel E. Williams
PART II ROMANTIC ERA 41
3 Crime Journalism and the Urban Gothic Novel 43
Matthew Warner Osborn
4 Crime and American Romanticism 56
Timothy Helwig
5 The Dark Transactions of a Black? Slave Narratives in the
Crime Literature Tradition 69
Jeannine Marie DeLombard
6 Edgar Allan Poe and the Emergence of the Literary Detective 83
Paul Grimstad
VI
Contents
PART III REALIST ERA 95
7 The Rise of the Professional Detective and the Dime Detective 97
Pamela Bedore
8 Home and Away: Reinvestigating Domestic Detective Fiction no
Jon Blandford
9 The Rise of the American Woman Detective: Gender and
the Detective Genre in Green, Doyle, and Rinehart 123
Ellen Burton Harrington
10 Crime, Science, Realism 136
John Dudley
PART IV MODERNIST ERA 151
11 Criminal Modernism 153
Chris Raczkowski
12 American Golden Age Crime Fiction 167
Malcah Effron
13 Red Harvest: Hard-Boiled Crime Fiction and the Fate of
Left Populism 179
Justus Nieland
14 Stateless Mothers/Motherless States: The Femme Fatale on
the Threshold of American Citizenship 192
Paula Rabinowitz
15 One of Us: The Emergence of the Psychopathoiogical
Protagonist 205
Frederick Whiting
PART V POSTMODERNIST ERA 219
16 Unusual Suspects: American Crimes, Metaphysical
Detectives, Postmodernist Genres 221
Susan Elizabeth Sweeney
17 Identity Politics and Crime Fiction 236
Michael Millner
18 Native American Detective Fiction and Settler Colonialism 250
James H. Cox
Contents vii
19 African-American Crime and Detective Fiction 263
Justin Gifford
20 Criminal Family Drama before and after The Sopranos 276
Dean DeFino
21 Making Murderers: The Evolution of True Crime 288
Jean Murley
22 Spy Narratives in post-9/11 American Culture 300
Andrew Pepper
23 Film Noir and Neo-Noir 313
Will Scheibel
24 Crime Fiction Television 326
David Bianculli
25 Dead Reckonings: Theoretical and Critical Approaches to
Detective Fiction 339
Christopher Breu
Index 353
A History of American Crime Fiction places crime fiction within a
context of aesthetic practices and intellectual concerns,
and historical debates generally reserved for canonical literary
history. Toward that end, the book is divided into sections that reflect
the periods that commonly organize American literary history, with
chapters highlighting crime fiction’s reciprocal relationships with
early American literature, romanticism, realism, modernism and
postmodernism. It surveys everything from 17th century execution
sermons, the detective fiction of Harriet Spofford, and T.S. Eliot s The
Waste Land, to the films of David Lynch, HBO’s The Sopranos, and the
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| title_auth | A history of American crime fiction |
| title_exact_search | A history of American crime fiction |
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| title_short | A history of American crime fiction |
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Inhaltsverzeichnis