Mozart in Vienna: the final decade
Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes...
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| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2017
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| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them. - Simon P. Keefe is James Rossiter Hoyle Chair of Music at the University of Sheffield. He is the author of three books on Mozart, including Mozart's Requiem: Reception, Work, Completion (Cambridge, 2012), which won the 2013 Marjorie Weston Emerson Award. He is also the editor of six volumes for Cambridge University Press, including Mozart Studies (2006) and Mozart Studies 2 (2015), and is general editor of the Royal Musical Association monographs series. In 2005 he was elected a life member of the Academy for Mozart Research at the International Mozart Foundation in Salzburg. (Klappentext) |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xxvii, 689 Seiten Notenbeispiele |
| ISBN: | 9781107116719 |
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| 520 | |a Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them. - Simon P. Keefe is James Rossiter Hoyle Chair of Music at the University of Sheffield. He is the author of three books on Mozart, including Mozart's Requiem: Reception, Work, Completion (Cambridge, 2012), which won the 2013 Marjorie Weston Emerson Award. He is also the editor of six volumes for Cambridge University Press, including Mozart Studies (2006) and Mozart Studies 2 (2015), and is general editor of the Royal Musical Association monographs series. In 2005 he was elected a life member of the Academy for Mozart Research at the International Mozart Foundation in Salzburg. (Klappentext) | ||
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Datensatz im Suchindex
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| adam_text | Contents
List of Illustrations [page x]
List of Tables [xi]
List of Musical Examples [xii]
Acknowledgements [xxiv]
Notes on Musical Examples [xxvi]
List of Abbreviations [xxvii]
Introduction: Mozart the Performer-Composer in Vienna [1]
PART I BEGINNINGS, 1781-1782 [23]
1 Settling in Vienna: Exploiting Opportunities for Instrumental
Performance and Composition, 1781-1782 [25]
Orchestral Music [28]
Keyboard Music [39]
Wind Serenades [50]
Accompanied Sonatas [58]
2 Singers and Effects: Seeking Operatic Success in Die Entführung
aus dem Serail [74]
Singers and Effects [82]
Mozart’s Cuts [98]
After the Premiere: Success Achieved [107]
PART II INSTRUMENTAL AND VOCAL MUSIC, j82~lj86 [113]
3 Consolidating Experiences and Expanding Horizons:
The Instrumental Music, 1782-1783 [115]
The Piano Concertos [118]
The Horn Concerto and Horn Quintet [134]
The Piano Sonatas [141]
Orchestral and Chamber Music for Salzburg, Linz and Vienna [148]
Conclusion: The Burgtheater Academy, 23 March 1783 [164]
vin
Contents
4 £You Can Easily Imagine That I Must Inevitably Play Some New
Things’: Mozart’s Piano Concertos and Other Instrumental
Works for Concerts, 1784-1786 [168]
The Piano Concertos: Brilliant Virtuosity and Orchestral
Participation [174]
The Piano Concertos: Expressive Virtuosity and Orchestral
Participation [193]
The Piano and Wind Quintet K. 452 and Mozart’s Academy,
1 April 1784 [201]
The Wind Serenade K, 361 and Anton Stadler’s Academy,
23 March 1784 [208]
Masonic Funeral Music, K. 477 [213]
Conclusion: The Performer-Composer Then and Now [215]
5 Composing, Performing and Publishing: The ‘Haydn’
String Quartets and Other Chamber Music for Publication,
1784-1786 [220]
Composing the Haydn’ Quartets [222]
Composing, Performing and Publishing the ‘Haydn’ Quartets [231]
The Piano Sonata and Fantasia, K. 457 and K. 475 [251]
Accompanied Sonata, K. 454 [258]
Piano Quartet in G Minor, K. 478 [264]
6 Operas, Arias, Ensembles, Songs and a Mass: Vocal and Dramatic
Music, 1782-1786 [281]
Writing for Lange, Adamberger and Fischer, 1782-1783 [283]
Voca del Cairo and Lo sposo delusoy 1783-1785 [297]
Opera Inserts, 1785-1786 [306]
Der Schauspieldirektor, 1786 [317]
The Mass in C Minor and Davidde penitente, 1782-1785 [322]
Songs, 1785-1786 [328]
PART III THE DA PONTE OPERAS, 1786-1790 [335]
7 Le nozze di Figaro [337]
Performing and Composing Le nozze di Figaro [342]
Singers and Effects [354]
Singing Sotto Voce [360]
After the Premiere [367]
8 In Prague and Vienna: Don GiovannL 1787-1788 [371]
Singers and Effects [383]
Writing for the Prague Opera Orchestra [392]
After the Prague Premiere [403]
Contents
IX
9 The Figaro Revival and Cosí fan tutte [410]
Writing for Wind [425]
Writing for Singers and Wind [430]
After the Premiere of Cost fan tutte [441]
PART IV INSTRUMENTAL MUSIC, I786-I79O [447]
10 For Publication and Performance: Solo and Chamber
Music [449]
Chamber Music for Strings: Quintets, Quartets and a Trio [454]
Piano Chamber Music [471]
The Piano Music [482]
Works for Wind and Strings [492]
11 Orchestral Music and Concert Activities [501]
The Late Symphonies [510]
The Horn Concertos, K. 495 and K. 447 [520]
The Piano Concertos, K. 503 and K. 537 [528]
Mozart’s Orchestrations of Handel [534]
PART V MOZART IN I79I [543]
12 New Beginnings, Continuations and Endings: Mozart’s
Last Year [545]
Instrumental Music: Concerts, Public Performances
and Commissions [552]
Die Zauberflôte in Vienna [571]
La clemenza di Tito in Prague [587]
The Requiem and Other Vocal Works [598]
After Mozart’s Death [604]
Appendix Mozart s Decade in Vienna, 1781-1791:
A Chronology [607]
Select Bibliography [637]
Index of Mozart s works by Kôchel number [668]
Index of Mozart s works by genre [675]
General Index [682]
|
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| spelling | Keefe, Simon P. 1968- Verfasser (DE-588)128762888 aut Mozart in Vienna the final decade Simon P. Keefe, University of Sheffield Cambridge, United Kingdom Cambridge University Press 2017 xxvii, 689 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them. - Simon P. Keefe is James Rossiter Hoyle Chair of Music at the University of Sheffield. He is the author of three books on Mozart, including Mozart's Requiem: Reception, Work, Completion (Cambridge, 2012), which won the 2013 Marjorie Weston Emerson Award. He is also the editor of six volumes for Cambridge University Press, including Mozart Studies (2006) and Mozart Studies 2 (2015), and is general editor of the Royal Musical Association monographs series. In 2005 he was elected a life member of the Academy for Mozart Research at the International Mozart Foundation in Salzburg. (Klappentext) Mozart, Wolfgang Amadeus 1756-1791 Criticism and interpretation Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Geschichte 1781-1791 gnd rswk-swf Composers Austria Vienna Wien Österreich Wien (DE-588)4066009-6 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Wien (DE-588)4066009-6 g Geschichte 1781-1791 z DE-604 Erscheint auch als Online-Ausgabe 978-1-31-633775-2 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029923950&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Mozart in Vienna the final decade |
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| title_exact_search | Mozart in Vienna the final decade |
| title_full | Mozart in Vienna the final decade Simon P. Keefe, University of Sheffield |
| title_fullStr | Mozart in Vienna the final decade Simon P. Keefe, University of Sheffield |
| title_full_unstemmed | Mozart in Vienna the final decade Simon P. Keefe, University of Sheffield |
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