The filmmaker's guide to Final Cut Pro workflow:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam
Focal Press
©2008
|
| Subjects: | |
| Online Access: | FAW01 Volltext |
| Item Description: | Includes index The Filmmaker's Guide to Final Cut Pro Workflow is the comprehensive roadmap to affordable postproduction workflow using Final Cut Pro, Cinema Tools, and Pro Tools. Illuminating workflow and the interrelationship of these software applications, it also focuses on cost saving and efficiency, aiding low-budget, independent moviemakers as well as students trying to take their skills to the professional level. Author Dale Angell offers a practical guide to complete film postproduction workflow, describing low-cost workflow that can be used for 35mm film, High Definition digital video, or DV/Red Camera. The Filmmaker's Guide to Final Cut Pro Workflow will help the independent filmmaker working on a tight budget: .Understand capturing picture when shooting on film or digital video .Finishing the project on either film or video .Audio edit workflows for both film and video .Comprehend NTSC and PAL video as well as modern digital video formats .Understand timecode and the file architecture in Final Cut Pro, Cinema Tools, and Pro Tools * A practical guide to a complete film postproduction workflow that integrates FCP, Cinema Tools and Pro Tools * Describes a low-cost workflow that can be used for 35mm film, High Definition digital, or DV/Red Camera * Appendices detail all current video formats and timecode formats with descriptions and uses, and example workflows from low budget films |
| Physical Description: | xxi, 244 pages |
| ISBN: | 9780080551630 0080551637 9780240809861 0240809866 |
Staff View
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044385555 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170630s2008 |||| o||u| ||||||eng d | ||
| 020 | |a 9780080551630 |9 978-0-08-055163-0 | ||
| 020 | |a 0080551637 |9 0-08-055163-7 | ||
| 020 | |a 9780240809861 |9 978-0-240-80986-1 | ||
| 020 | |a 0240809866 |9 0-240-80986-6 | ||
| 035 | |a (ZDB-33-ESD)ocn499049881 | ||
| 035 | |a (OCoLC)499049881 | ||
| 035 | |a (DE-599)BVBBV044385555 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 | ||
| 082 | 0 | |a 778.5/350285 |2 22 | |
| 100 | 1 | |a Angell, Dale |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The filmmaker's guide to Final Cut Pro workflow |c Dale Angell |
| 264 | 1 | |a Amsterdam |b Focal Press |c ©2008 | |
| 300 | |a xxi, 244 pages | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes index | ||
| 500 | |a The Filmmaker's Guide to Final Cut Pro Workflow is the comprehensive roadmap to affordable postproduction workflow using Final Cut Pro, Cinema Tools, and Pro Tools. Illuminating workflow and the interrelationship of these software applications, it also focuses on cost saving and efficiency, aiding low-budget, independent moviemakers as well as students trying to take their skills to the professional level. Author Dale Angell offers a practical guide to complete film postproduction workflow, describing low-cost workflow that can be used for 35mm film, High Definition digital video, or DV/Red Camera. The Filmmaker's Guide to Final Cut Pro Workflow will help the independent filmmaker working on a tight budget: .Understand capturing picture when shooting on film or digital video .Finishing the project on either film or video .Audio edit workflows for both film and video .Comprehend NTSC and PAL video as well as modern digital video formats .Understand timecode and the file architecture in Final Cut Pro, Cinema Tools, and Pro Tools * A practical guide to a complete film postproduction workflow that integrates FCP, Cinema Tools and Pro Tools * Describes a low-cost workflow that can be used for 35mm film, High Definition digital, or DV/Red Camera * Appendices detail all current video formats and timecode formats with descriptions and uses, and example workflows from low budget films | ||
| 630 | 0 | 4 | |a Final cut (Electronic resource) |
| 650 | 7 | |a Final cut (Electronic resource) |2 fast | |
| 650 | 7 | |a PHOTOGRAPHY / Techniques / Cinematography & Videography |2 bisacsh | |
| 650 | 7 | |a ART / Film & Video |2 bisacsh | |
| 650 | 7 | |a Digital video |2 fast | |
| 650 | 7 | |a Motion pictures / Editing / Data processing |2 fast | |
| 650 | 4 | |a Datenverarbeitung | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion pictures |x Editing |x Data processing | |
| 650 | 4 | |a Digital video | |
| 856 | 4 | 0 | |u http://www.sciencedirect.com/science/book/9780240809861 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-33-ESD |a ZDB-33-EBS | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029787776 | ||
| 966 | e | |u http://www.sciencedirect.com/science/book/9780240809861 |l FAW01 |p ZDB-33-ESD |q FAW_PDA_ESD |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1804177652757561344 |
|---|---|
| any_adam_object | |
| author | Angell, Dale |
| author_facet | Angell, Dale |
| author_role | aut |
| author_sort | Angell, Dale |
| author_variant | d a da |
| building | Verbundindex |
| bvnumber | BV044385555 |
| collection | ZDB-33-ESD ZDB-33-EBS |
| ctrlnum | (ZDB-33-ESD)ocn499049881 (OCoLC)499049881 (DE-599)BVBBV044385555 |
| dewey-full | 778.5/350285 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 778 - Specific fields & kinds of photography |
| dewey-raw | 778.5/350285 |
| dewey-search | 778.5/350285 |
| dewey-sort | 3778.5 6350285 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03132nmm a2200493zc 4500</leader><controlfield tag="001">BV044385555</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170630s2008 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780080551630</subfield><subfield code="9">978-0-08-055163-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0080551637</subfield><subfield code="9">0-08-055163-7</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780240809861</subfield><subfield code="9">978-0-240-80986-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0240809866</subfield><subfield code="9">0-240-80986-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-33-ESD)ocn499049881</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)499049881</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044385555</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">778.5/350285</subfield><subfield code="2">22</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Angell, Dale</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The filmmaker's guide to Final Cut Pro workflow</subfield><subfield code="c">Dale Angell</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Focal Press</subfield><subfield code="c">©2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xxi, 244 pages</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The Filmmaker's Guide to Final Cut Pro Workflow is the comprehensive roadmap to affordable postproduction workflow using Final Cut Pro, Cinema Tools, and Pro Tools. Illuminating workflow and the interrelationship of these software applications, it also focuses on cost saving and efficiency, aiding low-budget, independent moviemakers as well as students trying to take their skills to the professional level. Author Dale Angell offers a practical guide to complete film postproduction workflow, describing low-cost workflow that can be used for 35mm film, High Definition digital video, or DV/Red Camera. The Filmmaker's Guide to Final Cut Pro Workflow will help the independent filmmaker working on a tight budget: .Understand capturing picture when shooting on film or digital video .Finishing the project on either film or video .Audio edit workflows for both film and video .Comprehend NTSC and PAL video as well as modern digital video formats .Understand timecode and the file architecture in Final Cut Pro, Cinema Tools, and Pro Tools * A practical guide to a complete film postproduction workflow that integrates FCP, Cinema Tools and Pro Tools * Describes a low-cost workflow that can be used for 35mm film, High Definition digital, or DV/Red Camera * Appendices detail all current video formats and timecode formats with descriptions and uses, and example workflows from low budget films</subfield></datafield><datafield tag="630" ind1="0" ind2="4"><subfield code="a">Final cut (Electronic resource)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Final cut (Electronic resource)</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PHOTOGRAPHY / Techniques / Cinematography & Videography</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / Film & Video</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Digital video</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures / Editing / Data processing</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Datenverarbeitung</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Editing</subfield><subfield code="x">Data processing</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Digital video</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.sciencedirect.com/science/book/9780240809861</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-33-ESD</subfield><subfield code="a">ZDB-33-EBS</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029787776</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.sciencedirect.com/science/book/9780240809861</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-33-ESD</subfield><subfield code="q">FAW_PDA_ESD</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV044385555 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:51:29Z |
| institution | BVB |
| isbn | 9780080551630 0080551637 9780240809861 0240809866 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029787776 |
| oclc_num | 499049881 |
| open_access_boolean | |
| owner | DE-1046 |
| owner_facet | DE-1046 |
| physical | xxi, 244 pages |
| psigel | ZDB-33-ESD ZDB-33-EBS ZDB-33-ESD FAW_PDA_ESD |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Focal Press |
| record_format | marc |
| spelling | Angell, Dale Verfasser aut The filmmaker's guide to Final Cut Pro workflow Dale Angell Amsterdam Focal Press ©2008 xxi, 244 pages txt rdacontent c rdamedia cr rdacarrier Includes index The Filmmaker's Guide to Final Cut Pro Workflow is the comprehensive roadmap to affordable postproduction workflow using Final Cut Pro, Cinema Tools, and Pro Tools. Illuminating workflow and the interrelationship of these software applications, it also focuses on cost saving and efficiency, aiding low-budget, independent moviemakers as well as students trying to take their skills to the professional level. Author Dale Angell offers a practical guide to complete film postproduction workflow, describing low-cost workflow that can be used for 35mm film, High Definition digital video, or DV/Red Camera. The Filmmaker's Guide to Final Cut Pro Workflow will help the independent filmmaker working on a tight budget: .Understand capturing picture when shooting on film or digital video .Finishing the project on either film or video .Audio edit workflows for both film and video .Comprehend NTSC and PAL video as well as modern digital video formats .Understand timecode and the file architecture in Final Cut Pro, Cinema Tools, and Pro Tools * A practical guide to a complete film postproduction workflow that integrates FCP, Cinema Tools and Pro Tools * Describes a low-cost workflow that can be used for 35mm film, High Definition digital, or DV/Red Camera * Appendices detail all current video formats and timecode formats with descriptions and uses, and example workflows from low budget films Final cut (Electronic resource) Final cut (Electronic resource) fast PHOTOGRAPHY / Techniques / Cinematography & Videography bisacsh ART / Film & Video bisacsh Digital video fast Motion pictures / Editing / Data processing fast Datenverarbeitung Film Motion pictures Editing Data processing Digital video http://www.sciencedirect.com/science/book/9780240809861 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Angell, Dale The filmmaker's guide to Final Cut Pro workflow Final cut (Electronic resource) Final cut (Electronic resource) fast PHOTOGRAPHY / Techniques / Cinematography & Videography bisacsh ART / Film & Video bisacsh Digital video fast Motion pictures / Editing / Data processing fast Datenverarbeitung Film Motion pictures Editing Data processing Digital video |
| title | The filmmaker's guide to Final Cut Pro workflow |
| title_auth | The filmmaker's guide to Final Cut Pro workflow |
| title_exact_search | The filmmaker's guide to Final Cut Pro workflow |
| title_full | The filmmaker's guide to Final Cut Pro workflow Dale Angell |
| title_fullStr | The filmmaker's guide to Final Cut Pro workflow Dale Angell |
| title_full_unstemmed | The filmmaker's guide to Final Cut Pro workflow Dale Angell |
| title_short | The filmmaker's guide to Final Cut Pro workflow |
| title_sort | the filmmaker s guide to final cut pro workflow |
| topic | Final cut (Electronic resource) Final cut (Electronic resource) fast PHOTOGRAPHY / Techniques / Cinematography & Videography bisacsh ART / Film & Video bisacsh Digital video fast Motion pictures / Editing / Data processing fast Datenverarbeitung Film Motion pictures Editing Data processing Digital video |
| topic_facet | Final cut (Electronic resource) PHOTOGRAPHY / Techniques / Cinematography & Videography ART / Film & Video Digital video Motion pictures / Editing / Data processing Datenverarbeitung Film Motion pictures Editing Data processing |
| url | http://www.sciencedirect.com/science/book/9780240809861 |
| work_keys_str_mv | AT angelldale thefilmmakersguidetofinalcutproworkflow |