Theatre on terror: subject positions in British drama
In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ;Boston
De Gruyter Mouton
[2017]
|
| Schriftenreihe: | Contemporary drama in English studies
volume 27 |
| Schlagworte: | |
| Online-Zugang: | BSB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBR01 UPA01 FAB01 FCO01 Volltext |
| Zusammenfassung: | In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities |
| Beschreibung: | 1 Online-Ressource (VIII, 297 Seiten) |
| ISBN: | 9783110517088 |
| DOI: | 10.1515/9783110517088 |
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| 520 | |a In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities | ||
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Datensatz im Suchindex
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| author | Waal, Ariane de ca. 20. Jh |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:50:20Z |
| institution | BVB |
| isbn | 9783110517088 |
| language | English |
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| physical | 1 Online-Ressource (VIII, 297 Seiten) |
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| series | Contemporary drama in English studies |
| series2 | Contemporary drama in English studies |
| spelling | Waal, Ariane de ca. 20. Jh. Verfasser (DE-588)1035622122 aut Theatre on terror subject positions in British drama Ariane de Waal Berlin ;Boston De Gruyter Mouton [2017] © 2017 1 Online-Ressource (VIII, 297 Seiten) txt rdacontent c rdamedia cr rdacarrier Contemporary drama in English studies volume 27 Dissertation Universität Bochum 2016 In a moment of intense uncertainty surrounding the means, ends, and limits of (countering) terrorism, this study approaches the recent theatres of war through theatrical stagings of terror. Theatre on Terror: Subject Positions in British Drama charts the terrain of contemporary subjectivities both ‘at home’ and ‘on the front line’. Beyond examining the construction and contestation of subject positions in domestic and (sub)urban settings, the book follows border-crossing figures to the shifting battlefields in Iraq and Afghanistan. What emerges through the analysis of twenty-one plays is not a dichotomy but a dialectics of ‘home’ and ‘front’, where fluid, uncontainable subjects are constantly pushing the contours of conflict. Revising the critical consensus that post-9/11 drama primarily engages with ‘the real’, Ariane de Waal argues that these plays navigate the complexities of the discourse – rather than the historical or social realities – of war and terrorism. British ‘theatre on terror’ negotiates, inflects, and participates in the discursive circulation of stories, idioms, controversies, testimonies, and pieces of (mis)information in the face of global insecurities Geschichte 2003-2014 gnd rswk-swf 9/11 Britisches Gegenwartstheater Contemporary British Theatre Drama Elfter September Subject Positions Terror Fundamentalismus Motiv (DE-588)4491950-5 gnd rswk-swf Islam Motiv (DE-588)4351633-6 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Krieg Motiv (DE-588)4136410-7 gnd rswk-swf Terrorismus Motiv (DE-588)4482648-5 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Terrorismus Motiv (DE-588)4482648-5 s Krieg Motiv (DE-588)4136410-7 s Islam Motiv (DE-588)4351633-6 s Fundamentalismus Motiv (DE-588)4491950-5 s Geschichte 2003-2014 z DE-604 Erscheint auch als Druck-Ausgabe 978-3-11-051512-1 Contemporary drama in English studies volume 27 (DE-604)BV045682410 27 https://doi.org/10.1515/9783110517088 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Waal, Ariane de ca. 20. Jh Theatre on terror subject positions in British drama Contemporary drama in English studies 9/11 Britisches Gegenwartstheater Contemporary British Theatre Drama Elfter September Subject Positions Terror Fundamentalismus Motiv (DE-588)4491950-5 gnd Islam Motiv (DE-588)4351633-6 gnd Drama (DE-588)4012899-4 gnd Krieg Motiv (DE-588)4136410-7 gnd Terrorismus Motiv (DE-588)4482648-5 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4491950-5 (DE-588)4351633-6 (DE-588)4012899-4 (DE-588)4136410-7 (DE-588)4482648-5 (DE-588)4014777-0 (DE-588)4113937-9 |
| title | Theatre on terror subject positions in British drama |
| title_auth | Theatre on terror subject positions in British drama |
| title_exact_search | Theatre on terror subject positions in British drama |
| title_full | Theatre on terror subject positions in British drama Ariane de Waal |
| title_fullStr | Theatre on terror subject positions in British drama Ariane de Waal |
| title_full_unstemmed | Theatre on terror subject positions in British drama Ariane de Waal |
| title_short | Theatre on terror |
| title_sort | theatre on terror subject positions in british drama |
| title_sub | subject positions in British drama |
| topic | 9/11 Britisches Gegenwartstheater Contemporary British Theatre Drama Elfter September Subject Positions Terror Fundamentalismus Motiv (DE-588)4491950-5 gnd Islam Motiv (DE-588)4351633-6 gnd Drama (DE-588)4012899-4 gnd Krieg Motiv (DE-588)4136410-7 gnd Terrorismus Motiv (DE-588)4482648-5 gnd Englisch (DE-588)4014777-0 gnd |
| topic_facet | 9/11 Britisches Gegenwartstheater Contemporary British Theatre Drama Elfter September Subject Positions Terror Fundamentalismus Motiv Islam Motiv Krieg Motiv Terrorismus Motiv Englisch Hochschulschrift |
| url | https://doi.org/10.1515/9783110517088 |
| volume_link | (DE-604)BV045682410 |
| work_keys_str_mv | AT waalarianede theatreonterrorsubjectpositionsinbritishdrama |