The Cambridge companion to the musical:
Tracing the development of the musical on both Broadway and in London's West End, this updated Companion continues to provide a broad and thorough overview of one of the liveliest and most popular forms of musical performance. Ordered chronologically, essays cover from the American musical of t...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom ; New York, NY, USA
Cambridge University Press
2017
|
| Ausgabe: | Third edition |
| Schriftenreihe: | Cambridge companions to music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Tracing the development of the musical on both Broadway and in London's West End, this updated Companion continues to provide a broad and thorough overview of one of the liveliest and most popular forms of musical performance. Ordered chronologically, essays cover from the American musical of the nineteenth century through to the most recent productions, and the book also includes key information on singers, audience, critical reception, and traditions. All of the chapters from the first edition remain - several in substantially updated forms - and five completely new chapters have been added, covering: ethnic musicals in the United States; the European musical; Broadway musicals in revival and on television; the most recent shows; and a case study of the creation of the popular show Wicked based on interviews with its creators. The Companion also includes an extensive bibliography and photographs from key productions. |
| Beschreibung: | xv, 483 Seiten Illustrationen |
| ISBN: | 9781107535299 9781107114746 |
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Contents
List of Illustrations [page vii]
List of Contributors [ix]
Preface to the Third Edition [xv]
How to Create a Musical: The Case of Wicked Paul R. Laird [1]
Part I • Adaptations and Transformations: Before 1940
American Musical Theatre before the Twentieth Century Katherine
K. Preston [21]
Non-English-Language Musical Theatre in the United States John Koegel
[51]
Birth Pangs, Growing Pains and Sibling Rivalry: Musical Theatre in
New York, 1900-1920 Orly Leah Krasner [79]
American and British Operetta in the 1920s: Romance, Nostalgia and
Adventure William A. Everett [99]
Images of African Americans: African American Musical Theatre, Show
Boat and Porgy and Bess John Graziano [117]
The Melody (and the Words) Linger On: American Musical Comedies of
the 1920s and 1930s Geoffrey Block [132]
Part II • Maturations and Formulations: 1940-1970
‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935-1969
John Snelson [159]
The Coming of the Musical Play: Rodgers and Hammerstein Ann Sears
[185]
The Successors of Rodgers and Hammerstein from the 1940s to the
1960s Thomas L. Riis and Ann Sears [203]
Musical Sophistication on Broadway: Kurt Weill and Leonard
Bernstein bruce d. mcclung and Paul R. Laird [230]
Part III • Evolutions and Integrations: After 1970
Stephen Sondheim and the Musical of the Outsider Jim Lovensheimer
[247]
vi Contents
13 Choreographers, Directors and the Fully Integrated Musical Paul
R. Laird [264]
14 From Hair to Rent and Beyond: Has Rock* Ever Been a Four-Letter Word
on Broadway? Scott Warfield [281]
15 The Megamusical: The Creation, Internationalisation and Impact of
a Genre Paul Prece and William A. Everett [301]
16 Tn this England, in these times’: Redefining the British Musical since
1970 Miranda Lundskaer-Nielsen [323]
17 ‘Tonight I Will Bewitch the World’: The European Musical Judith Sebesta
and Laura MacDonald [339]
18 New Horizons: The Musical at the Dawn of the Twenty-first Century Bud
Coleman [356]
Part IV • Legacies and Transformations
19 Why Do They Start to Sing and Dance All of a Sudden? Examining the
Film Musical Graham Wood [383]
20 Revisiting Classic Musicals: Revivals, Films, Television and
Recordings Jessica Sternfeld [406]
21 Big Dreams on the Small Screen: The Television Musical Mary Jo Lodge
[423]
Select Bibliography [438]
Index [455]
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| spelling | The Cambridge companion to the musical edited by William A. Everett (University of Missouri-Kansas City), Paul R. Laird (University of Kansas) Companion to the musical Musical Third edition Cambridge, United Kingdom ; New York, NY, USA Cambridge University Press 2017 xv, 483 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cambridge companions to music Tracing the development of the musical on both Broadway and in London's West End, this updated Companion continues to provide a broad and thorough overview of one of the liveliest and most popular forms of musical performance. Ordered chronologically, essays cover from the American musical of the nineteenth century through to the most recent productions, and the book also includes key information on singers, audience, critical reception, and traditions. All of the chapters from the first edition remain - several in substantially updated forms - and five completely new chapters have been added, covering: ethnic musicals in the United States; the European musical; Broadway musicals in revival and on television; the most recent shows; and a case study of the creation of the popular show Wicked based on interviews with its creators. The Companion also includes an extensive bibliography and photographs from key productions. Geschichte gnd rswk-swf Comédies musicales - Histoire et critique Théâtre musical - Histoire et critique Geschichte Musicals History and criticism Musical theater History Musical (DE-588)4040801-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musical (DE-588)4040801-2 s Geschichte z DE-604 Everett, William A. 1962- (DE-588)136525830 edt Laird, Paul R. 1958- (DE-588)136824986 edt Erscheint auch als Online-Ausgabe 978-1-316-33546-8 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029924360&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The Cambridge companion to the musical |
| title_alt | Companion to the musical Musical |
| title_auth | The Cambridge companion to the musical |
| title_exact_search | The Cambridge companion to the musical |
| title_full | The Cambridge companion to the musical edited by William A. Everett (University of Missouri-Kansas City), Paul R. Laird (University of Kansas) |
| title_fullStr | The Cambridge companion to the musical edited by William A. Everett (University of Missouri-Kansas City), Paul R. Laird (University of Kansas) |
| title_full_unstemmed | The Cambridge companion to the musical edited by William A. Everett (University of Missouri-Kansas City), Paul R. Laird (University of Kansas) |
| title_short | The Cambridge companion to the musical |
| title_sort | the cambridge companion to the musical |
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| topic_facet | Comédies musicales - Histoire et critique Théâtre musical - Histoire et critique Geschichte Musicals History and criticism Musical theater History Musical Aufsatzsammlung |
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