Romanticism, self-canonization, and the business of poetry:
This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolute...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2017
|
| Schriftenreihe: | Cambridge studies in Romanticism
|
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers |
| Beschreibung: | Machine generated contents note: Introduction: re-collections intranquility; 1. Corpus, canon, and the self-collected author; 2. Subscription reprinting: the third and fifth Elegiac Sonnets; 3. 'Bell's poetics': from The Florence Miscellany to the books of The World; 4. 'A local habitation and a name': remaking Lyrical Ballads; 5. Robert Southey's laureate policy; 6. Shelley incinerated: the heart of The Posthumous Poems |
| Beschreibung: | 1 Online-Ressource (xvi, 307 pages) |
| ISBN: | 9781316670019 |
| DOI: | 10.1017/CBO9781316670019 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044292868 | ||
| 003 | DE-604 | ||
| 005 | 20180409 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170503s2017 |||| o||u| ||||||eng d | ||
| 020 | |a 9781316670019 |c Online |9 978-1-316-67001-9 | ||
| 024 | 7 | |a 10.1017/CBO9781316670019 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781316670019 | ||
| 035 | |a (OCoLC)992495345 | ||
| 035 | |a (DE-599)BVBBV044292868 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-473 |a DE-12 | ||
| 082 | 0 | |a 821/.709145 | |
| 084 | |a HL 1131 |0 (DE-625)50386: |2 rvk | ||
| 084 | |a HL 1191 |0 (DE-625)50400: |2 rvk | ||
| 100 | 1 | |a Gamer, Michael |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Romanticism, self-canonization, and the business of poetry |c Michael Gamer |
| 264 | 1 | |a Cambridge |b Cambridge University Press |c 2017 | |
| 300 | |a 1 Online-Ressource (xvi, 307 pages) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Cambridge studies in Romanticism | |
| 500 | |a Machine generated contents note: Introduction: re-collections intranquility; 1. Corpus, canon, and the self-collected author; 2. Subscription reprinting: the third and fifth Elegiac Sonnets; 3. 'Bell's poetics': from The Florence Miscellany to the books of The World; 4. 'A local habitation and a name': remaking Lyrical Ballads; 5. Robert Southey's laureate policy; 6. Shelley incinerated: the heart of The Posthumous Poems | ||
| 520 | |a This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers | ||
| 648 | 4 | |a Geschichte 1800-1900 | |
| 648 | 7 | |a Geschichte 1790-1820 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a English poetry / 19th century / History and criticism | |
| 650 | 4 | |a Romanticism / Great Britain | |
| 650 | 4 | |a Literature and society / Great Britain / History / 19th century | |
| 650 | 4 | |a Poetry / Publishing / Great Britain / History / 19th century | |
| 650 | 4 | |a Anthologies / Publishing / Great Britain / History / 19th century | |
| 650 | 4 | |a Canon (Literature) | |
| 650 | 0 | 7 | |a Literarisches Leben |0 (DE-588)4074272-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Romantik |0 (DE-588)4050491-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Lyrik |0 (DE-588)4036774-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Buchmarkt |0 (DE-588)4121054-2 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Großbritannien | |
| 689 | 0 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 0 | 1 | |a Lyrik |0 (DE-588)4036774-5 |D s |
| 689 | 0 | 2 | |a Buchmarkt |0 (DE-588)4121054-2 |D s |
| 689 | 0 | 3 | |a Literarisches Leben |0 (DE-588)4074272-6 |D s |
| 689 | 0 | 4 | |a Romantik |0 (DE-588)4050491-8 |D s |
| 689 | 0 | 5 | |a Geschichte 1790-1820 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hardback |z 978-1-107-15885-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, paperback |z 978-1-316-61153-1 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/CBO9781316670019 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029696943 | ||
| 966 | e | |u https://doi.org/10.1017/CBO9781316670019 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO_Kauf |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/CBO9781316670019 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804177492544585728 |
|---|---|
| any_adam_object | |
| author | Gamer, Michael |
| author_facet | Gamer, Michael |
| author_role | aut |
| author_sort | Gamer, Michael |
| author_variant | m g mg |
| building | Verbundindex |
| bvnumber | BV044292868 |
| classification_rvk | HL 1131 HL 1191 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781316670019 (OCoLC)992495345 (DE-599)BVBBV044292868 |
| dewey-full | 821/.709145 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 821 - English poetry |
| dewey-raw | 821/.709145 |
| dewey-search | 821/.709145 |
| dewey-sort | 3821 6709145 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| doi_str_mv | 10.1017/CBO9781316670019 |
| era | Geschichte 1800-1900 Geschichte 1790-1820 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1790-1820 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04092nmm a2200685zc 4500</leader><controlfield tag="001">BV044292868</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180409 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170503s2017 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781316670019</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-316-67001-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/CBO9781316670019</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781316670019</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)992495345</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044292868</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-473</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">821/.709145</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 1131</subfield><subfield code="0">(DE-625)50386:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HL 1191</subfield><subfield code="0">(DE-625)50400:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gamer, Michael</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Romanticism, self-canonization, and the business of poetry</subfield><subfield code="c">Michael Gamer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2017</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xvi, 307 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Cambridge studies in Romanticism</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Machine generated contents note: Introduction: re-collections intranquility; 1. Corpus, canon, and the self-collected author; 2. Subscription reprinting: the third and fifth Elegiac Sonnets; 3. 'Bell's poetics': from The Florence Miscellany to the books of The World; 4. 'A local habitation and a name': remaking Lyrical Ballads; 5. Robert Southey's laureate policy; 6. Shelley incinerated: the heart of The Posthumous Poems</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1790-1820</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English poetry / 19th century / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Romanticism / Great Britain</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Literature and society / Great Britain / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Poetry / Publishing / Great Britain / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Anthologies / Publishing / Great Britain / History / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Canon (Literature)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Literarisches Leben</subfield><subfield code="0">(DE-588)4074272-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Romantik</subfield><subfield code="0">(DE-588)4050491-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Buchmarkt</subfield><subfield code="0">(DE-588)4121054-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Großbritannien</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Lyrik</subfield><subfield code="0">(DE-588)4036774-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Buchmarkt</subfield><subfield code="0">(DE-588)4121054-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Literarisches Leben</subfield><subfield code="0">(DE-588)4074272-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Romantik</subfield><subfield code="0">(DE-588)4050491-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1790-1820</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, hardback</subfield><subfield code="z">978-1-107-15885-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, paperback</subfield><subfield code="z">978-1-316-61153-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/CBO9781316670019</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029696943</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781316670019</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/CBO9781316670019</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Großbritannien |
| geographic_facet | Großbritannien |
| id | DE-604.BV044292868 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:48:56Z |
| institution | BVB |
| isbn | 9781316670019 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029696943 |
| oclc_num | 992495345 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-12 |
| owner_facet | DE-473 DE-BY-UBG DE-12 |
| physical | 1 Online-Ressource (xvi, 307 pages) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO_Kauf ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge studies in Romanticism |
| spelling | Gamer, Michael Verfasser aut Romanticism, self-canonization, and the business of poetry Michael Gamer Cambridge Cambridge University Press 2017 1 Online-Ressource (xvi, 307 pages) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in Romanticism Machine generated contents note: Introduction: re-collections intranquility; 1. Corpus, canon, and the self-collected author; 2. Subscription reprinting: the third and fifth Elegiac Sonnets; 3. 'Bell's poetics': from The Florence Miscellany to the books of The World; 4. 'A local habitation and a name': remaking Lyrical Ballads; 5. Robert Southey's laureate policy; 6. Shelley incinerated: the heart of The Posthumous Poems This is the first book to examine how Romantic writers transformed poetic collections to reach new audiences. In a series of case studies, Michael Gamer shows Romantic poets to be fundamentally social authors: working closely with booksellers, intimately involved in literary production, and resolutely concerned with current readers even as they presented themselves as disinterested artists writing for posterity. Exploding the myth of Romantic poets as naive, unworldly, or unconcerned with the practical aspects of literary production, this study shows them instead to be engaged with intellectual property, profit and loss, and the power of reprinting to reshape literary reputation. Gamer offers a fresh perspective on how we think about poetic revision, placing it between aesthetic and economic registers and foregrounding the centrality of poetic collections rather than individual poems to the construction of literary careers Geschichte 1800-1900 Geschichte 1790-1820 gnd rswk-swf Geschichte English poetry / 19th century / History and criticism Romanticism / Great Britain Literature and society / Great Britain / History / 19th century Poetry / Publishing / Great Britain / History / 19th century Anthologies / Publishing / Great Britain / History / 19th century Canon (Literature) Literarisches Leben (DE-588)4074272-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Romantik (DE-588)4050491-8 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Buchmarkt (DE-588)4121054-2 gnd rswk-swf Großbritannien Englisch (DE-588)4014777-0 s Lyrik (DE-588)4036774-5 s Buchmarkt (DE-588)4121054-2 s Literarisches Leben (DE-588)4074272-6 s Romantik (DE-588)4050491-8 s Geschichte 1790-1820 z DE-604 Erscheint auch als Druck-Ausgabe, hardback 978-1-107-15885-6 Erscheint auch als Druck-Ausgabe, paperback 978-1-316-61153-1 https://doi.org/10.1017/CBO9781316670019 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gamer, Michael Romanticism, self-canonization, and the business of poetry Geschichte English poetry / 19th century / History and criticism Romanticism / Great Britain Literature and society / Great Britain / History / 19th century Poetry / Publishing / Great Britain / History / 19th century Anthologies / Publishing / Great Britain / History / 19th century Canon (Literature) Literarisches Leben (DE-588)4074272-6 gnd Englisch (DE-588)4014777-0 gnd Romantik (DE-588)4050491-8 gnd Lyrik (DE-588)4036774-5 gnd Buchmarkt (DE-588)4121054-2 gnd |
| subject_GND | (DE-588)4074272-6 (DE-588)4014777-0 (DE-588)4050491-8 (DE-588)4036774-5 (DE-588)4121054-2 |
| title | Romanticism, self-canonization, and the business of poetry |
| title_auth | Romanticism, self-canonization, and the business of poetry |
| title_exact_search | Romanticism, self-canonization, and the business of poetry |
| title_full | Romanticism, self-canonization, and the business of poetry Michael Gamer |
| title_fullStr | Romanticism, self-canonization, and the business of poetry Michael Gamer |
| title_full_unstemmed | Romanticism, self-canonization, and the business of poetry Michael Gamer |
| title_short | Romanticism, self-canonization, and the business of poetry |
| title_sort | romanticism self canonization and the business of poetry |
| topic | Geschichte English poetry / 19th century / History and criticism Romanticism / Great Britain Literature and society / Great Britain / History / 19th century Poetry / Publishing / Great Britain / History / 19th century Anthologies / Publishing / Great Britain / History / 19th century Canon (Literature) Literarisches Leben (DE-588)4074272-6 gnd Englisch (DE-588)4014777-0 gnd Romantik (DE-588)4050491-8 gnd Lyrik (DE-588)4036774-5 gnd Buchmarkt (DE-588)4121054-2 gnd |
| topic_facet | Geschichte English poetry / 19th century / History and criticism Romanticism / Great Britain Literature and society / Great Britain / History / 19th century Poetry / Publishing / Great Britain / History / 19th century Anthologies / Publishing / Great Britain / History / 19th century Canon (Literature) Literarisches Leben Englisch Romantik Lyrik Buchmarkt Großbritannien |
| url | https://doi.org/10.1017/CBO9781316670019 |
| work_keys_str_mv | AT gamermichael romanticismselfcanonizationandthebusinessofpoetry |