Higher states: Lawren Harris and his American contemporaries
"Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, he had taken a seemingly unexpected turn toward a transnational career...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Fredericton, New Brunswick, Canada
Goose Lane Editions
[2017]
Kleinburg, Ontario McMichael Canadian Art Collection [2017] |
Schlagworte: | |
Zusammenfassung: | "Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, he had taken a seemingly unexpected turn toward a transnational career in abstract painting. The social, intellectual, and aesthetic milieu of American transcendentalism shaped a movement of abstract art across North America. Inspired by the ideas of Kandinsky and informed by the writings of Emerson and Whitman, Harris and his North American contemporaries - Georgia O'Keeffe, Marsden Hartley, Katherine Dreier, Raymond Jonson - turned to abstraction to express higher states of consciousness. As Harris's career progressed, as he ascended from mountain tops to inner states of mind, he sought greater and more ethereal spiritual heights. This magnificent volume features reproductions of more than 75 paintings by Harris and his contemporaries. Essays by Roald Nasgaard and Gwendolyn Owens investigate Lawren Harris's exploration of modernity and the evolution of his work towards a form of abstraction that enthusiastically embraced the energies of the ambient visual culture"-- |
Beschreibung: | Catalogue of a travelling exhibition held at the McMichael Canadian Art Collection (Kleinburg, Ontario) from Februrary 4 to September 4, 2017; and at the Glenbow Museum (Calgary, Alberta) from October 7, 2017 to January 7, 2018 |
Beschreibung: | 201 Seiten |
ISBN: | 9780864929655 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV044326557 | ||
003 | DE-604 | ||
005 | 20170814 | ||
007 | t | ||
008 | 170525s2017 bc|| 00||| eng d | ||
020 | |a 9780864929655 |c hbk. |9 978-0-86492-965-5 | ||
035 | |a (OCoLC)1002109763 | ||
035 | |a (DE-599)BVBBV044326557 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
245 | 1 | 0 | |a Higher states |b Lawren Harris and his American contemporaries |c Roald Nasgaard & Gwendolyn Owens |
246 | 1 | 3 | |a Lawren Harris and his American contemporaries |
246 | 1 | 0 | |a Lawren Harris and his American contemporaries |
264 | 1 | |a Fredericton, New Brunswick, Canada |b Goose Lane Editions |c [2017] | |
264 | 1 | |a Kleinburg, Ontario |b McMichael Canadian Art Collection |c [2017] | |
300 | |a 201 Seiten | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Catalogue of a travelling exhibition held at the McMichael Canadian Art Collection (Kleinburg, Ontario) from Februrary 4 to September 4, 2017; and at the Glenbow Museum (Calgary, Alberta) from October 7, 2017 to January 7, 2018 | ||
505 | 8 | 0 | |r Sarah Stanners |t Harris's modernity |t the engineering draughtsman's instruments |r Roald Nasgaard |t A high sort of seeing |t Emerson, Harris, and the American moderns |r Gwendolyn Owens |r Emily Baker & Isabella Mello |
520 | 3 | |a "Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, he had taken a seemingly unexpected turn toward a transnational career in abstract painting. The social, intellectual, and aesthetic milieu of American transcendentalism shaped a movement of abstract art across North America. Inspired by the ideas of Kandinsky and informed by the writings of Emerson and Whitman, Harris and his North American contemporaries - Georgia O'Keeffe, Marsden Hartley, Katherine Dreier, Raymond Jonson - turned to abstraction to express higher states of consciousness. As Harris's career progressed, as he ascended from mountain tops to inner states of mind, he sought greater and more ethereal spiritual heights. This magnificent volume features reproductions of more than 75 paintings by Harris and his contemporaries. Essays by Roald Nasgaard and Gwendolyn Owens investigate Lawren Harris's exploration of modernity and the evolution of his work towards a form of abstraction that enthusiastically embraced the energies of the ambient visual culture"-- | |
600 | 1 | 7 | |a Harris, Lawren |d 1885-1970 |0 (DE-588)11923629X |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1900-2000 | |
653 | 1 | |a Harris, Lawren / 1885-1970 / Exhibitions | |
653 | 0 | |a Painting, American / 20th century / Exhibitions | |
653 | 0 | |a Painting, Abstract / Exhibitions | |
653 | 6 | |a Exhibition catalogs | |
653 | 6 | |a Illustrated works | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |2 gnd-content | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Glenbow Museum |y 07.10.2017-07.01.2018 |z Calgary, Alberta |2 gnd-content | |
655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x McMichael Canadian Art Collection |y 04.02.-04.09.2017 |z Kleinburg, Ontario |2 gnd-content | |
689 | 0 | 0 | |a Harris, Lawren |d 1885-1970 |0 (DE-588)11923629X |D p |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Nasgaard, Roald |e Sonstige |4 oth | |
700 | 1 | |a Owens, Gwendolyn |e Sonstige |4 oth | |
700 | 1 | |a Harris, Lawren |d 1885-1970 |e Sonstige |0 (DE-588)11923629X |4 oth | |
710 | 2 | |a Glenbow Museum |0 (DE-588)819880-9 |4 hst | |
710 | 2 | |a MacMichael Canadian Collection (Kleinburg, Ontario) |0 (DE-588)5029469-6 |4 hst | |
999 | |a oai:aleph.bib-bvb.de:BVB01-029729910 |
Datensatz im Suchindex
_version_ | 1804177548934905856 |
---|---|
any_adam_object | |
author_GND | (DE-588)11923629X |
author_additional | Sarah Stanners Roald Nasgaard Gwendolyn Owens Emily Baker & Isabella Mello |
building | Verbundindex |
bvnumber | BV044326557 |
contents | Harris's modernity the engineering draughtsman's instruments A high sort of seeing Emerson, Harris, and the American moderns |
ctrlnum | (OCoLC)1002109763 (DE-599)BVBBV044326557 |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03747nam a2200529 c 4500</leader><controlfield tag="001">BV044326557</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20170814 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">170525s2017 bc|| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780864929655</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-86492-965-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1002109763</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044326557</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Higher states</subfield><subfield code="b">Lawren Harris and his American contemporaries</subfield><subfield code="c">Roald Nasgaard & Gwendolyn Owens</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Lawren Harris and his American contemporaries</subfield></datafield><datafield tag="246" ind1="1" ind2="0"><subfield code="a">Lawren Harris and his American contemporaries</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Fredericton, New Brunswick, Canada</subfield><subfield code="b">Goose Lane Editions</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Kleinburg, Ontario</subfield><subfield code="b">McMichael Canadian Art Collection</subfield><subfield code="c">[2017]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">201 Seiten</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Catalogue of a travelling exhibition held at the McMichael Canadian Art Collection (Kleinburg, Ontario) from Februrary 4 to September 4, 2017; and at the Glenbow Museum (Calgary, Alberta) from October 7, 2017 to January 7, 2018</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="r">Sarah Stanners</subfield><subfield code="t">Harris's modernity</subfield><subfield code="t">the engineering draughtsman's instruments</subfield><subfield code="r">Roald Nasgaard</subfield><subfield code="t">A high sort of seeing</subfield><subfield code="t">Emerson, Harris, and the American moderns</subfield><subfield code="r">Gwendolyn Owens</subfield><subfield code="r">Emily Baker & Isabella Mello</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, he had taken a seemingly unexpected turn toward a transnational career in abstract painting. The social, intellectual, and aesthetic milieu of American transcendentalism shaped a movement of abstract art across North America. Inspired by the ideas of Kandinsky and informed by the writings of Emerson and Whitman, Harris and his North American contemporaries - Georgia O'Keeffe, Marsden Hartley, Katherine Dreier, Raymond Jonson - turned to abstraction to express higher states of consciousness. As Harris's career progressed, as he ascended from mountain tops to inner states of mind, he sought greater and more ethereal spiritual heights. This magnificent volume features reproductions of more than 75 paintings by Harris and his contemporaries. Essays by Roald Nasgaard and Gwendolyn Owens investigate Lawren Harris's exploration of modernity and the evolution of his work towards a form of abstraction that enthusiastically embraced the energies of the ambient visual culture"--</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Harris, Lawren</subfield><subfield code="d">1885-1970</subfield><subfield code="0">(DE-588)11923629X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1900-2000</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Harris, Lawren / 1885-1970 / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Painting, American / 20th century / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Painting, Abstract / Exhibitions</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Exhibition catalogs</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Illustrated works</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Glenbow Museum</subfield><subfield code="y">07.10.2017-07.01.2018</subfield><subfield code="z">Calgary, Alberta</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">McMichael Canadian Art Collection</subfield><subfield code="y">04.02.-04.09.2017</subfield><subfield code="z">Kleinburg, Ontario</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Harris, Lawren</subfield><subfield code="d">1885-1970</subfield><subfield code="0">(DE-588)11923629X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nasgaard, Roald</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Owens, Gwendolyn</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Harris, Lawren</subfield><subfield code="d">1885-1970</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)11923629X</subfield><subfield code="4">oth</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Glenbow Museum</subfield><subfield code="0">(DE-588)819880-9</subfield><subfield code="4">hst</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">MacMichael Canadian Collection (Kleinburg, Ontario)</subfield><subfield code="0">(DE-588)5029469-6</subfield><subfield code="4">hst</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029729910</subfield></datafield></record></collection> |
genre | (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Glenbow Museum 07.10.2017-07.01.2018 Calgary, Alberta gnd-content (DE-588)4135467-9 Ausstellungskatalog McMichael Canadian Art Collection 04.02.-04.09.2017 Kleinburg, Ontario gnd-content |
genre_facet | Ausstellungskatalog Ausstellungskatalog Glenbow Museum 07.10.2017-07.01.2018 Calgary, Alberta Ausstellungskatalog McMichael Canadian Art Collection 04.02.-04.09.2017 Kleinburg, Ontario |
id | DE-604.BV044326557 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T07:49:50Z |
institution | BVB |
institution_GND | (DE-588)819880-9 (DE-588)5029469-6 |
isbn | 9780864929655 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029729910 |
oclc_num | 1002109763 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 201 Seiten |
publishDate | 2017 |
publishDateSearch | 2017 |
publishDateSort | 2017 |
publisher | Goose Lane Editions McMichael Canadian Art Collection |
record_format | marc |
spelling | Higher states Lawren Harris and his American contemporaries Roald Nasgaard & Gwendolyn Owens Lawren Harris and his American contemporaries Fredericton, New Brunswick, Canada Goose Lane Editions [2017] Kleinburg, Ontario McMichael Canadian Art Collection [2017] 201 Seiten txt rdacontent sti rdacontent n rdamedia nc rdacarrier Catalogue of a travelling exhibition held at the McMichael Canadian Art Collection (Kleinburg, Ontario) from Februrary 4 to September 4, 2017; and at the Glenbow Museum (Calgary, Alberta) from October 7, 2017 to January 7, 2018 Sarah Stanners Harris's modernity the engineering draughtsman's instruments Roald Nasgaard A high sort of seeing Emerson, Harris, and the American moderns Gwendolyn Owens Emily Baker & Isabella Mello "Lawren S. Harris is best known for his iconic landscape paintings that declare a sense of cool Canadian resilience. Yet, in the 1920s, an audacious and more colourful interior world began to emerge in his work, and by 1934, he had taken a seemingly unexpected turn toward a transnational career in abstract painting. The social, intellectual, and aesthetic milieu of American transcendentalism shaped a movement of abstract art across North America. Inspired by the ideas of Kandinsky and informed by the writings of Emerson and Whitman, Harris and his North American contemporaries - Georgia O'Keeffe, Marsden Hartley, Katherine Dreier, Raymond Jonson - turned to abstraction to express higher states of consciousness. As Harris's career progressed, as he ascended from mountain tops to inner states of mind, he sought greater and more ethereal spiritual heights. This magnificent volume features reproductions of more than 75 paintings by Harris and his contemporaries. Essays by Roald Nasgaard and Gwendolyn Owens investigate Lawren Harris's exploration of modernity and the evolution of his work towards a form of abstraction that enthusiastically embraced the energies of the ambient visual culture"-- Harris, Lawren 1885-1970 (DE-588)11923629X gnd rswk-swf Geschichte 1900-2000 Harris, Lawren / 1885-1970 / Exhibitions Painting, American / 20th century / Exhibitions Painting, Abstract / Exhibitions Exhibition catalogs Illustrated works (DE-588)4135467-9 Ausstellungskatalog gnd-content (DE-588)4135467-9 Ausstellungskatalog Glenbow Museum 07.10.2017-07.01.2018 Calgary, Alberta gnd-content (DE-588)4135467-9 Ausstellungskatalog McMichael Canadian Art Collection 04.02.-04.09.2017 Kleinburg, Ontario gnd-content Harris, Lawren 1885-1970 (DE-588)11923629X p DE-604 Nasgaard, Roald Sonstige oth Owens, Gwendolyn Sonstige oth Harris, Lawren 1885-1970 Sonstige (DE-588)11923629X oth Glenbow Museum (DE-588)819880-9 hst MacMichael Canadian Collection (Kleinburg, Ontario) (DE-588)5029469-6 hst |
spellingShingle | Higher states Lawren Harris and his American contemporaries Harris's modernity the engineering draughtsman's instruments A high sort of seeing Emerson, Harris, and the American moderns Harris, Lawren 1885-1970 (DE-588)11923629X gnd |
subject_GND | (DE-588)11923629X (DE-588)4135467-9 |
title | Higher states Lawren Harris and his American contemporaries |
title_alt | Lawren Harris and his American contemporaries Harris's modernity the engineering draughtsman's instruments A high sort of seeing Emerson, Harris, and the American moderns |
title_auth | Higher states Lawren Harris and his American contemporaries |
title_exact_search | Higher states Lawren Harris and his American contemporaries |
title_full | Higher states Lawren Harris and his American contemporaries Roald Nasgaard & Gwendolyn Owens |
title_fullStr | Higher states Lawren Harris and his American contemporaries Roald Nasgaard & Gwendolyn Owens |
title_full_unstemmed | Higher states Lawren Harris and his American contemporaries Roald Nasgaard & Gwendolyn Owens |
title_short | Higher states |
title_sort | higher states lawren harris and his american contemporaries |
title_sub | Lawren Harris and his American contemporaries |
topic | Harris, Lawren 1885-1970 (DE-588)11923629X gnd |
topic_facet | Harris, Lawren 1885-1970 Ausstellungskatalog Ausstellungskatalog Glenbow Museum 07.10.2017-07.01.2018 Calgary, Alberta Ausstellungskatalog McMichael Canadian Art Collection 04.02.-04.09.2017 Kleinburg, Ontario |
work_keys_str_mv | AT nasgaardroald higherstateslawrenharrisandhisamericancontemporaries AT owensgwendolyn higherstateslawrenharrisandhisamericancontemporaries AT harrislawren higherstateslawrenharrisandhisamericancontemporaries AT glenbowmuseum higherstateslawrenharrisandhisamericancontemporaries AT macmichaelcanadiancollectionkleinburgontario higherstateslawrenharrisandhisamericancontemporaries AT nasgaardroald lawrenharrisandhisamericancontemporaries AT owensgwendolyn lawrenharrisandhisamericancontemporaries AT harrislawren lawrenharrisandhisamericancontemporaries AT glenbowmuseum lawrenharrisandhisamericancontemporaries AT macmichaelcanadiancollectionkleinburgontario lawrenharrisandhisamericancontemporaries |