Beethoven's chamber music in context:
Watson provides professional and amateur musicians, and music lovers generally, with a complete survey of Beethoven's chamber music and the background to each individual work - the loyalty of patrons, musicians and friends on the one hand; increasing deafness and uncertain health on the other....
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Suffolk
Boydell & Brewer
2010
|
| Subjects: | |
| Online Access: | BSB01 UBG01 UER01 Volltext |
| Summary: | Watson provides professional and amateur musicians, and music lovers generally, with a complete survey of Beethoven's chamber music and the background to each individual work - the loyalty of patrons, musicians and friends on the one hand; increasing deafness and uncertain health on the other. Attention is paid to the influence of such large-scale compositions as the <I>Eroica</I> Symphony and <I>Fidelio</I> on the chamber music of his middle years and the <I>Missa Solemnis</I> and the Ninth Symphony on his late quartets. The author examines Beethoven's ever-increasing freedom of form - largely a result of his mastery of improvisation and a powerful symbol of the fusion of classical discipline with the subversive spirit of romantic adventure which characterises his mature music. <BR> Beethoven's friends were not shy about asking him what his music meant, or what inspired him, and it is clear that he attached the greatest importance to the words he used when describing the character of his compositions. 'The tempo is more like the body,' he wrote when commending Malzel's invention of the metronome, 'but these indications of character certainly refer to the spirit.' <BR><BR> ANGUS WATSON, a violinist and conductor, has been Director of Music at Stowe School, Winchester College and Wells Cathedral School, one of Britain's specialist music schools. From 1984-1989 he was Dean of Music at the newly founded Hong Kong Academy for Performing Arts |
| Item Description: | Title from publisher's bibliographic system (viewed on 11 May 2017) |
| Physical Description: | 1 online resource (xii, 306 Seiten) |
| ISBN: | 9781846159091 |
Staff View
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Record in the Search Index
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| any_adam_object | |
| author | Watson, Angus J. M. |
| author_facet | Watson, Angus J. M. |
| author_role | aut |
| author_sort | Watson, Angus J. M. |
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| dewey-ones | 785 - Ensembles with one instrument per part |
| dewey-raw | 785.0092 |
| dewey-search | 785.0092 |
| dewey-sort | 3785.0092 |
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| era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1793-1827 gnd |
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| id | DE-604.BV044337338 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:50:08Z |
| institution | BVB |
| isbn | 9781846159091 |
| language | English |
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| physical | 1 online resource (xii, 306 Seiten) |
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| spelling | Watson, Angus J. M. Verfasser aut Beethoven's chamber music in context Angus Watson Suffolk Boydell & Brewer 2010 1 online resource (xii, 306 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 11 May 2017) Watson provides professional and amateur musicians, and music lovers generally, with a complete survey of Beethoven's chamber music and the background to each individual work - the loyalty of patrons, musicians and friends on the one hand; increasing deafness and uncertain health on the other. Attention is paid to the influence of such large-scale compositions as the <I>Eroica</I> Symphony and <I>Fidelio</I> on the chamber music of his middle years and the <I>Missa Solemnis</I> and the Ninth Symphony on his late quartets. The author examines Beethoven's ever-increasing freedom of form - largely a result of his mastery of improvisation and a powerful symbol of the fusion of classical discipline with the subversive spirit of romantic adventure which characterises his mature music. <BR> Beethoven's friends were not shy about asking him what his music meant, or what inspired him, and it is clear that he attached the greatest importance to the words he used when describing the character of his compositions. 'The tempo is more like the body,' he wrote when commending Malzel's invention of the metronome, 'but these indications of character certainly refer to the spirit.' <BR><BR> ANGUS WATSON, a violinist and conductor, has been Director of Music at Stowe School, Winchester College and Wells Cathedral School, one of Britain's specialist music schools. From 1984-1989 he was Dean of Music at the newly founded Hong Kong Academy for Performing Arts Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1793-1827 gnd rswk-swf Chamber music / Germany / 18th century / History and criticism Chamber music / Germany / 19th century / History and criticism Kammermusik (DE-588)4136998-1 gnd rswk-swf Deutschland Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Kammermusik (DE-588)4136998-1 s Geschichte 1793-1827 z 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-1-843-83577-6 https://www.cambridge.org/core/product/identifier/9781846159091/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Watson, Angus J. M. Beethoven's chamber music in context Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Chamber music / Germany / 18th century / History and criticism Chamber music / Germany / 19th century / History and criticism Kammermusik (DE-588)4136998-1 gnd |
| subject_GND | (DE-588)118508288 (DE-588)4136998-1 |
| title | Beethoven's chamber music in context |
| title_auth | Beethoven's chamber music in context |
| title_exact_search | Beethoven's chamber music in context |
| title_full | Beethoven's chamber music in context Angus Watson |
| title_fullStr | Beethoven's chamber music in context Angus Watson |
| title_full_unstemmed | Beethoven's chamber music in context Angus Watson |
| title_short | Beethoven's chamber music in context |
| title_sort | beethoven s chamber music in context |
| topic | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Chamber music / Germany / 18th century / History and criticism Chamber music / Germany / 19th century / History and criticism Kammermusik (DE-588)4136998-1 gnd |
| topic_facet | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 Chamber music / Germany / 18th century / History and criticism Chamber music / Germany / 19th century / History and criticism Kammermusik Deutschland |
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