Style, computers, and early modern drama: beyond authorship
Hugh Craig and Brett Greatley-Hirsch extend the computational analysis introduced in Shakespeare, Computers, and the Mystery of Authorship (edited by Hugh Craig and Arthur F. Kinney; Cambridge, 2009) beyond problems of authorship attribution to address broader issues of literary history. Using new m...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2017
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | Hugh Craig and Brett Greatley-Hirsch extend the computational analysis introduced in Shakespeare, Computers, and the Mystery of Authorship (edited by Hugh Craig and Arthur F. Kinney; Cambridge, 2009) beyond problems of authorship attribution to address broader issues of literary history. Using new methods to answer long-standing questions and challenge traditional assumptions about the underlying patterns and contrasts in the plays of Shakespeare and his contemporaries, Style, Computers, and Early Modern Drama sheds light on, for example, different linguistic usages between plays written in verse and prose, company styles and different character types. As a shift from a canonical survey to a corpus-based literary history founded on a statistical analysis of language, this book represents a fundamentally new approach to the study of English Renaissance literature and proposes a new model and rationale for future computational scholarship in early modern literary studies |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 11 Aug 2017) |
| Beschreibung: | 1 online resource (xviii, 283 pages) |
| ISBN: | 9781108120456 |
| DOI: | 10.1017/9781108120456 |
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| 505 | 8 | |a Machine generated contents note: 1. Methods; 2. Prose and verse: sometimes 'transparent', sometimes meeting with 'a jolt'; 3. Sisters under the skin: character and style; 4. Stage properties: bed, blood, and beyond; 5. 'Novelty carries it away': cultural drift; 6. Authorship, company style, and horror vacui; 7. Restoration plays and 'the giant race, before the flood' | |
| 520 | |a Hugh Craig and Brett Greatley-Hirsch extend the computational analysis introduced in Shakespeare, Computers, and the Mystery of Authorship (edited by Hugh Craig and Arthur F. Kinney; Cambridge, 2009) beyond problems of authorship attribution to address broader issues of literary history. Using new methods to answer long-standing questions and challenge traditional assumptions about the underlying patterns and contrasts in the plays of Shakespeare and his contemporaries, Style, Computers, and Early Modern Drama sheds light on, for example, different linguistic usages between plays written in verse and prose, company styles and different character types. As a shift from a canonical survey to a corpus-based literary history founded on a statistical analysis of language, this book represents a fundamentally new approach to the study of English Renaissance literature and proposes a new model and rationale for future computational scholarship in early modern literary studies | ||
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Datensatz im Suchindex
| _version_ | 1804177843270189056 |
|---|---|
| any_adam_object | |
| author | Craig, D. H. 1952- Greatley-Hirsch, Brett 1982- |
| author_facet | Craig, D. H. 1952- Greatley-Hirsch, Brett 1982- |
| author_role | aut aut |
| author_sort | Craig, D. H. 1952- |
| author_variant | d h c dh dhc b g h bgh |
| building | Verbundindex |
| bvnumber | BV044508145 |
| classification_rvk | HI 1110 HI 1111 |
| collection | ZDB-20-CBO |
| contents | Machine generated contents note: 1. Methods; 2. Prose and verse: sometimes 'transparent', sometimes meeting with 'a jolt'; 3. Sisters under the skin: character and style; 4. Stage properties: bed, blood, and beyond; 5. 'Novelty carries it away': cultural drift; 6. Authorship, company style, and horror vacui; 7. Restoration plays and 'the giant race, before the flood' |
| ctrlnum | (ZDB-20-CBO)CR9781108120456 (OCoLC)1005712765 (DE-599)BVBBV044508145 |
| dewey-full | 822/.309 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.309 |
| dewey-search | 822/.309 |
| dewey-sort | 3822 3309 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/9781108120456 |
| era | Geschichte 1500-1600 Geschichte 1580-1640 gnd |
| era_facet | Geschichte 1500-1600 Geschichte 1580-1640 |
| format | Electronic eBook |
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| id | DE-604.BV044508145 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:54:31Z |
| institution | BVB |
| isbn | 9781108120456 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029908008 |
| oclc_num | 1005712765 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 online resource (xviii, 283 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO |
| publishDate | 2017 |
| publishDateSearch | 2017 |
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| publisher | Cambridge University Press |
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| spelling | Craig, D. H. 1952- Verfasser aut Style, computers, and early modern drama beyond authorship Hugh Craig, Brett Greatley-Hirsch Cambridge Cambridge University Press 2017 1 online resource (xviii, 283 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 11 Aug 2017) Machine generated contents note: 1. Methods; 2. Prose and verse: sometimes 'transparent', sometimes meeting with 'a jolt'; 3. Sisters under the skin: character and style; 4. Stage properties: bed, blood, and beyond; 5. 'Novelty carries it away': cultural drift; 6. Authorship, company style, and horror vacui; 7. Restoration plays and 'the giant race, before the flood' Hugh Craig and Brett Greatley-Hirsch extend the computational analysis introduced in Shakespeare, Computers, and the Mystery of Authorship (edited by Hugh Craig and Arthur F. Kinney; Cambridge, 2009) beyond problems of authorship attribution to address broader issues of literary history. Using new methods to answer long-standing questions and challenge traditional assumptions about the underlying patterns and contrasts in the plays of Shakespeare and his contemporaries, Style, Computers, and Early Modern Drama sheds light on, for example, different linguistic usages between plays written in verse and prose, company styles and different character types. As a shift from a canonical survey to a corpus-based literary history founded on a statistical analysis of language, this book represents a fundamentally new approach to the study of English Renaissance literature and proposes a new model and rationale for future computational scholarship in early modern literary studies Geschichte 1500-1600 Geschichte 1580-1640 gnd rswk-swf Englisch Geschichte English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Literary style / Statistical methods English literature / Research / Statistical methods Theater and society / England / History / 16th century English language / Style / Statistical methods Statistische Analyse (DE-588)4116599-8 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Literarischer Stil (DE-588)4074271-4 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Literarischer Stil (DE-588)4074271-4 s Geschichte 1580-1640 z Statistische Analyse (DE-588)4116599-8 s 1\p DE-604 Greatley-Hirsch, Brett 1982- Verfasser aut Erscheint auch als Druck-Ausgabe, hardback 978-1-107-19101-3 Erscheint auch als Druck-Ausgabe, paperback 978-1-316-64157-6 https://doi.org/10.1017/9781108120456 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Craig, D. H. 1952- Greatley-Hirsch, Brett 1982- Style, computers, and early modern drama beyond authorship Machine generated contents note: 1. Methods; 2. Prose and verse: sometimes 'transparent', sometimes meeting with 'a jolt'; 3. Sisters under the skin: character and style; 4. Stage properties: bed, blood, and beyond; 5. 'Novelty carries it away': cultural drift; 6. Authorship, company style, and horror vacui; 7. Restoration plays and 'the giant race, before the flood' Englisch Geschichte English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Literary style / Statistical methods English literature / Research / Statistical methods Theater and society / England / History / 16th century English language / Style / Statistical methods Statistische Analyse (DE-588)4116599-8 gnd Drama (DE-588)4012899-4 gnd Literarischer Stil (DE-588)4074271-4 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4116599-8 (DE-588)4012899-4 (DE-588)4074271-4 (DE-588)4014777-0 |
| title | Style, computers, and early modern drama beyond authorship |
| title_auth | Style, computers, and early modern drama beyond authorship |
| title_exact_search | Style, computers, and early modern drama beyond authorship |
| title_full | Style, computers, and early modern drama beyond authorship Hugh Craig, Brett Greatley-Hirsch |
| title_fullStr | Style, computers, and early modern drama beyond authorship Hugh Craig, Brett Greatley-Hirsch |
| title_full_unstemmed | Style, computers, and early modern drama beyond authorship Hugh Craig, Brett Greatley-Hirsch |
| title_short | Style, computers, and early modern drama |
| title_sort | style computers and early modern drama beyond authorship |
| title_sub | beyond authorship |
| topic | Englisch Geschichte English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Literary style / Statistical methods English literature / Research / Statistical methods Theater and society / England / History / 16th century English language / Style / Statistical methods Statistische Analyse (DE-588)4116599-8 gnd Drama (DE-588)4012899-4 gnd Literarischer Stil (DE-588)4074271-4 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | Englisch Geschichte English drama / Early modern and Elizabethan, 1500-1600 / History and criticism Literary style / Statistical methods English literature / Research / Statistical methods Theater and society / England / History / 16th century English language / Style / Statistical methods Statistische Analyse Drama Literarischer Stil |
| url | https://doi.org/10.1017/9781108120456 |
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