The object of copyright: a conceptual history of originals and copies in literature, art, and design
"The proposed book will present an interdisciplinary study of the history of copyright law with a focus on the historical development of the object of protection. The book analyses British, French, and Danish copyright law in order to examine the Anglo-American copyright system, the Continental...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Routledge
2017
|
| Schriftenreihe: | Routledge Research in Intellectual Property
|
| Schlagworte: | |
| Zusammenfassung: | "The proposed book will present an interdisciplinary study of the history of copyright law with a focus on the historical development of the object of protection. The book analyses British, French, and Danish copyright law in order to examine the Anglo-American copyright system, the Continental authorial rights system and the Scandinavian system which is influenced by both systems. The book explores several ways in which copyright law has changed over time in terms of the object of protection. This includes the increasing number of types of work accorded copyright protection, the introduction of concept of the '(original) work' into most national copyright acts as the general legal term for the object of protection in the early twentieth century, and the broadening of the definition of infringement as a result of defining the object of copyright as an intangible entity. The first part of the book contains a discussion of how, in early copyright law, printed matter was the object of protectionleading to a particular technological understanding of a 'copy', namely one that derived from printing. The early metaphysical debates on the nature of intangible property will also be looked into, as will the series of eighteenth century copyright acts introducing new subject matter in British, French and Danish law. The second part of the book discusses the general change in the conceptual framework of copyright law in the nineteenth century in British and Continental law and the introduction of the elastic concept of the 'work' as the object of protection in distinction to 'copy' as its 'mere' material instantiation. The terminological cross-fertilization between the diverse legal traditions and the impact of philosophical-aesthetic discourse on legal language will be reviewed, in particular the term "reproduction. While the third part focuses on the particular problems that have emerged in relation to the inclusion of design as protectable by copyright"-- |
| Beschreibung: | 152 Seiten 24 cm |
| ISBN: | 9780415737203 0415737206 1315814471 9781315814476 9781138103986 1138103985 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV044470856 | ||
| 003 | DE-604 | ||
| 005 | 20171109 | ||
| 007 | t | ||
| 008 | 170901s2017 b||| 00||| eng d | ||
| 020 | |a 9780415737203 |9 9780415737203 | ||
| 020 | |a 0415737206 |9 0415737206 | ||
| 020 | |a 1315814471 |9 1315814471 | ||
| 020 | |a 9781315814476 |9 9781315814476 | ||
| 020 | |a 9781138103986 |9 9781138103986 | ||
| 020 | |a 1138103985 |9 1138103985 | ||
| 035 | |a (OCoLC)1011113185 | ||
| 035 | |a (DE-599)BVBBV044470856 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-11 | ||
| 084 | |a LH 60150 |0 (DE-625)94172: |2 rvk | ||
| 100 | 1 | |a Teilmann-Lock, Stina |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The object of copyright |b a conceptual history of originals and copies in literature, art, and design |c Stina Teilmann-Lock |
| 264 | 1 | |a London |b Routledge |c 2017 | |
| 300 | |a 152 Seiten |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Routledge Research in Intellectual Property | |
| 505 | 8 | |a Books in the world of letters -- Printing paradigm copyright -- Uncopyrightable art -- Nineteenth-century artistic copyright in France -- The making of the British 1862 fine art copyright act -- Originals and copies -- Design in Danish copyright law | |
| 520 | 3 | |a "The proposed book will present an interdisciplinary study of the history of copyright law with a focus on the historical development of the object of protection. The book analyses British, French, and Danish copyright law in order to examine the Anglo-American copyright system, the Continental authorial rights system and the Scandinavian system which is influenced by both systems. The book explores several ways in which copyright law has changed over time in terms of the object of protection. This includes the increasing number of types of work accorded copyright protection, the introduction of concept of the '(original) work' into most national copyright acts as the general legal term for the object of protection in the early twentieth century, and the broadening of the definition of infringement as a result of defining the object of copyright as an intangible entity. | |
| 520 | 3 | |a The first part of the book contains a discussion of how, in early copyright law, printed matter was the object of protectionleading to a particular technological understanding of a 'copy', namely one that derived from printing. The early metaphysical debates on the nature of intangible property will also be looked into, as will the series of eighteenth century copyright acts introducing new subject matter in British, French and Danish law. The second part of the book discusses the general change in the conceptual framework of copyright law in the nineteenth century in British and Continental law and the introduction of the elastic concept of the 'work' as the object of protection in distinction to 'copy' as its 'mere' material instantiation. The terminological cross-fertilization between the diverse legal traditions and the impact of philosophical-aesthetic discourse on legal language will be reviewed, in particular the term "reproduction. | |
| 520 | 3 | |a While the third part focuses on the particular problems that have emerged in relation to the inclusion of design as protectable by copyright"-- | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Kunst | |
| 650 | 0 | 7 | |a Urheberrecht |0 (DE-588)4062127-3 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Copyright / History | |
| 653 | 0 | |a Authorship / History | |
| 653 | 0 | |a Copyright / Art | |
| 653 | 0 | |a LAW / General | |
| 653 | 0 | |a LAW / Intellectual Property / Copyright | |
| 653 | 0 | |a LITERARY CRITICISM / Semiotics & Theory | |
| 653 | 0 | |a Authorship | |
| 653 | 0 | |a Copyright | |
| 653 | 6 | |a Art | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Urheberrecht |0 (DE-588)4062127-3 |D s |
| 689 | 0 | 1 | |a Geschichte |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029871285 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804177801069199360 |
|---|---|
| any_adam_object | |
| author | Teilmann-Lock, Stina |
| author_facet | Teilmann-Lock, Stina |
| author_role | aut |
| author_sort | Teilmann-Lock, Stina |
| author_variant | s t l stl |
| building | Verbundindex |
| bvnumber | BV044470856 |
| classification_rvk | LH 60150 |
| contents | Books in the world of letters -- Printing paradigm copyright -- Uncopyrightable art -- Nineteenth-century artistic copyright in France -- The making of the British 1862 fine art copyright act -- Originals and copies -- Design in Danish copyright law |
| ctrlnum | (OCoLC)1011113185 (DE-599)BVBBV044470856 |
| discipline | Kunstgeschichte |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04074nam a2200601 c 4500</leader><controlfield tag="001">BV044470856</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20171109 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">170901s2017 b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780415737203</subfield><subfield code="9">9780415737203</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0415737206</subfield><subfield code="9">0415737206</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1315814471</subfield><subfield code="9">1315814471</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781315814476</subfield><subfield code="9">9781315814476</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781138103986</subfield><subfield code="9">9781138103986</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1138103985</subfield><subfield code="9">1138103985</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1011113185</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044470856</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 60150</subfield><subfield code="0">(DE-625)94172:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Teilmann-Lock, Stina</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The object of copyright</subfield><subfield code="b">a conceptual history of originals and copies in literature, art, and design</subfield><subfield code="c">Stina Teilmann-Lock</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">Routledge</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">152 Seiten</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Routledge Research in Intellectual Property</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Books in the world of letters -- Printing paradigm copyright -- Uncopyrightable art -- Nineteenth-century artistic copyright in France -- The making of the British 1862 fine art copyright act -- Originals and copies -- Design in Danish copyright law</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The proposed book will present an interdisciplinary study of the history of copyright law with a focus on the historical development of the object of protection. The book analyses British, French, and Danish copyright law in order to examine the Anglo-American copyright system, the Continental authorial rights system and the Scandinavian system which is influenced by both systems. The book explores several ways in which copyright law has changed over time in terms of the object of protection. This includes the increasing number of types of work accorded copyright protection, the introduction of concept of the '(original) work' into most national copyright acts as the general legal term for the object of protection in the early twentieth century, and the broadening of the definition of infringement as a result of defining the object of copyright as an intangible entity. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The first part of the book contains a discussion of how, in early copyright law, printed matter was the object of protectionleading to a particular technological understanding of a 'copy', namely one that derived from printing. The early metaphysical debates on the nature of intangible property will also be looked into, as will the series of eighteenth century copyright acts introducing new subject matter in British, French and Danish law. The second part of the book discusses the general change in the conceptual framework of copyright law in the nineteenth century in British and Continental law and the introduction of the elastic concept of the 'work' as the object of protection in distinction to 'copy' as its 'mere' material instantiation. The terminological cross-fertilization between the diverse legal traditions and the impact of philosophical-aesthetic discourse on legal language will be reviewed, in particular the term "reproduction. </subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">While the third part focuses on the particular problems that have emerged in relation to the inclusion of design as protectable by copyright"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Kunst</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Urheberrecht</subfield><subfield code="0">(DE-588)4062127-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Copyright / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Authorship / History</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Copyright / Art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">LAW / General</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">LAW / Intellectual Property / Copyright</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">LITERARY CRITICISM / Semiotics & Theory</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Authorship</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Copyright</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Art</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Urheberrecht</subfield><subfield code="0">(DE-588)4062127-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029871285</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| id | DE-604.BV044470856 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:53:51Z |
| institution | BVB |
| isbn | 9780415737203 0415737206 1315814471 9781315814476 9781138103986 1138103985 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029871285 |
| oclc_num | 1011113185 |
| open_access_boolean | |
| owner | DE-11 |
| owner_facet | DE-11 |
| physical | 152 Seiten 24 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge Research in Intellectual Property |
| spelling | Teilmann-Lock, Stina Verfasser aut The object of copyright a conceptual history of originals and copies in literature, art, and design Stina Teilmann-Lock London Routledge 2017 152 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Routledge Research in Intellectual Property Books in the world of letters -- Printing paradigm copyright -- Uncopyrightable art -- Nineteenth-century artistic copyright in France -- The making of the British 1862 fine art copyright act -- Originals and copies -- Design in Danish copyright law "The proposed book will present an interdisciplinary study of the history of copyright law with a focus on the historical development of the object of protection. The book analyses British, French, and Danish copyright law in order to examine the Anglo-American copyright system, the Continental authorial rights system and the Scandinavian system which is influenced by both systems. The book explores several ways in which copyright law has changed over time in terms of the object of protection. This includes the increasing number of types of work accorded copyright protection, the introduction of concept of the '(original) work' into most national copyright acts as the general legal term for the object of protection in the early twentieth century, and the broadening of the definition of infringement as a result of defining the object of copyright as an intangible entity. The first part of the book contains a discussion of how, in early copyright law, printed matter was the object of protectionleading to a particular technological understanding of a 'copy', namely one that derived from printing. The early metaphysical debates on the nature of intangible property will also be looked into, as will the series of eighteenth century copyright acts introducing new subject matter in British, French and Danish law. The second part of the book discusses the general change in the conceptual framework of copyright law in the nineteenth century in British and Continental law and the introduction of the elastic concept of the 'work' as the object of protection in distinction to 'copy' as its 'mere' material instantiation. The terminological cross-fertilization between the diverse legal traditions and the impact of philosophical-aesthetic discourse on legal language will be reviewed, in particular the term "reproduction. While the third part focuses on the particular problems that have emerged in relation to the inclusion of design as protectable by copyright"-- Geschichte gnd rswk-swf Geschichte Kunst Urheberrecht (DE-588)4062127-3 gnd rswk-swf Copyright / History Authorship / History Copyright / Art LAW / General LAW / Intellectual Property / Copyright LITERARY CRITICISM / Semiotics & Theory Authorship Copyright Art History Urheberrecht (DE-588)4062127-3 s Geschichte z 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Teilmann-Lock, Stina The object of copyright a conceptual history of originals and copies in literature, art, and design Books in the world of letters -- Printing paradigm copyright -- Uncopyrightable art -- Nineteenth-century artistic copyright in France -- The making of the British 1862 fine art copyright act -- Originals and copies -- Design in Danish copyright law Geschichte Kunst Urheberrecht (DE-588)4062127-3 gnd |
| subject_GND | (DE-588)4062127-3 |
| title | The object of copyright a conceptual history of originals and copies in literature, art, and design |
| title_auth | The object of copyright a conceptual history of originals and copies in literature, art, and design |
| title_exact_search | The object of copyright a conceptual history of originals and copies in literature, art, and design |
| title_full | The object of copyright a conceptual history of originals and copies in literature, art, and design Stina Teilmann-Lock |
| title_fullStr | The object of copyright a conceptual history of originals and copies in literature, art, and design Stina Teilmann-Lock |
| title_full_unstemmed | The object of copyright a conceptual history of originals and copies in literature, art, and design Stina Teilmann-Lock |
| title_short | The object of copyright |
| title_sort | the object of copyright a conceptual history of originals and copies in literature art and design |
| title_sub | a conceptual history of originals and copies in literature, art, and design |
| topic | Geschichte Kunst Urheberrecht (DE-588)4062127-3 gnd |
| topic_facet | Geschichte Kunst Urheberrecht |
| work_keys_str_mv | AT teilmannlockstina theobjectofcopyrightaconceptualhistoryoforiginalsandcopiesinliteratureartanddesign |