Medieval saints and modern screens: divine visions as cinematic experience
The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the per...
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1. Verfasser: | |
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Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2018]
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Schriftenreihe: | Knowledge communities
3 |
Schlagworte: | |
Online-Zugang: | Volltext Inhaltsverzeichnis Klappentext |
Zusammenfassung: | The thirteenth-century Latin hagiographic works known as the "Holy Women of Liège" corpus presents biographies filled with dramatic visions of God and intense physical unions with Christ. The texts that make up the collection demonstrate the problematic division of body and soul in the period and also reveal the potential of text to transmit visual experiences. This book explores those qualities of the texts using the latest developments in film theory, taking up such topics as the relationship of film to mortality, embodied spectatorship, celebrity studies, and digital environments |
Beschreibung: | Erscheint auch als Open Access bei De Gruyter |
Beschreibung: | 304 Seiten Illustrationen, Karten |
ISBN: | 9789462982277 |
DOI: | 10.1515/9789048532179 |
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Table of Contents
Acknowledgments 9
Introduction: Ecstatic Cinema, Cinematic Ecstasy 11
The Agape-ic Encounter 14
Ecstatic Cinema 16
Cinematic Ecstasy 18
The ‘Holy Women of Liège’ 21
A Collective Audience 40
Cinematic Hagiography 43
Mysticism and Popular Culture 47
Beyond the Frame 52
Overview of Chapters 59
1 Play / Pause / Rewind: Temporalities in Flux 65
The Miracle of Photography 65
Photographic and Sacred Time 71
Saints as Photographs 73
Pressing Play: Cinematic Reanimation(s) 77
Execution Films 79
Resurrection, Resuscitation, and Unfulfilled Promises 83
The Purgatorial Body 86
Liturgical Time 91
Purgatorial Time 96
Putting Things into Perspective 102
2 The Caress of the Divine Gaze 107
Look, and Look Again 107
Bacon's Synthesis Theory 113
Becoming What You See: The Cinesthetic Subject 118
God the Projector 122
Feeling What You See: Sensual Catechresis 128
The Collective Spectatorial Body 131
Coresthesia: Reading, Seeing, and Touching the Corpus 136
3 The Xtian Factor, or How to Manufacture a Medieval Saint 147
Marie of Oignies, the Celebrity Saint 147
An Anti-Cathar Poster Girl 152
Marie the Mystical Chanteuse 156
Jacques of Vitry, Star Preacher 158
Hairdressers to the Stars 161
Celebrity Role-Models 165
Margery Kempe's Fanfictions 167
Keeping Up With Kempe 173
Fans in the Academy 187
4 My Avatar, My Soul: When Mystics Log On 193
Vision, Presence, and Virtual Reality 193
Situating SL: Disentangling Television, Film, and Virtual Worlds 197
The Online Communion of Saints 204
‘Logging On' to the Communion of Saints 210
Of Avatars and Offline Bodies 214
The Agony and the Ecstasy of Technology 221
Crucifixion Online 228
Men, Women, and Heterodoxy 231
Gender-Swapping to Level Up 234
Agency and Dependence 239
Conclusion: The Living Veronicas of Liège 243
Unveiling the Veronicas 243
Lively Relics 245
Bargaining: Agency and Impotence 247
The Other Women, Glimpsed in the Mirror 253
Abbreviations 255
Bibliography 259
Index 292
Medieval Saints and Modem Screens brings theoretical perspectives
from twenty-first-century media, film, and cultural studies to medieval
hagiography. This ground-breaking study stakes the claim for a provocative
new methodological intervention: consideration of hagiography as
cinematic media. Medieval mystical episodes are made intelligible to
modern audiences through reference to the language, form, and lived
experience of cinema. The medieval saint's visions of God are but one
pole on a spectrum of visual experience extending into our present multi-
media moment. Spencer-Hall's study places contemporary pop-culture
media in dialogue with the corpus of thirteenth-century Latin biographies
of the holy women of Liège. Visionary experiences offer these women new
routes to knowledge, agency, and belonging, fundamentally orienting their
lives. Medieval Saints and Modern Screens reveals the interconnection of
decidedlv 'old’ media - medieval textualities - and artefacts of our ‘new
media ecology, which both sene as spaces in which human concerns are
brought before sociétés collective eves.
O mt ✓ |
any_adam_object | 1 |
author | Spencer-Hall, Alicia |
author_GND | (DE-588)1164620630 |
author_facet | Spencer-Hall, Alicia |
author_role | aut |
author_sort | Spencer-Hall, Alicia |
author_variant | a s h ash |
building | Verbundindex |
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classification_rvk | BB 1625 |
collection | ebook ZDB-23-DGG ZDB-23-GOA |
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discipline | Theologie / Religionswissenschaften |
doi_str_mv | 10.1515/9789048532179 |
era | Geschichte 1200-1300 gnd |
era_facet | Geschichte 1200-1300 |
format | Thesis Book |
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indexdate | 2024-08-05T08:37:14Z |
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isbn | 9789462982277 |
language | English |
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physical | 304 Seiten Illustrationen, Karten |
psigel | ebook ZDB-23-DGG ZDB-23-GOA |
publishDate | 2018 |
publishDateSearch | 2018 |
publishDateSort | 2018 |
publisher | Amsterdam University Press |
record_format | marc |
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spellingShingle | Spencer-Hall, Alicia Medieval saints and modern screens divine visions as cinematic experience Knowledge communities Rezeption (DE-588)4049716-1 gnd Multimedia (DE-588)4192358-3 gnd Hagiografie (DE-588)4022930-0 gnd Film (DE-588)4017102-4 gnd Heilige (DE-588)4117606-6 gnd |
subject_GND | (DE-588)4049716-1 (DE-588)4192358-3 (DE-588)4022930-0 (DE-588)4017102-4 (DE-588)4117606-6 (DE-588)4074361-5 (DE-588)4113937-9 |
title | Medieval saints and modern screens divine visions as cinematic experience |
title_auth | Medieval saints and modern screens divine visions as cinematic experience |
title_exact_search | Medieval saints and modern screens divine visions as cinematic experience |
title_full | Medieval saints and modern screens divine visions as cinematic experience Alicia Spencer-Hall |
title_fullStr | Medieval saints and modern screens divine visions as cinematic experience Alicia Spencer-Hall |
title_full_unstemmed | Medieval saints and modern screens divine visions as cinematic experience Alicia Spencer-Hall |
title_short | Medieval saints and modern screens |
title_sort | medieval saints and modern screens divine visions as cinematic experience |
title_sub | divine visions as cinematic experience |
topic | Rezeption (DE-588)4049716-1 gnd Multimedia (DE-588)4192358-3 gnd Hagiografie (DE-588)4022930-0 gnd Film (DE-588)4017102-4 gnd Heilige (DE-588)4117606-6 gnd |
topic_facet | Rezeption Multimedia Hagiografie Film Heilige Lüttich Hochschulschrift |
url | https://doi.org/10.1515/9789048532179 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029735186&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029735186&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV044681278 |
work_keys_str_mv | AT spencerhallalicia medievalsaintsandmodernscreensdivinevisionsascinematicexperience |