Holdings: Early film theories in Italy, 1896-1922

Early film theories in Italy, 1896-1922:

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Bibliographic Details
Other Authors:	Casetti, Francesco 1947- (Editor), Alovisio, Silvio 1968- (Editor), Mazzei, Luca (Editor)
Format:	Book
Language:	English
Published:	Amsterdam Amsterdam University Press [2017]
Series:	Film theory in media history
Subjects:	Geschichte 1896-1922 Filmtheorie Italien Quelle
Online Access:	Volltext Volltext Inhaltsverzeichnis
Item Description:	Erscheint auch als Open Access bei De Gruyter
Physical Description:	516 Seiten
ISBN:	9789089648556
DOI:	10.1515/9789048527106

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MARC


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Record in the Search Index

DE-BY-FWS_katkey	861731
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adam_text	Titel: Early film theories in Italy, 1896-1922 Autor: Casetti, Francesco Jahr: 2017 Table of Contents The Throb of the Cinematograph Francesco Casetti Section 1 Cinema and Modern Life Francesco Casetti Cinematography Edipi The Philosophy of Cinematograph Giovanni Papini Summertime Spectacles: The Cinema Gaio Why I Love the Cinema Maffio Maffii The Movie Theatre Audience Giovanni Fossi The Art of Celluloid Crainquebille The Triumph of the Cinema Ricciotto Canudo The Death of the Word Fausto Maria Martini Section 2 Film in Transition Francesco Casetti The Museum of the Fleeting Moment Lucio d'Ambra The Woman and the Cinema HaydÃ©e Darkness and Intelligence Emanuele Toddi A Spectatrix is Speaking to You Matilde Serao Motion Pictures in Provincial Towns Emilio Scaglione Cinematic Psychology Edoardo Coli The Cinematograph Doesn't Exist Silvio d'Amico The Cinema: School of the Will and of Energy Giovanni Bertinetti The Close-up Alberto Orsi The Soul of Titles Ernesto Quadrone Section 3 Cinema at War Luca Mazzei The War, from Up Close Nino Salvaneschi That Poor Cinema. Renato Giovannetti Families of Soldiers Luigi Lucatelli War for the Profit of Industry Renato Giovannetti The War and Cinematograph g.pr. Max Linder Dies in The War Lucio dAmbra Cinema of War Saverio Procida 102 105 111 117 123 135 140 147 156 160 164 168 171 173 176 Section 4 Politics, Morality, Education 183 Silvio Alovisio The Motion Pictures and Education 197 Domenico Oratio The Intuitive Method in Religious Education 205 Romano Costetti The Cinema and Its Influence on the Education of the People 213 Giovanni Battista Avellone The Cinematograph in the Schools 217 Francesco Orestano Speech at the People's Theatre 224 Vittorio Emanuele Orlando Cinema for the Cultivation of the Intellect 237 Angelina Buracci Educational Cinema 244 Ettore Fabtetti Section 5 Film, Body, Mind 255 Silvio Alovisio Collective Psychology 268 Pasquale Rossi About Some Psychological Observations Made During Film Screenings 273 Mario Ponzo Concerning the Effects of Film Viewing on Neurotic Individuals 278 Giuseppe dAbundo The Ongoing Battle between Gesture and Word 286 Mariano Luigi Patrizi The Cinematograph in the Field of Mental Illness and Criminality: Notes 290 Mario Umberto Masini, Giuseppe Vidoni Cinema and Juvenile Delinquency 297 Mario Ponzo Section 6 The Aesthetic Side Silvio Alovisio andLuca Mazzei Problems of Art: Expression and Movement in Sculpture Corrado Ricci Scenic Impressionism Sebastiano Arturo Luciani The Aesthetics of Cinema Goffredo Bellonci The Poetics of Cinema Sebastiano Arturo Luciani Manifesto fora Cinematic Revolution Goffredo Bellonci Theatre and the Cinema Antonio Gramsci The Futurist Cinematography F.T. Marinetti, Bruno Corra, Emilio Settimelli, Arnaldo Ginna, Giacomo Balla, Remo Chiti In the Beginning Was Sex. Antonio Gramsci Rectangle-Film (25 x 19) Emanuele Toddi The Proscenium Arch of My Cinema Anton Giulio Bragaglta My Views on the Cinematograph Lucio d'Ambra Meditations in the Dark Michete Biancale Section 7 Theory in a Narrative Form Luca Mazzei Colour Film Roberto Tanfani At the Cinema Luigia Cortesi 307 318 321 325 329 333 339 341 346 348 353 359 368 373 381 386 A Phantom Pursued 390 Alberto Lumhroso Miopetti's Duel 398 Aldo Borelli Pa mÃªla-Fil ms 405 Guido Gozzano Feature Film 411 Bio Vanzi Me, Riri, and Love in Slippers 421 Luciano Dorla A Cinematic Performance 427 Fcderigo Tozzi Life, a Glass Theatre 434 Pier Maria Rosso di San Seconda The Shears' Reflection 444 Guido Gozzano Sources 450 Author Biographies 455 General Bibliography 490 Acknowledgements 505 About the Editors 507 Index of Names 508 Index of Concepts 513 Index of Films 517
any_adam_object	1
author2	Casetti, Francesco 1947- Alovisio, Silvio 1968- Mazzei, Luca
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doi_str_mv	10.1515/9789048527106
era	Geschichte 1896-1922 gnd
era_facet	Geschichte 1896-1922
format	Book
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physical	516 Seiten
psigel	ZDB-94-OAB ZDB-23-DGG ZDB-23-GOA
publishDate	2017
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publisher	Amsterdam University Press
record_format	marc
series2	Film theory in media history
spellingShingle	Early film theories in Italy, 1896-1922 Filmtheorie (DE-588)4071216-3 gnd
subject_GND	(DE-588)4071216-3 (DE-588)4027833-5 (DE-588)4135952-5
title	Early film theories in Italy, 1896-1922
title_alt	Early film theories in Italy
title_auth	Early film theories in Italy, 1896-1922
title_exact_search	Early film theories in Italy, 1896-1922
title_full	Early film theories in Italy, 1896-1922 edited by Francesco Casetti with Silvio Alovisio and Luca Mazzei
title_fullStr	Early film theories in Italy, 1896-1922 edited by Francesco Casetti with Silvio Alovisio and Luca Mazzei
title_full_unstemmed	Early film theories in Italy, 1896-1922 edited by Francesco Casetti with Silvio Alovisio and Luca Mazzei
title_short	Early film theories in Italy, 1896-1922
title_sort	early film theories in italy 1896 1922
topic	Filmtheorie (DE-588)4071216-3 gnd
topic_facet	Filmtheorie Italien Quelle
url	http://www.doabooks.org/doab?func=fulltext&uiLanguage=en&rid=23250 https://doi.org/10.1515/9789048527106 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029757647&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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