Luis de Góngora and Lope de Vega: masters of parody
Co-Winner of the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland Kerr traces the processes and paradoxes at work in the late parodic poetry of Luis de Gongora and Lope de Vega, illuminating the correlations and connections between two poets who have more...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Woodbridge
Tamesis
2017
|
| Series: | Colección Támesis A
369 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Summary: | Co-Winner of the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland Kerr traces the processes and paradoxes at work in the late parodic poetry of Luis de Gongora and Lope de Vega, illuminating the correlations and connections between two poets who have more often than not been presented as enemies.The analysis follows the parallel development of the complex parodic genre through Gongora's late mythological parody, from his 1589 Hero and Leander romance through to his culminating parody, La fabula de Piramo y Tisbe (1618) and Lope de Vega's alter ego Tome de Burguillos, whose anthology, Rimas humanas y divinas del licenciado Tome de Burguillos, was published a year before Lope's death, in 1634. Working from the premise that parody provides a Derridean supplement to exhausted, dominant genres (e.g. pastoral, lyric, epic), this study asks: what do these texts achieve by their supplementarity, and how do they achieve it?, and, the overarching question, why do these erudite poets turn to parody in an age of decline? |
| Physical Description: | 213 Seiten |
| ISBN: | 9781855663176 |
Staff View
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| 520 | 3 | |a Co-Winner of the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland Kerr traces the processes and paradoxes at work in the late parodic poetry of Luis de Gongora and Lope de Vega, illuminating the correlations and connections between two poets who have more often than not been presented as enemies.The analysis follows the parallel development of the complex parodic genre through Gongora's late mythological parody, from his 1589 Hero and Leander romance through to his culminating parody, La fabula de Piramo y Tisbe (1618) and Lope de Vega's alter ego Tome de Burguillos, whose anthology, Rimas humanas y divinas del licenciado Tome de Burguillos, was published a year before Lope's death, in 1634. Working from the premise that parody provides a Derridean supplement to exhausted, dominant genres (e.g. pastoral, lyric, epic), this study asks: what do these texts achieve by their supplementarity, and how do they achieve it?, and, the overarching question, why do these erudite poets turn to parody in an age of decline? | |
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Record in the Search Index
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| adam_text | Contents
Introduction 1
1. Parodie Beginnings 17
2. La fábula de P ir amo y Tisbe 51
3. Las Rimas de Tomé de Burguillos 87
4. La Gatomaquia 129
5. Last Laughs 167
Afterword 193
Bibliography 195
Index
211
Kerr traces the processes and paradoxes at work
in the late parodie poetry of Luis de Góngora
and Lope de Vega, illuminating the correlations
and connections between two poets who have
more often than not been presented as enemies. The analysis
follows the parallel development of the complex parodie
genre through Góngora’s late mythological parody, from his
1589 Hero and Leander romance through to his culminating
parody, La fábula dePiramoy Tisbe (1618) and Lope de Vega’s
alter ego Tomé de Burguillos, whose anthology, Rimas humanas
y divinas del licenciado Tomé de Burguillos, was published a year
before Lope’s death, in 1634. Working from the premise
that parody provides a Derridean supplement to exhausted,
dominant genres (e.g. pastoral, lyric, epic), this study asks:
what do these texts achieve by their supplementarity, and how
do they achieve it?, and, the overarching question, why do
these erudite poets turn to parody in an age of decline?
|
| any_adam_object | 1 |
| author | Kerr, Lindsay |
| author_facet | Kerr, Lindsay |
| author_role | aut |
| author_sort | Kerr, Lindsay |
| author_variant | l k lk |
| building | Verbundindex |
| bvnumber | BV044425164 |
| classification_rvk | IO 1470 IO 4705 IO 6643 |
| ctrlnum | (OCoLC)1002230195 (DE-599)BVBBV044425164 |
| discipline | Romanistik |
| format | Book |
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| id | DE-604.BV044425164 |
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| institution | BVB |
| isbn | 9781855663176 |
| language | English |
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| physical | 213 Seiten |
| publishDate | 2017 |
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| series | Colección Támesis A |
| series2 | Colección Támesis. Serie A, Monografías |
| spelling | Kerr, Lindsay Verfasser aut Luis de Góngora and Lope de Vega masters of parody Lindsay G. Kerr Woodbridge Tamesis 2017 213 Seiten txt rdacontent n rdamedia nc rdacarrier Colección Támesis. Serie A, Monografías 369 Co-Winner of the 2014 Publication Prize awarded by the Association of Hispanists of Great Britain and Ireland Kerr traces the processes and paradoxes at work in the late parodic poetry of Luis de Gongora and Lope de Vega, illuminating the correlations and connections between two poets who have more often than not been presented as enemies.The analysis follows the parallel development of the complex parodic genre through Gongora's late mythological parody, from his 1589 Hero and Leander romance through to his culminating parody, La fabula de Piramo y Tisbe (1618) and Lope de Vega's alter ego Tome de Burguillos, whose anthology, Rimas humanas y divinas del licenciado Tome de Burguillos, was published a year before Lope's death, in 1634. Working from the premise that parody provides a Derridean supplement to exhausted, dominant genres (e.g. pastoral, lyric, epic), this study asks: what do these texts achieve by their supplementarity, and how do they achieve it?, and, the overarching question, why do these erudite poets turn to parody in an age of decline? Góngora y Argote, Luis de 1561-1627 (DE-588)11854070X gnd rswk-swf Vega, Lope de 1562-1635 (DE-588)118626353 gnd rswk-swf Parodie (DE-588)4044719-4 gnd rswk-swf Góngora y Argote, Luis de 1561-1627 (DE-588)11854070X p Vega, Lope de 1562-1635 (DE-588)118626353 p Parodie (DE-588)4044719-4 s DE-604 Colección Támesis A 369 (DE-604)BV000005514 369 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029826679&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029826679&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Kerr, Lindsay Luis de Góngora and Lope de Vega masters of parody Colección Támesis A Góngora y Argote, Luis de 1561-1627 (DE-588)11854070X gnd Vega, Lope de 1562-1635 (DE-588)118626353 gnd Parodie (DE-588)4044719-4 gnd |
| subject_GND | (DE-588)11854070X (DE-588)118626353 (DE-588)4044719-4 |
| title | Luis de Góngora and Lope de Vega masters of parody |
| title_auth | Luis de Góngora and Lope de Vega masters of parody |
| title_exact_search | Luis de Góngora and Lope de Vega masters of parody |
| title_full | Luis de Góngora and Lope de Vega masters of parody Lindsay G. Kerr |
| title_fullStr | Luis de Góngora and Lope de Vega masters of parody Lindsay G. Kerr |
| title_full_unstemmed | Luis de Góngora and Lope de Vega masters of parody Lindsay G. Kerr |
| title_short | Luis de Góngora and Lope de Vega |
| title_sort | luis de gongora and lope de vega masters of parody |
| title_sub | masters of parody |
| topic | Góngora y Argote, Luis de 1561-1627 (DE-588)11854070X gnd Vega, Lope de 1562-1635 (DE-588)118626353 gnd Parodie (DE-588)4044719-4 gnd |
| topic_facet | Góngora y Argote, Luis de 1561-1627 Vega, Lope de 1562-1635 Parodie |
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