The Oxford handbook of Shakespeare and performance:
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Oxford
Oxford University Press
2017
|
| Edition: | First edition |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | xxvii, 669 Seiten Illustrationen, Diagramm, Karte |
| ISBN: | 9780199687169 |
Staff View
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| 246 | 1 | 3 | |a Handbook of Shakespeare and performance |
| 246 | 1 | 3 | |a Shakespeare and performance |
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Record in the Search Index
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|---|---|
| adam_text | Contents
List of Figures xiii
List of Tables xvii
Notes on Contributors xix
Introduction: Cross-Currents in Performance Criticism i
James C. Bulman
PART I EXPERIMENTAL SHAKESPEARE
1. Experimental Shakespeare 13
Susan Bennett
2. Shakespeare and the Contemporary: Psychology, Culture,
and Audience in Othello Production 28
Bridget Escolme
3. ‘Deared by Being Lacked’: The Realist Legacy and the Art
of Failure in Shakespearean Performance 46
Roberta Barker
4. Shakespeare for Dummies: Or, ‘See the Puppets Dallying’ 64
Carol Chillington Rutter
5. Not-Shakespeare and the Shakespearean Ghost 87
Peter Kirwan
6. Shakespeare’s Property Ladder: Women Directors and
the Politics of Ownership 104
Kim Solga
7. Dialectical Shakespeare: Pedagogy in Performance 122
Andrew James Hartley
8. Captive Shakespeare 138
Ton Hoenselaars
PART II RECEPTION
9. (How) Should We Listen to Audiences?: Race, Reception,
and the Audience Survey 157
Ayanna Thompson
10. Forgetting Performance 170
Peter Holland
11. Documenting the Demotic: Actor Blogs and the Guts
of the Opera Singer 184
Cary M. Mazer
12. The Time Is Out of Joint: Shakespeare, Jet Lag, and
the Rhythms of Performance 200
Robert Shaughnessy
13. Archives and Anecdotes 218
Paul Menzer
14. Reverie of a Shakespearean Walker 231
Rob Conkie
15. Intimate and Epic Macbeths in Contemporary Performance 250
Kathryn Prince
PART III MEDIA AND TECHNOLOGY
16. High-Tech Shakespeare in a Mediatized Globe: Ivo van Hove’s
Roman Tragedies and the Problem of Spectatorship 267
Thomas Cartelli
17. ‘Its All a Bit of a Risk’: Reformulating ‘Liveness’
in Twenty-First-Century Performances of Shakespeare 284
Stephen Purcell
18. Technology and the Ethics of Spectatorship 302
Pascalé Aebischer
19. Shakespearean Technicity 321
W. B. WORTHEN
20. Performance in Digital Editions of Shakespeare 341
Sarah Werner
21. Shakespeare’s Rebirth: Performance in the Age
of Electro-Digital Reproduction 352
Anthony R. Guneratne
22. Making ‘Music at the Editing Table’: Echoing Verdi
in Welles’s Othello 369
Scott Newstok
23. ‘Nobody’s Perfect’: Cross-Dressing and Gender-Bending
in Sven Gade’s Hamlet and Julie Taymor’s The Tempest 387
Samuel Crowl
24. Can the Subaltern Sing?: Liz White’s Othello 402
Courtney Lehmann
PART IV GLOBAL SHAKESPEARE
25. Global Shakespeare Criticism Beyond the Nation State 423
Alexa Alice Joubin
26. Global Shakespeare and Globalized Performance 441
Dennis Kennedy
27. Performance, Presence, and Personal Responsibility:
Witnessing Global Theatre in and around the Globe 458
Christie Carson
28. Shakespeare With and Without Its Language 475
SONIA MaSSAI
29. Slapstick Against Stereotypes in South Sudans Cymbeline 495
Rose Elfman
30. Open and Closed: Workshopping Shakespeare in South Africa 512
Colette Gordon
31. Indigenizing Shakespeare in South Africa 531
Adele Seeff
32. ‘Victim of Improvisation in Latin America:
Shakespeare Out-Sourced and In-Taken 549
Alfredo Michel Modenessi
33. Global Cultural Tourism at Canada’s Stratford Festival:
The Adventures of Pericles 568
Robert Ormsby
34. Verbal and Visual Representations in Modern Japanese
Shakespeare Productions 584
MlCHIKO Suematsu
35. There Is a World Elsewhere: Shakespeare on the Chinese Stage 599
Li Ruru
36. Translating Performance: The Asian Shakespeare
Intercultural Archive 619
Yong Li Lan
Index
641
|
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| spelling | The Oxford handbook of Shakespeare and performance edited by James C. Bulman Handbook of Shakespeare and performance Shakespeare and performance First edition Oxford Oxford University Press 2017 xxvii, 669 Seiten Illustrationen, Diagramm, Karte txt rdacontent n rdamedia nc rdacarrier Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Aufführung (DE-588)4143388-9 s DE-604 Bulman, James C. 1947- (DE-588)171995953 edt Erscheint auch als Online-Ausgabe 978-0-19-179215-1 (DE-604)BV044753913 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029866816&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The Oxford handbook of Shakespeare and performance Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama (DE-588)4012899-4 gnd Aufführung (DE-588)4143388-9 gnd |
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| title | The Oxford handbook of Shakespeare and performance |
| title_alt | Handbook of Shakespeare and performance Shakespeare and performance |
| title_auth | The Oxford handbook of Shakespeare and performance |
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| title_full | The Oxford handbook of Shakespeare and performance edited by James C. Bulman |
| title_fullStr | The Oxford handbook of Shakespeare and performance edited by James C. Bulman |
| title_full_unstemmed | The Oxford handbook of Shakespeare and performance edited by James C. Bulman |
| title_short | The Oxford handbook of Shakespeare and performance |
| title_sort | the oxford handbook of shakespeare and performance |
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