The Routledge companion to world cinema:
Gespeichert in:
Weitere Verfasser: | , , , |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2018
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
Beschreibung: | xx, 522 Seiten Illustrationen, Diagramme |
ISBN: | 9781138918801 |
Internformat
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Datensatz im Suchindex
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adam_text | Titel: The Routledge companion to world cinema
Autor: Stone, Rob
Jahr: 2018
CONTENTS
List of illustrations ix
List of contributors xiii
Acknowledgements xx
Introduction: The longitude and latitude of World Cinema 1
Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann
PART I
Longitude 21
1 The cinematic and the real in contemporary Chinese cinema 23
Yingjin Zhang
2 Southeast Asian independent cinema: a World Cinema movement 33
Jonathan Driskell
3 Global intimacy and cultural intoxication: Japanese and Korean film
in the twenty-first century 44
Felicity Gee
4 Media refashioning: from Nollywood to New Nollywood 59
Jeffrey Geiger
5 Framing democracy: film in post-democracy South Africa 73
Ian-Malcolm Rijsdijk
Contents
6 Brazilian cinema on the global screen
Stephanie Dennison
7 Transnational filmmaking in South America
Dolores Tiemey
8 Connected in another way : repetition, difference and identity
in Caribbean cinema
Dunja Fehimović
9 Women s (Revolutions in Mexican cinema
Niamh Thornton
10 Popular cinema/quality television: the audio-visual sector in Spain
Paul Julian Smith
11 Contemporary Scandinavian cinema: between art and commerce
Olof Hedling
12 British cinemas: critical and historical debates
James Chapman
13 Developments in Eastern European cinemas since 1989
Elżbieta Ostrowska and Joanna Rydzewska
14 Cinema at the edges of the European Union: new dynamics in the
South and the East
Lydia Papadimitriou
15 The non/industries of film and the Palestinian emergent film
economy
Viviane Saglier
16 Locations and narrative reorientations in Arab cinemas/World
Cinema
Anne Ciecko
17 The forking paths of Indian cinema: revisiting Hindi films through
their regional networks
Madhuja Mukherjee
18 American indie film and international art cinema: points of
distinction and overlap
Geoff King
vi
Contents
19 Canadian cinema(s) : У 237
- .1 Christopher E. Gittings
- , 4 f о
20 Conventions, preventions and interventions: Australasian cinema
since the 1970s ; : } ; 252
Jonathan Rayner
PARTII -Г
Latitude 265
21 Cinemas of citizens and cinemas of sentiment: World Cinema in flux 267
Rob Stone
22 Transworld cinemas: film-philosophies for world cinemas engagement
with world history, 279
David Martin-Jones
23 Transnational cinema: mapping a field of study 290
Deborah Shaw , ,
24 Soft power and shifting patterns of influence in global film culture 299
Paul Cooke i ■У t :
25 Realist cinema as World Cinema 310
LúÄ
CONTENTS
List of illustrations ix
List of contributors xiii
Acknowledgements xx
Introduction: The longitude and latitude of World Cinema 1
Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann
PARTI
Longitude 21
1 The cinematic and the real in contemporary Chinese cinema 23
Yingjin Zhang
2 Southeast Asian independent cinema: a World Cinema movement 33
Jonathan Driskell
3 Global intimacy and cultural intoxication: Japanese and Korean film
in the twenty-first century 44
Felicity Gee
4 Media refashioning: from Nollywood to New Nollywood 59
Jeffrey Geiger
5 Framing democracy: film in post-democracy South Africa 73
lan-Malcolm Rijsdijk
v
Contents
6 Brazilian cinema on the global screen 87
Stephanie Dennison
1 Transnational filmmaking in South America 97
Dolores Tierney
8 Connected in “another way”: repetition, difference and identity
in Caribbean cinema 111
Dunja Fehimovic
9 Women’s (Revolutions in Mexican cinema 122
Niamh Thornton
10 Popular cinema/quality television: the audio-visual sector in Spain 136
Paul Julian Smith
11 Contemporary Scandinavian cinema: between art and commerce 146
Olof Hedling
12 British cinemas: critical and historical debates 157
James Chapman
13 Developments in Eastern European cinemas since 1989 167
Elzbieta Ostrowska and Joanna Rydzewska
14 Cinema at the edges of the European Union: new dynamics in the
South and the East 181
Lydia Papadimitriou
15 The non/industries of film and the Palestinian emergent film
economy 192
Viviane Saglier
16 Locations and narrative reorientations in Arab cinemas/World
Cinema 203
Anne Ciecko
17 The forking paths of Indian cinema: revisiting Hindi films through
their regional networks 213
Madhuja Mukherjee
18 American indie film and international art cinema: points of
distinction and overlap 225
Geoff King
vi
Contents
19 Canadian cinema (s) 237
Christopher E. Gittings
20 Conventions, preventions and interventions: Australasian cinema
since the 1970s 252
Jonathan Rayner
PART II
Latitude 265
21 Cinemas of citizens and cinemas of sentiment: World Cinema in flux 267
Rob Stone
22 Transworld cinemas: film-philosophies for world cinemas engagement
with world history 279
David Martin Jones
23 Transnational cinema: mapping a field of study 290
Deborah Shaw
24 “Soft power and shifting patterns of influence in global film culture 299
Paul Cooke
25 Realist cinema as World Cinema 310
Lúcia Nagib
26 Regional cinema: micro-mapping and glocalisation 323
A lex Marlow-Mann
27 Global women’s cinema 337
Kate luce
28 Provincialising heterosexuality: queer style, World Cinema 347
Rosalind Galt and Karl Schoonover
29 Stars across borders: the vexed question of stars’ exportability 359
Ginette Vincendeau
30 Film fusions: the cult film in World Cinema 369
Mark Goodall
31 Perpetual motion pictures: Sisyphean burden and the global screen
franchise 382
James Walters
vii
Contents
32 Screening World Cinema at film festivals: festivalisation and (staged)
authenticity 393
Marijke de Valck
33 Cinephilia goes global: loving cinema in the post-cinematic age 404
Belén Vidal
34 Another (hi)story?: reinvestigating the relationship between cinema
and history 415
Vito Zagarrio
35 Archival cinema 426
Paolo Cherein Usai
36 Digital cinemas 436
Sean Cubitt
37 Access and power: film distribution, re-intermediation and piracy 445
Virginia Crisp
38 The emerging global screen ecology of social media entertainment 455
Stuart Cunningham and David Craig
39 Remapping World Cinema through audience research 467
Huw D. Jones
40 Eyes on the future: World Cinema and transnational capacity building 482
Mette Hjort
Index 497
viii
The Routledge Companion to World Cinema explores and examines a global range
of films and filmmakers, their movements and audiences, comparing their cultural,
technological and political dynamics, identifying the impulses that constantly reshape
the form and function of the cinemas of the world. Each of the forty chapters provides a
survey of a topic, explaining why the issue or area is important, and critically discussing
the leading views in the area. This companion offers both a survey and an investigation
into the condition and activity of contemporary filmmaking worldwide, often challenging
long-standing categories and weighted-often politically motivated-value judgements,
thereby grounding and aligning the reader in an activity of remapping which is designed to
prompt rethinking.
Contributors: James Chapman, Paolo Cherchi Usai, Anne Ciecko, Paul Cooke, David
Craig, Virginia Crisp, Sean Cubitt, Stuart Cunningham, Stephanie Dennison, Marijke de
Valck, Jonathan Driskell, Dunja Fehimovic, Rosalind Galt, Felicity Gee, Jeffrey Geiger,
Christopher E. Gittings, Mark Goodall, Olof Hediing, Mette Hjort, Kate Ince, Huw D. Jones,
Geoff King, Alex Marlow-Mann, David Martin-Jones, Madhuja Mukherjee, Lúcia Nagib,
Elżbieta Ostrowska, Lydia Papadimitriou, Jonathan Rayner, lan-Malcolm Rijsdijk, Joanna
Rydzewska, Viviane Saglier, Karl Schoonover, Deborah Shaw, Paul Julian Smith, Rob
Stone, Niamh Thornton, Dolores Tierney, Belén Vidal, Ginette Vincendeau, James Walters,
Vito Zagarrio, Yingjin Zhang.
Rob Stone is Chair of European Cinema and Professor of Film Studies at the University of
Birmingham, where he co-directs B-Film: The Birmingham Centre for Film Studies.
Paul Cooke is Centenary Chair of World Cinemas at the University of Leeds and the
Director of the Centre for World Cinemas and Digital Cultures.
Stephanie Dennison is Chair of Brazilian Studies and a founding member of the Centre
for World Cinemas and Digital Cultures at the University of Leeds.
Alex Marlow-Mann is Lecturer in Italian at the University of Kent.
|
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spelling | The Routledge companion to world cinema edited by Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann Companion to world cinema London ; New York Routledge, Taylor & Francis Group 2018 xx, 522 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Film Geschichte Motion pictures History Motion pictures Film (DE-588)4017102-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s DE-604 Stone, Rob 1965- (DE-588)1056324236 edt Cooke, Paul 1969- (DE-588)130127000 edt Dennison, Stephanie (DE-588)1056421371 edt Marlow-Mann, Alex (DE-588)1011906910 edt Erscheint auch als Online-Ausgabe 978-1-315-68825-1 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029937873&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029937873&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029937873&sequence=000004&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | The Routledge companion to world cinema Film Geschichte Motion pictures History Motion pictures Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4143413-4 |
title | The Routledge companion to world cinema |
title_alt | Companion to world cinema |
title_auth | The Routledge companion to world cinema |
title_exact_search | The Routledge companion to world cinema |
title_full | The Routledge companion to world cinema edited by Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann |
title_fullStr | The Routledge companion to world cinema edited by Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann |
title_full_unstemmed | The Routledge companion to world cinema edited by Rob Stone, Paul Cooke, Stephanie Dennison and Alex Marlow-Mann |
title_short | The Routledge companion to world cinema |
title_sort | the routledge companion to world cinema |
topic | Film Geschichte Motion pictures History Motion pictures Film (DE-588)4017102-4 gnd |
topic_facet | Film Geschichte Motion pictures History Motion pictures Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029937873&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029937873&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029937873&sequence=000004&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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