The major realist film theorists: a critical anthology
Saved in:
| Other Authors: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2017]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | vi, 228 Seiten |
| ISBN: | 9781474425964 9781474402217 |
Staff View
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Record in the Search Index
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| adam_text | Contents
Introduction i
Ian Aitken
1. Displaced Vision: The Politics of Realism in Kracauer and Kluge 41
Tara Forrest
2. The Rhetoric of Madness in Realist Film Theory 53
Temenuga Trifonova
3. Phenomenology, Theology and ‘Physical Reality’: The Film
Theory Realism of Siegfried Kracauer 67
Tyson Wils
4. ‘Montage, My Fine Care’: Realism, Surrealism and Postmodernism
after Bazin 81
Ramona Fotiade
5. Multiple Indexicality and Multiple Realism in André Bazin 94
Seung-hoon jfeong
6. André Bazin, or the Ambiguity of Reality no
Pierre Sorlin
7. Realism is to Think Historically: Overlapping Elements in
Lukâcsian and Brechtian Theories of Realism 123
Angelos Koutsourakis
8. The Moving-image Redemption of Orality and Lukâcs’s early
Writing on the Cinema 139
Apple Xu Yaping
VI CONTENTS
9. The ‘Naturalist’ Treatment of Film in The Specificity of the
Aesthetic (Georg Lukács, 1963) and One Day in the Life of Ivan
Denisovich (Alexander Solzhenitsyn, 1962; Caspar Wrede, 1970) 156
Ian Ait ken
10. The Documentary Version of Film History 172
Henry K. Miller
11. The Grierson Testament, 1969—71 187
Gary Evans
12. John Grierson: From the Poster Movement to the Informational
State 203
Scott Anthony
Contributors 219
Index 222
From the ] 91 Os to the emergence of structuralism and post-
structuralism in the 1960s, the writings of John Grierson,
Siegfried Kracauer, André Bazin and Georg Lukács dominated
realist film theory. In this critical anthology ֊ the first
collection to address their work in one volume - a wide
range of international scholars explore the interconnections
between their ideas and help generate new understandings
of this important, if neglected, field. Challenging
preconceptions about ’classical’ theory and the nature of
realist representation, and in the process demonstrating
how this bodv of work can be seen as a cohesive theoretical
*
model, this invaluable collection helps to return the realist
paradigm of film theory to the forefront of academic enquiry.
Ian Aitken is a Professor in the Department of Cinema and
Television, Hong Kong Baptist University.
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| title | The major realist film theorists a critical anthology |
| title_auth | The major realist film theorists a critical anthology |
| title_exact_search | The major realist film theorists a critical anthology |
| title_full | The major realist film theorists a critical anthology edited by Ian Aitken |
| title_fullStr | The major realist film theorists a critical anthology edited by Ian Aitken |
| title_full_unstemmed | The major realist film theorists a critical anthology edited by Ian Aitken |
| title_short | The major realist film theorists |
| title_sort | the major realist film theorists a critical anthology |
| title_sub | a critical anthology |
| topic | Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Filmtheorie Aufsatzsammlung |
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