Scoring the screen: the secret language of film music
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Montclair, NJ
Hal Leonard Books
2017
|
| Series: | Music pro guides
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | xxxi, 391 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781495073731 |
Staff View
MARC
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Record in the Search Index
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|---|---|
| adam_text | CONTENTS
A Word on Howto Use This Book..............................................................ix
Acknowledgments.............................................................................xi
Foreword: The Greatest Gig in the World....................................................xiii
Introduction: Ancient Modern: An Appreciation of James Newton Howard’s The Sixth Sense...xvii
One. From Among the Dead: Bernard Herrmann’s Vertigo.......................................1
Two. Boo Radley’s Porch: Elmer Bernstein’s To Kill a Mockingbird...........................23
Three. Signs and Meaning: From Spellbound to Inception.....................................46
Four. Perfume·. The Scent of Murder........................................................78
Five. Carmen in Hell: David Newman’s The War of the Roses..................................101
Six. Waltz for a Dead Girl: Christopher Young’s Jennifer 8.................................130
Seven. Feed Your Head: Don Davis’s The Matrix...............................................160
Eight. Such a Long. Long Way to Fall: Danny Elfman’s Alice in Wondeiiand...................195
Nine. Surgical Precision: Alberto Iglesias’s La piel que habito............................228
Ten. The Strength of the Righteous: Ennio Morricone’s The Untouchables.....................262
Eleven. Toward a New Aesthetic of Music for the Screen.....................................300
Twelve. Through a Glass, and Darkly: Anatomy of a Cue from Jerry Goldsmith’s Patton._______322
Thirteen. Stand Up! Two Cues from Elliot Goldenthal s Michael Collins______________________334
Fourteen. John Powell Slays a Dragon________________________________________________________350
Fifteen. Against the Odds: The Road to Krakow_______________________________________________382
Afterword..................................................................................387
Music Permissions...........................................................................388
|
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| callnumber-subject | ML - Literature on Music |
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| ctrlnum | (OCoLC)1002888711 (DE-599)BVBBV044483780 |
| dewey-full | 781.5/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42 |
| dewey-search | 781.5/42 |
| dewey-sort | 3781.5 242 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Book |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T07:54:12Z |
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| isbn | 9781495073731 |
| language | English |
| lccn | 017013835 |
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| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | xxxi, 391 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Hal Leonard Books |
| record_format | marc |
| series2 | Music pro guides |
| spelling | Hill, Andrew Warren 1951- Verfasser (DE-588)1140662333 aut Scoring the screen the secret language of film music Andy Hill Montclair, NJ Hal Leonard Books 2017 xxxi, 391 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music pro guides Motion picture music History and criticism Motion picture music Analysis, appreciation Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Filmmusik (DE-588)4017129-2 gnd rswk-swf Filmmusik (DE-588)4017129-2 s Musikalische Analyse (DE-588)4040814-0 s DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029883913&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hill, Andrew Warren 1951- Scoring the screen the secret language of film music Motion picture music History and criticism Motion picture music Analysis, appreciation Musikalische Analyse (DE-588)4040814-0 gnd Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4040814-0 (DE-588)4017129-2 |
| title | Scoring the screen the secret language of film music |
| title_auth | Scoring the screen the secret language of film music |
| title_exact_search | Scoring the screen the secret language of film music |
| title_full | Scoring the screen the secret language of film music Andy Hill |
| title_fullStr | Scoring the screen the secret language of film music Andy Hill |
| title_full_unstemmed | Scoring the screen the secret language of film music Andy Hill |
| title_short | Scoring the screen |
| title_sort | scoring the screen the secret language of film music |
| title_sub | the secret language of film music |
| topic | Motion picture music History and criticism Motion picture music Analysis, appreciation Musikalische Analyse (DE-588)4040814-0 gnd Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Motion picture music History and criticism Motion picture music Analysis, appreciation Musikalische Analyse Filmmusik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029883913&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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