Meziválečné hudební divadlo v Olomouci:
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| Format: | Book |
| Language: | Czech |
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Olomouc
Univerzita Palackého v Olomouci
2016
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| Edition: | 1. vydání |
| Series: | Ediční řada - Monografie
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Literaturverzeichnis Abstract Register // Personenregister |
| Item Description: | Enthält Tabellen, teilweise im Querdruck |
| Physical Description: | 336 Seiten Illustrationen, Porträts, Faksimiles 21 cm |
| ISBN: | 9788024450377 8024450372 |
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| 245 | 1 | 0 | |a Meziválečné hudební divadlo v Olomouci |c Miriam Hasíková ; Univerzita Palackého v Olomouci, Filozofická fakulta |
| 250 | |a 1. vydání | ||
| 264 | 1 | |a Olomouc |b Univerzita Palackého v Olomouci |c 2016 | |
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| 653 | 0 | |a hudební divadlo / Česko / 20. století | |
| 653 | 0 | |a opera / Česko / 20. století | |
| 653 | 0 | |a history of theater / Czechia / 20th century | |
| 653 | 0 | |a music theater / Czechia / 20th century | |
| 653 | 0 | |a opera / Czechia / 20th century | |
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| 653 | 2 | |a Olomouc (Czechia) | |
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Record in the Search Index
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3
Obsah
tJvod.5
Dvacata leta.13
Pocatky Druzstva ceskeho divadla.16
Vznik Ceskoslovenske republiky a obnoveni cinnosti
Druzstva ceskeho divadla.22
Nelehka volba prvniho reditele ceskeho divadla v Olomouci.28
Prvni a posledni sezona reditele Jaroslava Stuky-Wilkonskeho
(1920/21).31
Era Antonina Drasara - prvniho „moderniho“ reditele
ceskeho divadla v Olomouci (1921-1931).40
Olomoucke divadlo v hospodarskem kontextu
Ceskoslovenska mezivalecne doby.46
Zajezdy.52
Predplatne a hoste divadla v letech 1921-1931.68
Hospodareni divadla a spoluprace s radnici.72
Drasaruv odchod z Olomouce.75
Karel Nedbal - zakladatel olomoucke opery (1921-1928).82
Sezony 1921/22,1922/23.87
Jubilejni oslavy steho vyroci narozeni Bedricha Smetany.97
Druha polovina Nedbalova olomouckeho pusobeni (1924-1928). 110
Emanuel Bastl v cele olomoucke opery (1928-1932). 127
Bastluv nastup v dobe divadelni krize.129
Sezona 1930/1931: vrchol a kolaps zajezdove aktivity.138
Bastlova posledni sezona v cele olomoucke opery (1931/32). 148
Tncataleta.160
Zcela nova era divadla pod vedenim Stanislava Langera
(1931-1939). 163
Stanislav Langer, herec a dramatik.163
4 Obsah
Volba nového fedítele.165
Langerova reorganizace divadla. 168
Druhá polovina tricátych let.180
Adolf Heller v cele olomoucké opery (1932-1938). 182
„Causa Heller“.184
Hellerovy plány pro prvni sezonu.188
Sezona 1932/33 jako ukázka Hellerovy progresivni dramaturgie. 191
Novátorské opery druhé sezony.*.207
„Tradicní“ cesky repertoár.213
Monteverdiho Orfeusjako vrchol Hellerovy produkce
italské opery.216
Svétová premiéra opery/operety Alberta Roussela
Odkaz tety Karoliny.224
Ceské a slovanské modernismy na olomoucké scénë.231
Premiéra Dvorákova Alfreda - Hellerovo rozloucení
s olomouckou scénou.236
Závér.245
Soupis obrázkú.251
Prameny a literatura. 255
Archivní prameny.255
Publikované prameny.255
Literatura.256
Prílohy.260
Pocet predstavení v jednotlivych sezonách.261
Soupis nastudovanÿch premiér v dobé vedení kapelníka
Adolfa Hellera.264
Soupis premiér.267
Pocet clenû zpëvohernich souborû v letech 1922-1939.300
Summary.321
Jmennÿ rejstí ík.325
255
Prameny a literatura
Archivni prameny
Divadelní oddélení Národního muzea, Praha.
Janáckovo muzeum, Brno.
Státní zemsky archiv, Olomouc.
Archiv Moravského divadla (Rocenky Druzstva ceského divadla v Olomouci, sezony
1920-1940; Sborník dvacet let ceského divadla v Olomouci 1920-1940; Sborník
Ceské divadlo po desíti letech, Olomouc 1930; Rocenka klubu sólistu ceského
divadla v Olomouci 1928; Rocenka klubu sólistú ceského divadla v Olomouci
1929; Meziaktí 1921-1939; Vyrocní zprávy Druzstva 1920-1939)
Publikované prameny
Seriálové publikace (noviny, hudební casopisy a jiné) z let 1918-1939:
Ceské slovo (Olomouc), Ceskoslovensky deník, Cesky sever (Liberec), Dalibor,
Divadlo, Hlas lidu (Olomouc, Ceské Budéjovice), Hudební revue, Hudební roz-
hledy, Lidové noviny (Brno), Lidové listy (Praha), Moravsky deník (Olomouc),
Moravsky vecerník (Olomouc), Moravskoslezsky domov (Brno), Národní osvo-
bození (Praha, Olomouc), Nasinec (Olomouc), Pozor (Olomouc), Právo (Olo-
mouc), Signal (Praha), Slovensky vychod (Kosice), Stredostavovské listy (Ceské
Budéjovice), Tempo, Mährisches Tagblatt.
Dalsí prameny (almanachy, rocenky a jiné):
Almanach olomouckého divadla, 1921-1922. Olomouc, 1922.
Jindra, Jaroslav [ed.]: Némecké listy vtdeñské o zájezdu olomoucké opery do Vídné
1924, Vídeñ: Melantrich, 1924.
Deset let divadla v Moravské Ostravé, 1929.
Javorin, Alfred; Divadla a divadelní sály v ceskych krajích I: divadlay Praha, 1949.
Vesely, Richard: Déjiny ceské filharmonie, Praha, 1935.
256
Prameny a literature
Internetove zdroje:
Opera plus: Viz: http://operaplus.cz/ac-ve-stinu-konkurence-dlouha-leta-verne-
-slouzili-narodnimu/?pa= 1.
Televizni pofad s nazvem Närodni divadlo nezhyne v ramci seriälu Historie.es, vy-
siläno dne 12. rijna 2013.
Literatura
Kvalifikacni präce:
Odstrcilova, Zdenka: Karel Nedbal a jeho püsobeni v Olomouci, diplomova präce
FF UP, Olomouc 1966-1967.
Skrottovä, Marie: Püsobeni Karla Nedbala v Olomouci se zamerenim na leta 1940-1944,
bakaläfskä präce FF UP, Olomouc 2012.
Vlkosovä, Jaroslava: Adolf Heller a jeho püsobeni v Olomouci, diplomovä präce FF
UP, Olomouc 1974.
Bliiml, Jan: Dejiny modernipopularni hudby v Olomouci se zamerenim na obdobi
1945-1989, disertacni präce katedry muzikologie FF UP, Olomouc, 2014.
Primärni literatura:
Ambros, Emanuel: Dvacet let ceske opery v Olomouci (1920-1940), in: Vlastiveda
stredni a severniMoravy, dil II., svazek L, Pferov, 1942, s. 536-550.
Bachtik, Josef: Pamätce Karla Nedbala, Hudebni rozhledy, 1964, c. 7, s. 274.
Bass, Eduard: Jak se dela kabaret? Praha: Springer, 1917.
Beckerman, Michael: Search of Czechness in Music, Nineteenth Century Music 10,
Summer 1986, s. 63-73.
Belohlävek, Bedfich: Jaroslav Jeremias: zivot doba diloy Praha: L. Mazac, 1935.
Bentley, Eric (ed.): The Theory of Modern Stage, London: Penguin Books, 1968.
Buresovä, Alena: Zäjezdovä cinnost olomoucke hudebni sceny v mezivälecnych
letech v Cechäch a na Morave, in: Hudba v Olomouci a na stredni Morave ///,
Olomouc: Univerzita Palackeho, 2009, s. 103-121.
Buresovä, Jana (ed.): Dejiny Olomouce 2, Olomouc: Univerzita Palackeho, 2009.
Cerny, Miroslav: Historismus a Nejedleho koncepce muzikologie, Hudebni veda 14,
1977, c. l,s.52-71.
Cicatka, Jaroslav: Olomouckä opera mezi dvema svetovymi välkami, in: Stredisko.
Sbornik vlastivedne spolecnosti muzejni v Olomouci, Olomouc: XX, 1980, s. 36-57.
Drasar, Väclav: Vzpominka k prvnimu vyroci urnrti Antonina Drasara, Plzen: Gra-
fika, 1940.
Gellner, Ernest: Nations and Nationalism, Ithaca: Cornell University Press, 1983.
Gerhard, Ansel: Urbanization of Opera, Chicago: Chicago Press, 1988.
Pramenyaliteratura
257
Helfert, Vladimir: Vybrané Studie L: O hudebni tvofivosti, Praha: Editio Supraphon,
1970.
Hostinsky, Otakar: O hudbë, Praha: Statni hudebni vydavatelstvi, 1961.
Hostinskÿ, Otakar: O umènU Praha: Ceskoslovenskÿ spisovatel, 1956.
Hudec, Vladimir: K vÿvojové a axiologické problematice ceského hudebniho divadla
na Moravë v 2. polovinë 19. stoleti, in: Milena Freimanovâ (ed.), Divadlo v ces-
ké kultufe 19. stoleti (sbornik sympozia, Plzen 10.-12. 3. 1983)y Praha: Närodni
galerie, 1985, s. 58-62.
Hudec, Vladimir: Causa Heller. Epizoda z bojû o charakter olomouckého divadla,
in: Hudebni vëda a vychova 3, Olomouc: Univerzita Palackého, 1984, s. 73-78.
Hudec, Vladimir: Éra Hellerova a Nedbalova (Olomouckâ opera v letech 1932-1945),
Ostravsky kulturni mësicnik 5,1980, c. 12, s. 20-23.
Hudec, Vladimir: Éra Nedbalova a Bastlova aneb prvni desetileti olomoucké opery,
Ostravsky kulturni mësicnik 5,1980, c. 10, s. 24-27.
Kârnik, Zdenëk: Ceské zemë v ère prvni republiky (1918-1938). DU prvni: Vzniky
budovâni a zlatâ léta republiky (1918-1929), Praha: Nakladatelstvi Libri, 2003.
Kieval, Hillel J.: The Making of Czech Jewry: National Conflict and Jewish Society
in Bohemia, 1870-1918, New York and Oxford: Oxford University Press, 1988.
Kotek, Josef: Kronika ceské synkopy: pülstoleti ceského jazzu a moderni popularni
hudby v obrazech a svëdectvi soucasnikù 1:1903-1938y Praha: Editio Supraphon,
1975.
Kotek, Josef: O ceské popularni hudbë a jejich posluchacich: od historié k soucasnosti,
Praha: Panton, 1990.
Kovarovic, Josef: Zdenëk Nejedlÿ a Karel Kovafovic, Hudebni rozhledy, 1971, s. 139-140.
Krupkova, Lenka: Nëmeckâ operni scéna v Olomouci II. 1878-1920, Olomouc: Uni-
verzita Palackého, 2012.
Kucerovâ, Alice: Zâjezdy olomoucké opery do Vidnë - rok 1924, in: Hudba v Olo-
mouci a na stfedniMoravë IIIy Olomouc, Univerzita Palackého, 2009, s. 123-129.
Lébl, Vladimir: Dramaticka tvorba Otakara Ostrcila a jeji jevistni osudy, Divadlo 9,
1959, s. 294-302, 333-339.
Lébl, Vladimir: Pripad Vojcek, Hudebni vëda 14,1977, c. 3, s. 195-227.
Ludvovâ, Jitka: Az k hofkému konci, Praha: Academia, 2012.
Mahler, Arnost: Alexander Zemlinskys Prager Jahre, Hudebni vëda 9,1972, s. 239-246.
Nejedlÿ, Vit: Kritiky a stati o hudbë (1934-1944), ed. Jaroslav Jirânek, Praha: Kniznice
Hudebnich rozhledü, 1956.
Nejedlÿ, Zdenëk: Bedfich Smetana, Praha: Mânes, 1924.
Nejedlÿ, Zdenëk: Ceskâ moderni zpëvohra po Smetanovi, Praha: J. Otto, 1911.
Nejedlÿ, Zdenëk: Dëjiny opery Nârodniho divadla, dil L, Praha: Nakladatelstvi prâce,
1949.
Nejedlÿ, Zdenëk: Dëjiny opery Nârodniho divadla, dû II., Praha: Nakladatelstvi prâce,
1949.
258
Pramenyaliteratura
Nejedlÿ, Zdenék: Pfipad Vitëzslava Novâka, Praha: Dobrâ Edice, 1931.
Nejedlÿ, Zdenëk: Zpëvohry Smetanovy, Praha: J. Otto, 1908.
Pujman, Ferdinand: Opernisloh Nârodniho divadla, Praha: [n.p.], 1933.
Pukl, Oldfich: K problematice ceského hudebniho zivota po prvni svëtové vâlce
(1918-1921), Hudebni vëda 2, 1965, s. 184-234.
Rok po première Honzova krâlovstvi, Praha: Spolecnost Otakara Ostrcila, 1936.
Sadie, Stanley (ed.): New Grove Dictionary Opera, 4 svazky, London: Macmillan,
1997.
Semrâdovâ, Mila: Voice-band E. E Buriana, Praha: Üstredni dûm lidové umëlecké
tvofivosti, 1971.
Svobodovâ, Marie: Hudebniperiodika v ceskych zemich 1796-1970 a na Siovensku
1871-1970, Praha: Stâtni knihovna ¿SR, 1979.
Sip, Ladislav: Ceskâ opera ajeji tvùrci: prùvodce, Praha: Supraphon, 1983.
Stefanides, Jifi: Kalendarium divadla v Olomouci, Praha: Nakladatelstvi Prazskâ
scéna, 2007.
Stefanides, Jiri: Antonín Drasar: Divadlo jako soukromÿ podnik (Moravskâ Ostrava
1916-1919), in: Litteraria-Theatralia-Cinematographica, Olomouc: Univerzita
Palackého, 1993.
Vratislavsky, Jan: Neumannova éra v brnënské opefey Brno: Stâtni divadlo Brno, 1971.
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Literature, Hague: Mouton and Co., 1963, s. 32-45.
Zacharovâ, Stanislava: Z bojù o ceskou hudebni kulturu, Praha: Academia, 1979.
Sekundârni literatura:
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Praha: Filosofia, 2015.
Bar, Pavel: Hudebni divadlo Karlin, Praha: Nakladatelstvi Brâna, 2016.
Cannon, Robert: Opera, Cambridge: Cambridge University Press, 2012.
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1983, s. 474-477.
Csâky, Moritz: l'Opérette, in: Jean-Jacquies Nattiez (ed.), Musiques, Paris: Actes
sud/cité de la musique, 2003.
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Lubos Ptâcek (ed.), Panorama ceského filmu, Olomouc: Rubico, 2000, s. 37-38.
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and 20th Centuries (up until 1956), Czech and Slovak Journal of Humanities,
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Prameny a literatura
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autorova narozeni, Praha: Mëstskâ knihovna, 1982.
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Kolektiv autorü: Nârodni divadlo a jeho predchûdci, Praha: Academia, 1988.
Kopecky, Jifi - Krupkovâ, Lenka: Provincial Theater and Its Opera. German Opera
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Krupkovâ, Lenka: Nëmeckâ opera jako soucâst boje o nârodni zâjem. K dobové
recepci v nëmeckém mëstském divadle v Olomouci od 70. let 19. stoleti do roku
1920, Opus musicum 45, 2013, c. 2, s. 22-39.
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ské divadlo Olomouc 1920-2000, Olomouc: Moravské divadlo Olomouc, 2000,
s. 25-41.
Tyrrell, John: Czech opera, New York: Cambridge University Press, 1988.
Vackovâ, Jirina: Julie Reisserovâ, osobnost a dilo, Praha: Frantisek Loh, 1948.
Velek, Viktor: Lumir 150: sbormistfi ceskoslovanského zpèvâckého spolku „Lumir“
ve Vidni = Chorleiter des tschechoslawischen Gesangsvereines „Lumir“ in Wien.
Pfeklad Pavel Koutnik. Tfebic: Apis Press, s. r. o., 2016.
Redakcni rada: Jan Drlik, Richard Fischer, Ad. Kubis, V. Nespor, Alb. Rigel, Ant.
Vlcek, Em. Vojnar: Deset let prâce na Olomoucké radnici 1918-1928, nakladem
mëstské rady hlavniho mësta Olomouce, 1928.
Roussel, Albert: Comment j’ai écrit ,Le Testament de la tente Caroline', LTntransi-
geanU 24. unora 1937.
Vaculova, Zuzana: Jaroslav Jaros - vyznamnâ postava brnënské opery, in: Oborovè
-védecky seminar studentù doktorského studia oboru Hudebni teorie a pedagogi-
ka / sbornik KHV PdF MU, Brno: Masarykova Univerzita, 2007.
321
Summary
At the beginning of its activity, the role of the theatre in Czech lands was
primarily to educate and to fortify national awareness. The emergence of
opera in the Czech lands was since its very beginning connected with the
national idea accompanied by the fights for independence and the omni-
present disputes with the Germans. The beginning of the Czech theatre in
the second half of the 19th century was typical of the attempt to draw level
with the German art which was prevailing in Czech land during that era.
The Czechs were trying to establish their own autonomous culture as a sym-
bol of independence and a proof of self-sufficiency and its main tool was,
unlike in other countries, musical theatre, specifically the opera.
The opera as the most representative genre had thus symbolic value -
this para-musical aspect: the lavishness of the opera in the Czech language,
created by Bedrich Smetana, was characterized by “sacred seriousness for
the purpose of national-movement”, while the genres such as ballet or ope-
retta were excluded from the repertoire as the branches of “light theatre”.
The role of operetta (as well as ballet) was overshadowed by the serious
genres - opera and drama. Some ensembles even tried to avoid operetta
at all in attempt to produce only elite art performances, however it turned
to be a false economy. Operetta was extremely important for the theatres
in financial difficulties and for these in need for wide audience. Generally
the operetta between the wars gained enormous popularity as the genre of
“the people” and its connections with the first Czech films and their “stars”
made it a real mass entertainment. In 1930 s was its real heyday as the Czech
operetta was formed and its status was slightly ameliorated.
The establishment of Olomouc theatre was connected, like in Prague,
with so called consortium founded in 1907 in order to build independent
theatre and play there solely Czech repertoire. However, after 1918 the Ger-
mans were pushed away and the theatre became centre of the Czech culture.
From its opening on 1st September 1920 with Smetanas Libuse the theatre
remained in the centre of Olomouc culture life and held many important
A
322
Summary
events until 1939. The archival research shows the interesting aspects of the
running of this institution and shows many historical facts in new points of
view. The repertoire in the region mainly illustrates the national awareness
because during the whole era of the First Republic the relationships with the
Germans were cold therefore the German repertoire was avoided as much
as possible. One might observe the conflict between the national awareness
and the attempts for artistic program; therefore, regardless to the unfriendli-
ness all important operas by Strauss were performed during the 20 years.
Apart from the Czech composers, who were the most preferred ones Verdis
operas were also required as well as French repertoire; the political contacts
with France made the Czechs interested in French affairs and culture for
the whole era of the First Republic. Thoroughly unique event was the world
premiere of Albert Roussels Aunt Carolines Will in 1936 - the work which
reflected the progress of the merging opera and operetta as the genre of this
particular piece was disputable. (The content as well as the request of acting
resemble operetta, but the musical level of the work together with singing
difficulties were of opera.)
Concerning the national awareness and the “light theatre” let us men-
tion that in Olomouc theatre appeared a clash of seemingly incongruous
phenomenon - patriotism and commercialism; one might observe the con-
trast of the fading romantic ideas which were connected with the grandiose
function of art (especially the theatre) and, on the other hand, the new
principles connected with the industrialization of the culture and the con-
sequences of the global economic crisis. Olomouc, unlike Prague, Brno or
Bratislava, was considered to be the provincial theatre which does not need
as much support as the civic theatres with huge production and attendance
therefore Olomouc faced many problems connected with the worsening
financial situation. The financial situation had, of course, an impact on the
repertoire; the enthusiasm of the independence mirrored in the operatic
production slowly disappeared and was replaced by operetta, the light art.
Huge operetta production was typical for regional theatres as it earned the
biggest amount of money for the theatre. The theatres comfortably well-off
avoided production of operetta, as it went against the principles of national
theatres - to represent the best of the nation and to educate the people.
Rather weak national program had, on the other hand, some positive
consequences as the management was not that strict about the theatre em-
ployees therefore an exceptional conductor Adolf Heller could have come
Summary
323
to Olomouc in 1932. He, as a German Jew (however educated by Czech
top composers and musicians) was “persona non grata” During his era
the operatic production reached its climax. Opera was characterized by
very progressive dramaturgy focusing mainly on the world-class pieces.
His activity in Olomouc was distinguished not only by artistic value but
also by his origin and the overall moods of the beginning of 1930 s were
mirrored there: Heller had very difficult starting point in Olomouc - he
faced many attacks in the newspapers: he was accused of not being Czech
enough for the Olomouc theatre, ignorant as well as being a Jew. Finally,
he left Olomouc in 1939.
Heller s dramaturgy was highly artistic and musicologically thought-out -
he performed the Italian operas from the very ancient pieces until the very
recent ones. The most unique performance of Orfeo which in Olomouc it
was performed shortly after its premiere in Milan in Ottorino Respighi s
arrangements in 1935.
The running of the theatre in Olomouc had some specific aspects of the
provincial town. The hidebound management did not have any experience
with the running of such an institution therefore the 1st director resembled
the director of 19th century; he was the conductor and composer - accord-
ing to an old-fashioned opinion that only an artist can handle an artistic
institution - he was, however, so disorganised that he made debts and he fled
from Olomouc. The next director was a real manager and modern kind of
director who was not an artist whatsoever but he was well organised and - as
the financial matters were in the small theatres always more relevant than
the artistic ones - he succeeded.
The most important task for the director was organising the tours for the
ensembles to earn enough money for running - the tours soon became an
integral part of the theatre activity. The most remarkable was the tour of
the opera ensemble to Vienna. The Czech repertoire had an unexpectedly
great success which was even more surprising because the Austrian audience
heard most of the pieces for the first time (not only all Smetanas operas,
but also Dvoraks Rusalka or Fibichs opera). This tour was considered one
of the biggest successes of Olomouc opera in the whole interwar period.
Apart from Vienna the opera ensemble also performed in Poland and in the
whole Czechoslovakia, some years the tour activity prevailed the activity
in Olomouc. The year 1938 meant the end of the tours to certain regions as
the German occupation meant many geographical changes.
324
Summary
Apart from the financial affairs or the national ideas influencing the re-
pertoire of the theatre, other aspect had an impact on the running of the
theatre - it was the conservatism of the audience, typical for provincial
town. The archival research confirms the hypothesis about the conserva-
tiveness of the regional audience as the new and progressive repertoire was
never received well. Also, the provincial audience was rather snobbish, as
the management complained very often, so they visited the theatre only at
the premiere - for it was kind of a social event. They were not interested
in theatre as such therefore the ensembles were forced to produce as many
premiers as possible to lure the people there. This made the repertoire very
rich, but the productions were sometimes too shallow and unfinished as the
ensemble had not enough time to study.
A great impact on the repertoire had the reviewers who, in some respect,
might have shaped the opinions of the provincial audience. As an example -
one of the most shocking performances during the 1930 s was opera Lady
Macbeth of the Mtsensk District by Shostakovich performed in 1936. It was
one of the first performances in Czechoslovakia (after Prague and Bratislava)
and expectedly it was coldly received. The overall reactions were perplexed
because of its daring subject, the music was generally commented very care-
fully or, it was pronounced an ‘unimportant experiment of Russian young
author”. It was the time of maintaining criticism of Italian verism therefore
Shostakovich’s opera could not have been accepted at all.
The opera is not remarkable only as an highly artistic genre but also as
the genre with rich extra/musical context which is tightly connected with
it since the beginning. Olomouc, as an provincial town, is the best example
of those contexts as, due to the omnipresent financial struggles, precisely
mirrors the current situation.
325
Jmennÿ rejstíík
A
Abraham, Paul 293,294, 295,297
Adam, Adolf 154,156,275
Adami, Giuseppe 273, 276
Adorno, Theodor Wiesengrund 130,
133
Albini, Felix 296
Alt, A. 287
Ambros, Emanuel 12, 100, 102, 209,
211,213, 251-252, 272
Ambros, Vladimir 123-125
Anceschi, Aristide 116
Ancerl, Karel 171
Andai, A. 293
Andersen, Hans Christian 196
Anelli, Angelo 278
Argyris, Vasso 200
Archipov, Boris 200, 302, 303
Armand, J. 295, 296
Arnoldi, Quido 171
Arnold, E 287,289
Aschenbrennerova, Blazena 201
Ascher, Leo 283, 290
Auber, D. F. E. 88,141, 269, 274, 280
Audran, Edmont 36, 283, 291, 298
B
Babler, Otto Frantisek 209, 218, 222
Badar, S. 268
Badalic, Hugo 269
Bach, A. 287
Bach, E. 289
Bach, J. Sebastian 222
Bachtik, Josef 82
Bákonyi, K. von 282, 286, 288, 294
Balcárek, Antonín 19
Balda, J. 293,295-299
Baloun, Jifi 296
Barbier, Jules 268, 273-275, 277
Bardare, L. E. 278
Bass, Eduard 52
Basti, Emanuel 8, 9, 70, 75, 80,94,
127-131, 133, 134, 138, 142, 143,
145, 147-149, 151, 152,156, 158,
159, 161, 162, 171, 186, 246-247,
249, 252, 307, 308,310,311
Bafa, Jan 181
Bata, Tomás 47
Bauberger, Richard 292
Bause, Josef 171,310, 312, 313
Beer, Gustav 288, 291, 292, 294, 295
Beer, Josef 298
Beethoven, Ludwig van 94, 239, 266,
269, 272, 280
Beim, J. B. 43, 54
Bekeffi , Stépán 293, 294, 297
Benatzky, Ralph 92,136, 284, 287,
289, 292-294, 298
Bendl, Karel 18,149,275
Benes, Jára 198, 295-299
Bergman, Emil 192,310-312
Bertati, G. 280
Berté, Heinrich 285, 290
Bertuche, M. 299
326
Jmennÿ rejstnk
Bezrucovâ, Z. 77,303,305,307,310
Bizet, Georges 88,264, 266-268,
270, 272, 274,277, 281
Blachut, Beno 242, 250
Blau, E. 267, 277
Blazicek, J. 170,316
Blodek, Vilém 105,265,268,273,
278
Blüml, Jan 80
Bobkovâ-Otrubovâ, Amâlie 33,90
Bodanzky, R. 284,286, 288,292
Boildieau, A. R 272
Boito, Strigo 278
Borotinsky 282
Borovickovâ, Lida 78,116,133,148,
302-305, 307, 308,310
Böhm, Jindrich 279
Brammer, J. 283-285,287-291,298
Brandhuber, Karel 24
Brestner, C. F. 275
Brod, Max 124,172,184,186
Brodszky, Nikola 81, 292-293
Brozik, E. 283, 286, 287, 293, 299
Brahms, Johannes 189
Bruckner, Anton 189
Brunsvick 271
Brünbaum, R 286
Budik, Jaroslav 11, 44, 86,107,109,
125,126,153,171, 172,175,193,
195, 203,206,207, 213,215,218,
243, 252, 264-266, 300-313,
315-319
Budikovâ, A. 300-303,305-307,
309,310, 312
Budikovâ, Marie 201
Budil, Jaroslav 170,293,312
Buchbinder, B. 285, 290,293
Bukovsky, Mirko 286, 295, 301
Burda, Josef 28
Burghauser, Jarmil 201
Burian, Emil 137, 201
Burian, Emil Frantisek 65,80,87,
166,170, 250
Burian, Karel 117,242
Burja, Petr 145,148,307,310
Bystfina, Otakar 22
C
Caine, Henri 273
Calma, Marie 215
Cammarano, S. 268, 272
Cannon, Robert 220
Carré, M. 268,271,275
Casell, Alfred 189
Cavanova, Mary 70,71, 88, 89, 98,
252
Celerin, Josef 80,114,116,119,137,
252, 302-305, 307
Cimarosa, Domenico 220,221, 266,
280
Civinini, G. 278
Clairvill, L. 282
Clayton, Alfred 204, 205
Colie, Jeremy 294
Cormone 273
Costa, K. 287
Crémieux, Hector 284, 293
Cvejic, Nikolaj 192
Csaky, Moritz 227
Charpentier, G. 114, 202,271
C
Cajkovskij, Petrlljic 89,154,189,
196, 265-268, 270, 272, 273, 278,
281
Casnÿ, Felix 168
Cernusâk, Gracian 111,218,
222-224, 241
Cerny, Oldrich 85,304-306
Cervenâ, Sona 150
Cervinkovâ, Ludmila 171, 213, 215,
218, 224, 230,241,242, 250
Jmennÿ rejstfik
327
Cervinkovâ-Riegrovâ, Marie 268,
271, 275, 280
Cizkovsky, R. 301
D
d'Albert, Eugen 130, 266, 267, 270,
272, 273, 281
Debussy, Claudie 15, 104,189,194,
195,199, 206, 244, 276
Decsey, Ernst 104,105,107-110
Delibes, Léo 190,195,276
Dellinger, Rudolf 283
Demkov, Mikulâs 11, 33, 34, 43, 84,
87, 88, 93-95, 252, 300
Destinnovâ, Ema 24, 70, 84, 89, 90,
219
Dohnânyi, Ernô 121
Domaninskâ, Libuse 150
Donizetti, Gaetano 88,190
Dôrman, F. 287
Dostâl, Jindrich 38
Dostâl, Jiri 202, 289
Dostâlovâ, Babetta 90
Dovski, Beatrice von 272
Drasar, Antonín 8-12,14,40-44,
49, 54-57, 59, 60, 62-64, 67,
68, 70, 72, 75-87, 89, 94, 104,
127-130, 139-141,145,147,148,
150, 158,160, 161, 163, 166,171,
177, 249, 251, 252, 300-305, 307,
308,310
Drasar, Vâclav 11, 41,79,81
Drlikjan 75, 178,251
Drozdov, Andrej 154
Dubovsky, O. 295
Dûras, Oldrich 202
Dûrasovâ, Bozena 202
Dvorak, Antonín 17-19, 53, 73,91,
93, 96, 106, 108, 116, 117,129,
131, 137,140,154, 160, 188-190,
215, 231,236-242, 249, 254,
264-269, 271-273, 275, 277-281
Dvorak, Josef 19
Dvorakova, Tereza 158
Dziadek, Magdalena 125,171, 258
£
Öagilev, Sergej 120, 154, 197, 206
E
Eisenmann, Michael 296, 299
Ellis, Vivian 294
Engel, Josef 24
Ewers, Hanns Heinz 130, 273
Eysler, Edmund 284, 286, 290, 291
F
Fabri, Paolo 222, 224
Fall, Leo 283-286, 288-292
Feiner, H. 294
Felber, Ervin 109
Fenyes, S. 297
Ferko, Tibor 12,64,144
Fiala, Jan 102
Fialka, Jaroslav 112
Fibich, Zdenek 86, 87, 92, 115, 129,
134, 147, 158,199, 231, 240, 266,
267, 271, 274, 279
Fiedler, Jiri 281
Fischer, Otokar 276
Fischer, Richard 24,72, 73,173,186,
251,259
Flotow, Fridrich von 141,274
Foerster, Heiko Matyas 238
Foerster, Josef Bohuslav 84, 96, 109,
110,124, 172,189, 190, 214, 215,
265, 278, 279
Fokin, Michail 206
Földes, E. 293
Formanovä, Marie 157,175, 217,
311-313
Förchgott-Tovacovsky, Arnost 16
Frank, Ada 241,316-319
Frank, Ivan 124
328
Jmennÿ rejstffk
Fric, Martin 215
Friml, Rudolf 67, 81, 291, 298
Frÿda, Antos 41, 42
Frÿdovâ, Olga 41, 44, 52, 78, 86, 87,
170, 306
Fuentes, Jovita 200
Führich, Karel 168, 253
Fuchsovâ, Ella 122, 139, 140, 142,
145, 147, 170, 252, 306, 310, 311
Fuxovâ, Wanda 77, 139, 308, 310
G
Gabet, Ch. 282
Gabriel, Josef 152, 170, 191, 193,
209, 215, 224
Gabrielovâ, Jarmila 238
Gabzdyl, Emerich 120
Geisler, Antonín 19
Genée, R. 282, 285, 288, 292, 293,
296
Gerold, Fr. 295
Ghislanzoni, Antonio 268,276,281
Giacosa, G. 267-269, 271, 272, 275,
278, 281
Gilbert, Jean 284-288, 294, 299, 320
Gilbert, Robert 294
Gilliam, Bryan 210
Gindinet, Léo 276
Giordano, Umberto 190, 276
Giunand, Ed. 276
Gluck, Christoph Willibald 189
Gnecchi, Vittorio 111, 112, 270
Goden 174
Gofman, Boris 192
Gogol, N. V. 279
Goldschmidt 221
Gonzaga, Francesco 222
Gounod, Charles 88, 115, 268, 271,
274
Granichstaedten, Bruno 286, 288,
289, 292
Gregorova, Heia 170,310-312,314
Grey, C. 294
Greyovä, Marie 170, 218, 314, 315
Gribitz, J. 295
Grohmannova, Slava 296
Grünbaum 283, 292
Grünwald, Alfred 283-285,
287-291, 293, 294, 295, 297, 298
Guastalla, Claudio 222, 280
Guldner, Bermard 273
H
Hadrabova-Nedbalova, Eva 80,116,
117, 123, 252, 304, 305
Hajek, Frantisek 78, 105, 116, 140,
148, 301-305, 307, 308, 310
Haken, Eduard 171, 242, 250, 319
Halas, V. 297
Halevy, L. 145, 265, 267-270,
272-274, 277, 284, 294
Hall, Owen 284, 291
Hallovä, D. 294,299
Haidberg, H. 286
Hämmerst 291
Hanak, Mirko 293
Harbach, O. 289,291
Hardt, F. 288
Harmut, J. 297
Hart, G. 294
Harzer, L. 292
Haskell, Arnold 197
Hasler, Karel 285, 299
Hauerbach, O. 298
Havelka, R. 294
Havlik, Ladislav 87, 105, 106, 114,
300-304
Haydn, Joseph 189, 190, 266, 280
Hejda, Jifi 33, 34, 49
Held, L. 297
Helfert, Vladimir 99-101
Heller, Adolf 6, 8-11, 15, 44, 69,
158-162, 170, 172, 173, 182-200,
204, 206, 207, 209-213, 216-221,
Jmennÿ rejstfík
329
224, 226, 231,236-241,243,
244, 247-250, 253, 254, 256, 260,
264-266, 312, 313, 315, 316, 319
Henry, Marco 130
Hervé 202, 282, 285, 291, 296
Herz, R 293
Herzer-Löhner 293
Hes, Vilém 105
Hewlitt, Maurice 201
Hirsch, Hugo 286, 287
Hitler, Adolf 173,182
Hladnovsky, J. 293
Hlinecky, Oldrich 76,77,135,179,
251,252
Hlubucek, Karel 294
Hofmannsthal, Hugo 271, 277
Hollaender, Viktor 283
Holznerovâ 157,175, 206, 308,
310-312
Homans, Jennifer 155,198
Hooker, B. 298
Horâkova, Milada 34
Hornicek, Jiri 158
Horst, J. 289
Horvâtovâ, Gabriela 138
Hostinsky, Otakar 274
HradeckâH. 298
Hradecky, René 78, 296, 299,
312-318,320
Hrimalÿ, Vojtéch 265, 279
Hübner, Roman 145
Hudec, Vladimir 16,17, 172,184
Humperndick, E. 271
CH
Charell, E. 293
Charpentier, M. A. 114,202,271
Chmelensky, Josef 280
Chocovâ, Marie 170, 194, 197, 312,
313
I
Igirosana, Pia 200
Illica, Luigi 267, 270-272, 275, 276,
278, 281
Imre, H. 292
dlndy, Vincent 221
J
Jacobson, L. 286, 287, 290
Janácek, Leos 10,54-60,100, 111,
123-125, 129,130,138,149,150,
171, 189, 202, 213-215, 234, 235,
251, 252, 265, 266, 270, 275, 278,
281
Janecek, Karel 201
Jankovec, Jaroslav 296-298
Jares, M. 298
Jarka, Václav Hanno 80
Jarno, Georg 285, 290, 293
Jaros, Jaroslav 148,150,157, 170,
175, 195, 199, 203, 206
Jassik, Viktor 120,122, 252, 306,
310,311
Jelinek, Hanus 273, 280
Jenbach, B. 283, 284, 289-291
Jeral, Pavel 107
Jeremiás, Otakar 101,102,139
Jerábek, Bedfich 28, 29, 86
Jevtusenko, Boris 239, 254
Jindra, Jaroslav 11, 53, 54,109,110
Jirák, Karel Bolestav 172
Jiránek, Josef 100,106,108, 300, 301
Jirásek, Alois 180,193
Jifíkovsky, Václav 41,42
Jones, H. 294
Jones, Sydney 284, 291
Jouy, Bis 269
Judl, Josef 215, 236,314,315, 317,
318
Juliet G. 283
330
Jmennÿrejstrik
K
Kalâb, Jan 294
Kalbeck, M. 269
Kalista, Karel 38
Kalman, Emmerich 81,282-289,
291,294, 298
Kamarov, Karel 42
Kapr, Jan 201
Kares, Milos 273, 281
Kârnik, Zdenëk 12, 46-48
Kelkel, Manfred 228, 230, 259
Kessler, R. 288
Kessel, Léon 290
Ketzek, F. 298
Kienzl, W. 115,271,273
Kind, Ant. 298
Kind, Ferdinand 270, 274
Klabund 207, 277
Klemperer, Otto 204
Knepler, P. 290,297
Knorr, Ivan 123
Kohout, J. 297,299
Kohoutova, Marie 170, 309, 310
Kollo, Walter 287-289, 294
Komarov, Karel 267, 282
Kopecky, Jiff 16, 70,103
Kopfiva, Emil 112
Korngold, Erich 111
Kotzebue, H. 279
Kovafovic, Karel 12, 25, 33, 53, 82,
89, 93,109, 124, 138, 157, 189,
190, 192, 193, 199, 201-203, 246,
264, 266, 267, 269, 271, 275, 282
Kose, Otakar 19
Koutnÿ, Frantisek 171
Körner, Karel Theodor 237, 239, 281
Krapkova 272
Krâsnohorskâ, Eliäka 107, 267, 268,
270, 272, 274, 275, 281, 282
Kratochvilova, Markéta 238
Krausovâ, Rüzena 107
Kratz, C. 288
KrejcUSa 177,246
Krenn, L. 282, 285, 292
Krofta, Kamil 11, 53, 54, 109
Kronbauerovâ, Jarmila 167
Kfenek, Zdenëk 297
Kfikava, Jifi 67, 80, 84, 85, 87, 107,
116, 133, 137,138,140, 200, 252,
300, 301, 304, 305, 307, 308
Kfizkovsky, Pavel 16
Kfupkova, Lenka 7,12,14,16, 17, 25,
37,40,48, 53, 70, 88, 103
Kscecinskâ, Matylda 155
Kubik, Jan 282, 286, 287, 292, 294,
295, 299, 309,311
Kubin, Otto 224, 239, 240, 254,
315- 319
Kubis, Adolf 251
Kubla, Richard 70, 89, 107
Kucera, Martin 103
Kucerova, Alice 53
Kühn, Jan 43, 84, 88, 90, 93, 98,112,
130, 134, 170, 272-274, 292, 307,
308,310
Künneke, Eduard 285, 292
Kumok, Josef 278, 296, 298
Kupferovâ-Bergerovâ, Mila 70
Kvapil, Jaroslav 25, 29, 99,169, 253,
267,277
L
Lacina, Frantisek 21,103
Ladislav, V. 293
Langer, Stanislav 8-10, 41, 148-150,
153, 157, 159-161,163-174, 177,
178, 181, 182,186, 193, 247, 253,
276-278, 294, 296-299, 310-314,
316- 319
Lehar, Franz 67, 88, 228, 283-285,
287, 290-293, 297, 298
Lemaire, F. 274
Jmenny rejstíík
331
Léon, Viktor 284, 285, 291-292, 298
Leoncavallo, R. 87, 88, 111, 131,
217,218, 265, 268, 273, 277
Lesser, Stanislaus 37
Leskov, N. 279
Letnianskâ, Markéta 90
Leven 271
Levin, David J. 207
Lindau, K. 282, 284-286, 292
Linhart, Oskar 280-282,298,
318-320
Linka, Milos 80,116,137,302, 303
Lockroy 273
Loh, Frantisek 226,253
Löhner, F. 292-295,298
Lochner 297
Lom, Stanislav 162
Lortzing, Gustav Albert 106,190,
265, 271, 276, 279
Lothar, R. 267, 270, 272, 281
Loula, Karel 44, 88, 90,94
Luccy, Pauline 70
Ludikar, Pavel 192
Lunzer, E 287, 288, 291, 292
M
Mackben, Theo 295
Magni, Carlo 222
Magni, Giovanni 222
Mahler, Alma 204
Mahler, Gustav 82,103,105,189,
233
Maillart 273
Malipiero, Gian Francesco 221, 224
Mandel, F. 289
Mandic, Josef 280
Marek, Ad. 28
Marek, VI. 28
Marchant, A. 299
Marischka, E. 288, 289
Markel, A. 299
Marková, Milada 170, 224, 236, 316,
318,319
Marsálková, Vlasta 90
Martinû, Bohuslav 162,215, 225,
231-233, 244, 249, 254, 266, 281
Martos, F. 290
Marák, Otakar 70, 71, 88, 89, 95,98,
107, 153,252
Marik, R. 287, 299
Masák, Otakar Josef 77,80,105,
106, 114, 116, 137,147, 301-303
Masaryk, Tomás Garigue 14, 91,
158,175,180, 249
Mascagni, Pietro 87,88,114,131,
206,218, 266, 268, 280
Maschwitz 299
Massenet, Jules 264,267,270, 277
Mastini, Zdeñka 114, 302, 303
Masková-Kublová, Lida 80, 98,
106-108,110,111,114,116,200,
301, 302, 303
Maturová, Rûzena 84
Mayers 294
Mazáková-Titlová, Sláva 87,305,307
Medek, Rudolf 193
Meilhac, H. 267, 268, 270, 272, 274,
277, 282, 284, 285, 291, 294, 296
Melisek, Karel 299
Mendelssohn-Bertholdy, F. 222
Merlínová, L. 295, 302
Messager, André 284
Mestek, Jan 116,119, 252, 304, 305
Meyerbeer, G. 269
Micková, Karla 44, 84, 88, 93, 94, 96,
107, 108,112, 250, 252, 300, 301
Milic, Ivo 295, 302, 305
Millaud, A. 282,285,291,296
Milliet, D. 267,277
Millöcker, Karl 296
Minárová-Strosová, Marie 114,116,
150, 302, 303, 307
332
Jmenny rejstíík
Mink, J. H. 276
Miran 36
Mirovsky 295, 298, 299
Modestinová, Milada 43, 77, 80, 84,
87, 91, 96, 105, 107, 108, 300-302
Molino, Jean 195
Monczaková, Helena 30, 33, 36
Moniuszko, S. 150,151,275
Monteverdi, Claudio 189,190,216,
221-224, 244, 265, 279
Moor, Karel 288
Morgan, Paul 298
Móry, Jan 293
Mosenthal, H. S. 270,277
Mozart, Wolfgang Amadeus 98, 139,
152, 156, 265, 266, 269, 270, 272,
274, 275, 279, 280
Munclingr, Frantisek 80, 98
Munclingr, Josef Frantisek 98,99,
102, 107, 108, 137, 233
Munclingr, Milan 98
Munch, Charles 226, 253
Munk, Julius 201
Munk, Stépán 136, 293
Musorgskij, Modest Petrovi¿ 189,
190, 192, 196, 201, 233, 265, 275,
279
Milller, H. 287,293
N
Nack, H. R. 290
Nadler, A. 288
Nedbal, Karel 6, 8, 9-11, 14, 15,
24, 36, 41, 44, 60, 62, 70, 76,
78-87, 89, 90, 92-94, 96, 98,
102-105,108,110-113, 116, 121,
125-127,131, 150, 156, 161, 162,
188, 192, 233, 243, 245, 246, 251,
252, 256, 300-305
Nedbal, Oskar 41, 65, 70, 73, 76, 78,
82, 95, 105, 113, 125, 127-129,
202, 238, 252, 282, 283, 285, 288,
290, 293, 295
Nechyba, Vladimir 44, 45, 78,105,
251, 288-299, 301-310, 312-318,
320
Nechybovä-Krakesovä Anna 36,46,
105, 120, 251, 301-304, 306, 308
Neidhart, August 290
Nejedly, Zdenek 7, 199, 222, 242
Nespor, V 251
Nesvera, Josef 16
Neumann, F. 12,151, 275, 289
Newman, G. 294
Nezadalova, Marie 43, 80,98,107,
110, 301
Nicolai, Otto 265, 270, 277
Niese, Hansi 108
Nikolskä, Jelizavetta 154, 155
Nino 227,279
Nohain, Fn 281
Norman, Vaclav 286, 288, 301-303
Nossberger, Kvetoslav 295
Nougues, Jean 273
Novak, Josef 282-284
Novak, Vaclav 137
Novak, Vitezslav 82,124, 147, 183,
189,190, 201,243, 273, 274, 276
Novotna, Jarmila 219, 220, 253
Novotny, E. 288, 299
Novy, Milos 167
O
Offenbach, Jacques 229, 265, 268,
272, 273, 277, 284, 293, 294
Okonkowski, G. 284, 285, 288, 294
Olbrich, E. 293
Ordonneau, M. 283, 291, 298
Ostrcil, Otakar 12,82, 94, 96, 117,
124, 138, 139, 183,189, 200, 202,
204, 276
Jmenny rejstrík
333
Ostrovskij, Alexandr Nikolajevic
149, 275
Ocadlik, Mirko 171
P
Pál, A. 292
Papierová, Rosa 70
Paul, F. 281, 299
Petrová, Steva 217,302, 313,
315-320
Petzold, Antonín 34
Piave, Francesco 268-270, 272, 274,
277, 280
Piccaver, Alfred 140
Piskácek, Rudolf 283, 286-288, 293,
296, 299
Piskácková Lenka 157,301,
305-307, 309,310,312,313
Pisek, Jindrich 68, 76, 77
Pistèk, Jan 41,105
Planquette, Jean 282
Plichta, Jan 297
Podvalová, Marie 150,242
Polácek, Václav 274, 275, 284,285,
292-294,310,311
Polách, B. 296, 298
Polák, Robert 201
Ponte, Lorenzo da 269,270, 274,
279, 280
Porrin, Enni 218
Posford, E. 299
Pospíáil, Jaroslav 148, 310-312
Pospísil, Premysl 149, 191,193, 202,
203, 275, 276, 312
Post, W. 298
Prager, W. 286,299
Prazsky, Villy 282, 283, 287-293,
302, 303, 305-307, 309, 310
Preobrazenská, Olga 155
Prévost 279
Procházka, E 301,304-306,308,
309,311
Prokofjev, Sergej Sergejevic 233, 240
Ptâcek, Lubos 158
Puccini, Giaccomo 86, 88, 91,96,
111, 114, 115, 131, 133,149,188,
190, 193, 194, 206, 219, 220, 229,
249, 265-269, 271-273, 275, 276,
278, 279, 281
Puskin, Alexandr Sergejevic 275
R
Rada, J. 283
Rajcev, Petar 133
Ravel, Maurice 189,199, 228, 266,
281
Raymond, Fred 292
Rebner, A. 286
Reichert, H. 285, 287, 290-292
Reisserovâ, Julie 225-228,253
Relsky, Loris 156, 170,194, 195,312,
313
Respighi, Ottorino 190,209,
216-218, 222, 223, 265, 266, 277,
280
Reychan, Leszek 98
Rideamus, H. 285
Richter, Adolf 240
Richter, Hanus 246
Richterovâ, Anna 230,239, 240, 254,
317-319
Rohan, Vladimir 296
Rossini, G. 88,219,265,266,269,
272, 278, 282
Roussel, Albert 199, 224-231, 244,
246, 253, 266
S
Sabina, Karel 267,268,270, 273,
275, 278, 282
Saint-Saëns, C. 139,142,143,145,
274
Salvaro, Antonio 98, 300
Sandberg 222
334
Jmennÿ rejstfík
Sardou 268
Sari, Ada 70, 141, 147, 200
Sarment, Jean 127
Scribe, Eugene 268, 269, 272-274,
278, 280
Sehnalová, Alba 114, 116, 118, 252,
303-305, 307, 308, 311-313,
315-320
Semmler, Max 120
Severin, Viktor 283, 284
Shakespeare, W. 274
Schikaneder, E. 281
Schanzer, R. 284-286, 288-290, 292
Schiller, Fridrich 180, 275
Schilling, M. 272
Schliesmann, Robert 25
Schmoranz, Gustav 25,41, 70
Schnitzer, Ignác 283, 284, 289, 299
Schnitzer, O. K. 298
Schnitzler, Arthur 275
Schöffler, Jifí 78, 170, 301, 310
Schönberg, Arnold 106
Schubert, Franz 290
Schulzová, Anezka 267, 279
Schütz, A. 298
Schwabe, Julius 37
Schwaninger, Ami 120, 123, 252
Schwarz, Ferdinand 148, 157, 170,
175,213
Simrock 238
Singer, Ludvik 116,304
Skála, J. 293
Skuhersky, Frantisek 134
Slánská, Em. 295
Slavik, Jífí 296
Slezak, Leo 70, 107
Smetana, Bedfich 7, 13, 14, 17, 18,
33, 34, 42, 53, 65, 73, 86, 87, 90,
92, 97-109, 117, 124, 129-134,
141, 142, 148, 153, 157, 158, 181,
189-191, 195, 199, 231, 235, 237,
240-242, 246, 248, 249, 252, 264,
266-270, 272-275, 277, 279, 281,
282
Smetana, Robert 241
Smrcka, Frantisek 19
Sobota, Jaroslav 217, 239, 241, 254,
313,315-319
Sonnleithner, A. 269, 272, 280
Somma, H. 269, 277
Spurnâ, Helena 152,216
Stadler, R. 288, 290
Stalin, Josif Vissarionoviö 198
Starÿ, Emilian 282, 283, 285-287,
294, 299
Stefan, Paul 106
Stein, Leo 282-285, 287-290, 292,
293, 295, 298, 300
Stelibsky, Josef 299
Sterbini, Cesare 272, 282
Stibor, Oldfich 150, 170,174, 209,
214, 215, 217, 223, 225, 230, 236,
241, 250, 276-282, 294, 313, 314,
316-319
Stoegerova, Bozena 147, 157, 217,
229, 230
Stolz, Robert 286-291, 293
Strauss, Johann 35, 36, 228,
282-286, 288, 289, 292, 296, 299
Strauss, Oskar 136, 284, 287, 288,
289
Strauss, Richard 94, 95, 114, 115,
120, 121, 125, 189, 199, 209-210,
213, 216, 233, 234, 264, 265, 269,
271, 272, 277, 278
Stravinski), Igor Fjodorovic 189
Strecker, Heinrich 295
Streckoviè, A. R 299
Strejcek Otto 142, 305-308,
310-312
Striggio, Alessandro 222, 279
Stroupeznicky, Ladislav 274
Jmennÿ rejstrik
335
Suk, Josef 129,172, 186,189, 193,
231, 242, 243
Suppé, Franz von 285, 293
Svoboda, F. X. 276
Svojsik, Gustav 43, 84, 88, 93, 94,
300
Szimai, Albert 290
§
Safafovic, Jaroslav 73
Sarapatkova, Milada 78, 148,
303-305, 308, 310
Silovskij, K. S. 268, 281
Sindler, Vladimir 89, 297
Sipek, Karel 267, 269, 271,275,282
Skroup, Frantisek 266, 280
Sostakovic, Dmitrij 190, 231,
233-236, 244, 249, 265, 279
Sott, Karel 165, 166, 287, 306, 307,
309
Sourek, Otakar 236, 239, 241
Spackova, Zdenka 211,315
Spilar 295-299
Spilling, Jan 116,305,307
Sponarova, Marie 80, 107, 137, 301
Stefanides, Jifi 12,17,42
Stefanovic, Drahomir 174, 307, 308,
310,313
Stëtka, Karel Frantisek 112
Stolba, Josef 268, 273, 278
Stursa, Jan 202
Subert, Frantisek Adolf 41, 88, 103
Suie, B. 296,298
Svagr, E. 154
Svarc, Ladislav 148, 170, 199,
311-313
T
Tajrov, Alexandr 154
Talich, Vaclav 82, 100, 214, 242
Tebaldini, M. 111
Teichlinger, M. 280
Thomas, Ch. L. A. 268, 275
Tichy, Frantisek 297
Tobis 295-299
Tolstoj, Lev Nikolajevic 149, 225
Tomek, Ferdinand 19, 25, 170, 296
Toscanini, A. Ill
Trapl, Milan 23
Trnka, Frantisek 17, 42
Trojan, Vaclav 201
TumlifJ. 293
Tyl, Josef Kajetan 231
Tyrrell, John 7, 149
Tyrs, Miroslav 192,193
V
Vacin, Jindfich 157,178, 294, 306,
310,312-314
Vackova, Jifina 226, 253
Vaclavek, Bedfich 155
Vaculova, Zuzana 150
Valabré 291
Vanëckovâ-Jirânkovâ, Bozena 44,
84, 87, 88, 93, 94, 98,106, 108,
300, 301
Vanloo, A. 284
Vasmut, Jifi 170, 293, 295
Vasata, Josef 293
Vaurien, ]. N. 288
Vavra, Hilbert 137
Verdi, Guiseppe 67, 87, 88, 92, 94,
98,116,117,131,134,145, 146,
152,156,190,195, 199, 229, 246,
264-266, 268-270, 272, 274-278,
280, 281
Verneuill, L. 294
Viktorin, Vaclav 116
Vilim, Bohus 45, 86, 131, 251, 267-
273, 284, 285, 288, 289, 300-305
Vipler, Vlastislav 295
Viscusi, Achille 236
336
Jmennÿ rejstffk
Visnëvskij, V. V. 225
Vítová, Hana 171, 191, 250, 313
Vlcek, Ant. 251
Vlkosovà, Jaroslava 236
Vlková-Spillingová, Olga 116,118,
252, 304, 307,310
Vogel, Jaroslav 241, 269
Vojnar, Em. 251
Volánek, Václav 171
Vrána, V. 286,296
Vrchlicky, Jaroslav 198,279
Vrbík, Stanislav 11,214-218,223,
224, 236
Vybíral, B. 251,252
W
Wagner, Richard 90, 94, 96, 106,
113, 115, 117, 138, 189, 199, 221,
233, 240, 241, 266, 269, 271, 272,
276, 280, 282
Waic, Frantisek 11, 191, 198-200,
217, 221,225, 235
Waldberg, H. 292
Walter, Bruno 82
Walther, O. 283
Wayne, Heisler 120
Weber, C. M. von 270
Weinzierl, Max 287
Weinberger, Jaromír 266, 273, 281,
295, 296
Welleminski, J. M. 295
Welisch, E. 286, 288-290, 292
Weltovà, A. 271
Wenig, Adolf 269,277
Wenzig, Josef 267-270, 275, 279
Wermuth, B. 296
Werner, Vilém 215
West, M. 297
Wilhelm, J. 285,286,293
Wilkonsky, Jaroslav-Stuka 8,9,
28-33, 35-43, 84, 248, 251
Wilde, Oskar 269
Willner, A. M. 283-287, 289, 290,
292, 296
Wogner, K. 293
Wolf, Stanislav 170
Wolski, Wladimierz 275
Y
Youmans, Vincent 289
Z
Zahradnikovä, Kv£ta 124, 272
Zajc, G. 269
Zamykal, Ladislav 39, 252
Zangarini, Carlo 278
Zell, E 285, 293, 296
Zeller, Carl 297
Zemlinsky, Alexandr 162,172, 183,
186,190,199, 200, 204-207,209,
210, 216, 244, 249, 265, 276, 277
Zerkowitch, Bela 292
Zerlett, H. H. 286, 299
Zeyer, Julius 281
Ziehrer, Karel Maria 282, 292
Zieh, Otakar 124
Zuna, Milan 171
Zungel, Emanuel 268, 270, 273, 277
Zwerenc, R 272
2
2alman, J. 296, 298
Zärskä, Herma 34
2id, Jaromlr 316-320 |
| any_adam_object | 1 |
| author | Hasíková, Miriam 1988- |
| author_GND | (DE-588)1141604051 |
| author_facet | Hasíková, Miriam 1988- |
| author_role | aut |
| author_sort | Hasíková, Miriam 1988- |
| author_variant | m h mh |
| building | Verbundindex |
| bvnumber | BV044539124 |
| ctrlnum | (OCoLC)1011401091 (DE-599)BVBBV044539124 |
| edition | 1. vydání |
| era | Geschichte 1900-2000 Geschichte 1918-1939 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1918-1939 |
| format | Book |
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| geographic | Olomouc (DE-588)1195726953 gnd |
| geographic_facet | Olomouc |
| id | DE-604.BV044539124 |
| illustrated | Illustrated |
| indexdate | 2024-11-29T13:03:33Z |
| institution | BVB |
| institution_GND | (DE-588)1088442-7 |
| isbn | 9788024450377 8024450372 |
| language | Czech |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029938241 |
| oclc_num | 1011401091 |
| open_access_boolean | |
| owner | DE-12 DE-Re6 DE-BY-UBR |
| owner_facet | DE-12 DE-Re6 DE-BY-UBR |
| physical | 336 Seiten Illustrationen, Porträts, Faksimiles 21 cm |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Univerzita Palackého v Olomouci |
| record_format | marc |
| series2 | Ediční řada - Monografie |
| spelling | Hasíková, Miriam 1988- Verfasser (DE-588)1141604051 aut Meziválečné hudební divadlo v Olomouci Miriam Hasíková ; Univerzita Palackého v Olomouci, Filozofická fakulta 1. vydání Olomouc Univerzita Palackého v Olomouci 2016 336 Seiten Illustrationen, Porträts, Faksimiles 21 cm txt rdacontent n rdamedia nc rdacarrier Ediční řada - Monografie Enthält Tabellen, teilweise im Querdruck Zusammenfassungen in tschechischer und englischer Sprache Geschichte 1900-2000 Geschichte 1918-1939 gnd rswk-swf Musiktheater (DE-588)4040874-7 gnd rswk-swf Olomouc (DE-588)1195726953 gnd rswk-swf České divadlo v Olomouci dějiny divadla / Česko / 20. století hudební divadlo / Česko / 20. století opera / Česko / 20. století history of theater / Czechia / 20th century music theater / Czechia / 20th century opera / Czechia / 20th century Olomouc (Česko) Olomouc (Czechia) 1918-1938 20. století monografie monographs Olomouc (DE-588)1195726953 g Musiktheater (DE-588)4040874-7 s Geschichte 1918-1939 z DE-604 Univerzita Palackého v Olomouci Filozofická fakulta (DE-588)1088442-7 isb Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029938241&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029938241&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029938241&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029938241&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
| spellingShingle | Hasíková, Miriam 1988- Meziválečné hudební divadlo v Olomouci Musiktheater (DE-588)4040874-7 gnd |
| subject_GND | (DE-588)4040874-7 (DE-588)1195726953 |
| title | Meziválečné hudební divadlo v Olomouci |
| title_auth | Meziválečné hudební divadlo v Olomouci |
| title_exact_search | Meziválečné hudební divadlo v Olomouci |
| title_full | Meziválečné hudební divadlo v Olomouci Miriam Hasíková ; Univerzita Palackého v Olomouci, Filozofická fakulta |
| title_fullStr | Meziválečné hudební divadlo v Olomouci Miriam Hasíková ; Univerzita Palackého v Olomouci, Filozofická fakulta |
| title_full_unstemmed | Meziválečné hudební divadlo v Olomouci Miriam Hasíková ; Univerzita Palackého v Olomouci, Filozofická fakulta |
| title_short | Meziválečné hudební divadlo v Olomouci |
| title_sort | mezivalecne hudebni divadlo v olomouci |
| topic | Musiktheater (DE-588)4040874-7 gnd |
| topic_facet | Musiktheater Olomouc |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029938241&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029938241&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029938241&sequence=000007&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029938241&sequence=000008&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA |
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