Nineteenth-century music criticism:
The ?long nineteenth century? encompasses what has been described by some authors as ?newspaper civilization?. Music was fundamental for many men and women who lived during that century. Not surprisingly, at this time, music was a common theme in the press. On the one hand, news, chronicles and crit...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Italian French |
| Veröffentlicht: |
Turnhout
Brepols
2017
|
| Schriftenreihe: | Music, criticism & politics
volume 3 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The ?long nineteenth century? encompasses what has been described by some authors as ?newspaper civilization?. Music was fundamental for many men and women who lived during that century. Not surprisingly, at this time, music was a common theme in the press. On the one hand, news, chronicles and criticism played a central part in the musical market, since the success of that market was predicated on the dissemination of information about performers, musical events and new repertoires. On the other hand, as we have observed, the prominence of music opened the door to new types of critical reflection in longer essays. Writings about music in those years were the result of artistic aspirations and preferences; the same writings also present evidence of prejudices and modes of perception marked by specific ideological issues. This volume collects twenty-two articles that address these issues, focusing on case studies in Europe and America. The collection reflects the growing importance of music criticism in particular and the press in general as objects of study for contemporary musicology.0 |
| Beschreibung: | Beiträge teilweise englisch, teilweise italienisch, teilweise französisch |
| Beschreibung: | xxiv, 526 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9782503574974 2503574971 |
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Datensatz im Suchindex
| _version_ | 1804177720767152129 |
|---|---|
| adam_text | Contents
Teresa Cascudo Garcta-Villaraco
Introduction 1X
Music Criticism / Music Journalism
Katharine Ellis
Music Criticism, Speech Acts and Generic Contracts 3
Guillaume Bordry
Bamum et les Romains: Critique, claque et réclame dans les
Soirées de l’orchestre d’Hector Berlioz 23
Sylvia Kahan
A Critic’s Progress: Emile-Mathieu de Monter’s Musical
Reporting of the Paris 1867 and 1878 Exposition
Universelles for the Revue et Gazette musicale de Paris 33
Ingeborg Zechner
London’s Italian Opera as a Topic of Interest
to International Nineteenth-Century Music Criticism 59
Jeroen van Gessel
Speaking for Whom? Using Opera Reviews from
Strasbourg (1887-1918) to Clarify the Problematical
Source Character of Music Criticism 77
José Ignacio Suarez García
Graphic Humour as Musical Criticism: Cartoon and
Caricature in the First Wagnerian Reception in Madrid 101
Monica Vermes
The Music in the Theatres of Rio de Janeiro (1890-1900):
Concert Series, Music Criticism and Conflicting Cultural
Projects in the Early Years of the Republic 133
Marita Fornaro Bordolli
The Power of Music Criticism in the Shaping of Modern Uruguay:
An Analysis of the Newspaper Montevideo Musical 159
Discourses
Melanie Plesch
The Cultural Biography of a Music Periodical:
Boletin Musical (Buenos Aires, 1837) 183
Erin Fulton
Nativist Rhetoric in the Opera Journalism
of Antebellum New York City 207
Marc Ernesti
1813, Vienna, and a Re-print of the AmZ: Notes on
Intertextuality in German Music Media around 1800 237
Nancy November
The String Quartet in Early Nineteenth-Century
Performance and Criticism 255
Maria Teresa Arfini
Beethoven e Mendelssohn nel pensiero di Adolf Bernhard Marx 269
Renato Ricco
«La musica non imita e non esprime che lo stesso sentimento in persona»:
per una (mancata) teoria musicale leopardiana 281
Žarko C vejic
Fallen Angels of Music: Subjectivity in Early i9th-Century Philosophy
and the Reception of Virtuosity in Contemporary Music Criticism 305
Michael ß. Ward
‘Absolute’ Philosophy? Gender, Nationalism,
and Jewishness in Eduard Hanslick’s Formalism 337
Teresa Cascudo Garcîa-Vii.laraco
Manuel de Falla at War: On Race, Sound and New Music 355
Composers’ Voices
R. J. Arnold
«Les Plaisirs de l’Imagination Sont les Seuls Réels»:
Grétry’s Writings and the Expansion of Critical Thought
at the Beginning of the Nineteenth Century 379
Diau-Long Shen
Composer-Critic and «Inimitable Creators»: E. T. A. Hoffmann,
W. A. Mozart, and the Genesis of German Romantic Opera 403
Anja Bunzel
Critical Responses to Nineteenth-Century Music Criticism:
Johanna Kinkel’s Trinklieder and Her Later Lieder Collections 421
Yaël Hêche
Richard Wagner et La Reine de Chypre de Fromental Halévy
(Paris, 1841): la critique musicale comme réflexion esthétique capitale 449
Rainer Kleinertz
Richard Wagners offener Brief über Franz Liszts Symphonische
Dichtungen (1857) und die Komposition von Tristan und Isolde 473
Abstracts 495
Biographies 507
511
Index of Names
|
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| era_facet | Geschichte 1800-1900 |
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| spelling | Nineteenth-century music criticism edited by Teresa Cascudo García-Villaraco Turnhout Brepols 2017 xxiv, 526 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music, criticism & politics volume 3 Beiträge teilweise englisch, teilweise italienisch, teilweise französisch The ?long nineteenth century? encompasses what has been described by some authors as ?newspaper civilization?. Music was fundamental for many men and women who lived during that century. Not surprisingly, at this time, music was a common theme in the press. On the one hand, news, chronicles and criticism played a central part in the musical market, since the success of that market was predicated on the dissemination of information about performers, musical events and new repertoires. On the other hand, as we have observed, the prominence of music opened the door to new types of critical reflection in longer essays. Writings about music in those years were the result of artistic aspirations and preferences; the same writings also present evidence of prejudices and modes of perception marked by specific ideological issues. This volume collects twenty-two articles that address these issues, focusing on case studies in Europe and America. The collection reflects the growing importance of music criticism in particular and the press in general as objects of study for contemporary musicology.0 Geschichte 1800-1900 gnd rswk-swf Musikkritik (DE-588)4139777-0 gnd rswk-swf Musikjournalismus (DE-588)1033525375 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Europa (DE-588)4015701-5 g Musikjournalismus (DE-588)1033525375 s Musikkritik (DE-588)4139777-0 s Geschichte 1800-1900 z DE-604 Cascudo, Teresa 1968- (DE-588)1070265896 edt Music, criticism & politics volume 3 (DE-604)BV043468126 3 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029825252&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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