Portraiture and early studio photography in China and Japan:
This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images which merged the new medium with "traditional" visual practices, as well as the portrait's part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness - its producers, subjects, viewers, and pictorial forms - and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography's identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts |
| Beschreibung: | An Ashgate book |
| Beschreibung: | xv, 252 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen |
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Datensatz im Suchindex
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|---|---|
| adam_text | Titel: Portraiture and early studio photography in China and Japan
Autor: Gartlan, Luke
Jahr: 2017
Contents
List of Figures vii
List of Plates xi
Notes on Contributors xiii
Acknowledgments xvi
Note on Transliteration xvii
1 Introduction 1
LUKE GARTLAN AND ROBERTA WUE
PARTI
Studios and Photographers 15
2 Shimizu Tokoku and the Japanese Carte-de-visite:
Circumscriptions of Yokohama Photography 17
LUKE GARTLAN
3 Group Encounters: Milton M. Miller s Hong Kong
and Canton Photographs 41
ROBERTA WUE
4 Powkee and the Era of Large Studios 59
YI GU
PART II
Sitters and Domestic Markets 77
5 Guiding the Sitter: Matsuzaki Shinji s Dos and
Don ts for the Photographic Customer 79
SEBASTIAN DOBSON
6 Chinese Ideas of Likeness: Photography, Painting, and
Intermediality 97
CLAIRE ROBERTS
7 Inscribed Photographic Portraits: Commemoration and
Self-Fashioning in Republican-Period China
RICHARD K. KENT
8 One, and the Same: The Photographic Double in
Republican China
H. TIFFANY LEE
PART III
Citizens and Subjects
9 The Fluidity of Representation: Early Photographs,
As alms a, and Kabuki
MAKI FUKUOKA
10 From Private to Public: Shifting Conceptions of Women s
Portrait Photography in Late Meiji Japan
KAREN M. ERASER
11 The Republican Lady, the Courtesan, and the Photograph:
Visibility and Sexuality in Early Twentieth-Century China
JOAN JUDGE
Appendix Matsuzaki Shinji s Dos and Don ts for the
Photographic Customer
TRANSLATED BY SEBASTIAN DOBSON
Glossary of Chinese and Japanese Characters
Bibliography
Index
117
140
157
159
174
193
211
218
224
243
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| spelling | Portraiture and early studio photography in China and Japan edited by Luke Gartlan and Roberta Wue London ; New York Routledge 2017 xv, 252 Seiten, 16 ungezählte Seiten Bildtafeln Illustrationen txt rdacontent sti rdacontent n rdamedia nc rdacarrier An Ashgate book Includes bibliographical references (pages 224-242) and index This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images which merged the new medium with "traditional" visual practices, as well as the portrait's part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness - its producers, subjects, viewers, and pictorial forms - and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography's identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts Geschichte 1860-1900 gnd rswk-swf Photography / China / History Photography / Japan / History Portrait photography / China Portrait photography / Japan Portraits, Chinese Portraits, Japanese Geschichte Porträtfotografie (DE-588)4046840-9 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf Japan (DE-588)4028495-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content China (DE-588)4009937-4 g Japan (DE-588)4028495-5 g Porträtfotografie (DE-588)4046840-9 s Geschichte 1860-1900 z DE-604 Gartlan, Luke (DE-588)138629250 edt Wue, Roberta (DE-588)1122758154 edt HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029755376&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Portraiture and early studio photography in China and Japan Includes bibliographical references (pages 224-242) and index Photography / China / History Photography / Japan / History Portrait photography / China Portrait photography / Japan Portraits, Chinese Portraits, Japanese Geschichte Porträtfotografie (DE-588)4046840-9 gnd |
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| title | Portraiture and early studio photography in China and Japan |
| title_auth | Portraiture and early studio photography in China and Japan |
| title_exact_search | Portraiture and early studio photography in China and Japan |
| title_full | Portraiture and early studio photography in China and Japan edited by Luke Gartlan and Roberta Wue |
| title_fullStr | Portraiture and early studio photography in China and Japan edited by Luke Gartlan and Roberta Wue |
| title_full_unstemmed | Portraiture and early studio photography in China and Japan edited by Luke Gartlan and Roberta Wue |
| title_short | Portraiture and early studio photography in China and Japan |
| title_sort | portraiture and early studio photography in china and japan |
| topic | Photography / China / History Photography / Japan / History Portrait photography / China Portrait photography / Japan Portraits, Chinese Portraits, Japanese Geschichte Porträtfotografie (DE-588)4046840-9 gnd |
| topic_facet | Photography / China / History Photography / Japan / History Portrait photography / China Portrait photography / Japan Portraits, Chinese Portraits, Japanese Geschichte Porträtfotografie China Japan Aufsatzsammlung |
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