Writing and the modern stage: theater beyond drama
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Melbourne ; Delhi
Cambridge University Press
2017
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index - "This book began as a dissertation in UC Berkeley's Rhetoric department [...]" |
| Beschreibung: | xvii, 267 Seiten |
| ISBN: | 9781107132351 9781107584815 |
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Datensatz im Suchindex
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| adam_text | WRITING AND THE MODERN STAGE
/ JARCHO, JULIAYYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
MODERNISM S NEGATIVE THEATRICS. INTRODUCTION: NEGATIVE THEATRICS
THE PRESENCE OF THE STAGE, AGAIN
DRAMA AND THE PRESENT: PETER AZONDI AND BERTOLT BRECHT
THE WRONG LIFE OF PERFORMANCE: ADORNO AND THE PRIMACY OF THE TEXT
THE READINGS. SOMETHING STRANGER YET : THEATRICAL DISTRACTIONS IN HENRY
JAMES AND GERTRUDE STEIN
HENRY JAMES. THE BEAST IN THE SENTENCE: WRITING THEATRICAL SPACE
SOMETHING [
] HAD BEEN WANTED IN THE PICTURE : DISRUPTED IMAGE IN THE AMBASSADORS
GERTRUDE STEIN. BEYOND ANTITHEATRICALITY: PLAYS
NEGATIVITY BEYOND CONTRADICTION: PAISIEU S DIFFERENTIAL LANDSCAPE THE
(DIS-
)CONTINUOUS PRESENT: FOUR SAINTS IN THREE ACTS
GESTURE TOWARDS THE UNIVERSE : THEATER AS UTOPIA IN WAITING FOR GODOT
WHAT IS THERE TO RECOGNIZE? : GODOT AND THE DRAMATIC PRESENT
ALL THE DEAD VOICES : WRITING AND THE REAL
UTOPIA IN ATTENDANCE
TOWARDS A NEW MONOLOGUE: BECKETT S SCRIBAL ACT
BEYOND THE PRESENT: PLAYWRIGHTS AT THE TURN OF THE MILLENNIUM.
INTRODUCTION: STAGING WRITING TODAY
FINDING TEXTS
THE SILLY WORD FAITHFULNESS : GATZ
THE PROMISE OF PLAYWRIGHTING : SUZAN-LORI PARKS
WATCH ME WORK : WRITING AS (COUNTER-) PERFORMANCE
WRITING THE DEATH OF THE LAST BLACK MAN
GRAVE DEPARTURES : THE THEATRICS OF MOURNING
THE BURNIN PAGE
LAND:/HO! : TEXTUAL PERFORMANCE AND THEATRICAL UTOPIA
SMALL, FIERCE CREATURES : MAC WELLMAN S AURATIC THEATER
MOUTHING OFF: A MURDER OF CROWS
THE OTHER AXIS
THIS WILL KILL THAT : SPECULATIONS
CODA: GIRL GONE
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
Preface page ix
Acknowledgments xvi
PART I modernism’s NEGATIVE THEATRICS I
1 Introduction: Negative Theatrics 3
2 “Something stranger yet”: Theatrical Distractions
in Henry James and Gertrude Stein 23
3 “Gesture towards the universe”: Theater as Utopia
in Waiting for Godot 68
PART II BEYOND THE PRESENT: PLAYWRIGHTS
AT THE TURN OF THE MILLENNIUM 107
4 Introduction: Staging Writing Today 109
5 The Promise of “Playwrighting”: Suzan-Lori Parks 131
6 “Small, fierce creatures”: Mac Wellman’s Auratic Theater 172
Notes 215
Works Cited 248
Index 264
It is time to change the way we talk about writing in theater. This
book offers a new argument that reimagines modern theater’s critical
power and places innovative writing at the heart of the experimental
stage. While performance studies, German Theaterwissenschaft, and
even text-based drama studies have commonly envisioned theatrical
performance as something that must operate beyond the limits of the
textual imagination, this book shows how a series of writers have
actively shaped new conceptions of theater’s radical potential.
Engaging with a range of theorists, including Theodor Adorno,
Jarcho reveals a modern tradition of “negative theatrics,” whose artists
undermine the here and now of performance in order to challenge the
value and the power of the existing world. This vision emerges
through surprising new readings of modernist classics - by Henry
James, Gertrude Stein, and Samuel Beckett - as well as contemporary
American works by Suzan-Lori Parks, Elevator Repair Service, and
Mac Wellman.
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