Duke Ellington studies:
Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international...
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| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge, United Kingdom
Cambridge University Press
2017
|
| Series: | Cambridge composer studies
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies |
| Physical Description: | xxiv, 308 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780521764049 |
Staff View
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| 505 | 8 | |a List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index | |
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Contents
List of Illustrations page [vii]
Notes on Contributors [xi]
Preface [xv]
Acknowledgements [xxi]
Note on Reference Abbreviations [xxiii]
1 Ellington the Entertainer: Pageantry and Prophecy in
Duke Ellington’s Films [ 1 ]
PHIL FORD
2 Marketing to the Middlebrow: Reconsidering Ellingtonia,
the Legacy of Early Ellington Criticism, and the Idea of a
“Serious” Jazz Composer [32]
JOHN HOWLAND
3 “Art or Debauchery?”: The Reception of Ellington in the
U.K. [76]
CATHERINE TACKLEY
4 “Nobody Was Looking”: The Unparalleled Jazz Piano
Legacy of Duke Ellington [108]
BILL DOBBINS
5 “People Wrap Their Lunches in Them”: Duke Ellington
and His Written Music Manuscripts [157]
WALTER VAN DE LEUR
6 The Moor’s Revenge: The Politics of Such Sweet Thunder [177]
DAVID SCHIFF
7 Duke Ellington in the LP Era [197]
GABRIEL SOLIS
8 Authentic Synthetic Hybrid: Ellington’s Concepts of Africa
and Its Music [224]
CARL WOIDECK
Contents
9 “The Mother of All Albums”: Revisiting Ellington s A
Drum Is a Woman [265]
JOHN WRIGGLE
Index [299] |
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| contents | List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index |
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| indexdate | 2024-12-11T13:02:41Z |
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| spelling | Duke Ellington studies edited by John Howland (Norwegian University of Science and Technology) Cambridge, United Kingdom Cambridge University Press 2017 xxiv, 308 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Cambridge composer studies List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index Duke Ellington (1899–1974) is widely considered the jazz tradition's most celebrated composer. This engaging yet scholarly volume explores his long career and his rich cultural legacy from a broad range of in-depth perspectives, from the musical and historical to the political and international. World-renowned scholars and musicians examine Ellington's influence on jazz music, its criticism, and its historiography. The chronological structure of the volume allows a clear understanding of the development of key themes, with chapters surveying his work and his reception in America and abroad. By both expanding and reconsidering the contexts in which Ellington, his orchestra, and his music are discussed, Duke Ellington Studies reflects a wealth of new directions that have emerged in jazz studies, including focuses on music in media, class hierarchy discourse, globalization, cross-cultural reception, and the role of marketing, as well as manuscript score studies and performance studies Ellington, Duke / 1899-1974 / Criticism and interpretation Ellington, Duke 1899-1974 (DE-588)118529994 gnd rswk-swf Jazz / History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Ellington, Duke 1899-1974 (DE-588)118529994 p DE-604 Howland, John Louis 1964- (DE-588)139791329 edt Äquivalent Druck-Ausgabe, Paperback 978-1-108-79253-0 Erscheint auch als Online-Ausgabe 978-1-139-02822-6 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029913003&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Duke Ellington studies List of Illustrations; Notes on Contributors; Preface; Acknowledgements; Note on Reference Abbreviations; 1. Ellington the entertainer: pageantry and prophecy in Duke Ellington's films / Phil Ford; 2. Marketing to the middlebrow: reconsidering Ellingtonia, the legacy of early Ellington criticism, and the idea of a 'serious' jazz composer / John Howland; 3. 'Art or debauchery?': the reception of Ellington in the UK / Catherine Tackley; 4. 'Nobody was looking': the unparalleled jazz piano legacy of Duke Ellington / Bill Dobbins; 5. 'People wrap their lunches in them': Duke Ellington and his written music manuscripts / Walter van de Leur; 6. The moor's revenge: the politics of Such Sweet Thunder / David Schiff; 7. Duke Ellington in the LP era / Gabriel Solis; 8. Authentic synthetic hybrid: Ellington's concepts of Africa and its music / Carl Woideck; 9. 'The mother of all albums': revisiting Ellington's A Drum is a Woman / John Wriggle; Index Ellington, Duke / 1899-1974 / Criticism and interpretation Ellington, Duke 1899-1974 (DE-588)118529994 gnd Jazz / History and criticism |
| subject_GND | (DE-588)118529994 (DE-588)4143413-4 |
| title | Duke Ellington studies |
| title_auth | Duke Ellington studies |
| title_exact_search | Duke Ellington studies |
| title_full | Duke Ellington studies edited by John Howland (Norwegian University of Science and Technology) |
| title_fullStr | Duke Ellington studies edited by John Howland (Norwegian University of Science and Technology) |
| title_full_unstemmed | Duke Ellington studies edited by John Howland (Norwegian University of Science and Technology) |
| title_short | Duke Ellington studies |
| title_sort | duke ellington studies |
| topic | Ellington, Duke / 1899-1974 / Criticism and interpretation Ellington, Duke 1899-1974 (DE-588)118529994 gnd Jazz / History and criticism |
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