Film, art, and the third culture: a naturalized aesthetics of film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2017
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xvi, 294 Seiten Illustrationen 24 cm |
| ISBN: | 9780198790648 |
Internformat
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| 650 | 4 | |a Film | |
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| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Motion pictures / Aesthetics | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements ix
List of Figures xv
introduction 1
Towards a Naturalized Aesthetics of Film 3
Art, Aesthetics, and Film 5
Things to Come 8
Part I. Building the Third Culture
1. Aesthetics Naturalized 21
Naturalism, Knowledge, and Method 24
From Conceptual Analysis to Theory Construction: Three Cases 26
From Explanation to Understanding (and Back Again) 32
Perceptualism and Expansionism 37
From Causes to Reasons (and Back Again) 43
Beneath and Beyond Intention: In the Realm of the Subpersonal 45
From Thick Description to Thick Explanation 51
No Ghosts Need Apply 54
2. Triangulating Aesthetic Experience 57
Triangulation, the Natural Method’ 59
Tracking Suspense 69
Fixing Empathy 72
The Brain and the Body 74
Behavioural Evidence, Social Cognition, and Critical Analysis 77
Neural Behaviourism 80
What Do I Know? 81
3. The Engine of Reason and the Pit of Naturalism 83
Meet the Neurosceptics 85
Normative Panting 89
Startling Sounds and Sights 92
Mirror Thrills 99
So What? 101
4. Papaya, Pomegranates, and Green Tea 106
Consciousness Analysed 111
Consciousness in the History of Film 113
Inside the Stream of Consciousness 116
Qualia and (Film) Art 118
Part II. Science and Sentiment
5. Who’s Afraid of Charles Darwin? 127
The Art of Film in the Age of Evolution 127
Facial Expression, Montage, and the Kuleshov Fallacy 134
Beyond the Basics 139
Evolution and the Aesthetic Sculpting of Emotional Expression 144
6. What Difference does it Make? 153
Culture and Biology 155
The Emotions in Biocultural Perspective 162
An Example: Heimat and Emotion 165
Culture and Emotion 172
Emotions as Cultural Bridgeheads 175
7. Empathy, Expansionism, and the Extended Mind 177
Personal Imagining, Empathy, and Subpersonal Scaffolding 178
Empathy and the Extended Mind 185
Extension and Expansion 191
Empathy Stays in the Picture 193
8. Feeling Prufish 198
Binding and Blending 200
The Role of Language 205
The Role of Narrative 208
The Critic’s Share 214
The Art and Science of Emotion 216
Conclusion 219
Reconciling the Manifest and Scientific Images 219
Notes 225
Bibliography 263
Index 281
The art of film was borne out of scientific discovery and technological innovation. Contemporary
moving image media continue to be shaped by scientifically-inspired innovations, as we see with
the rise of digital cinema, 3D, and virtual reality. But now that we have film as an art form, do the
sciences continue to play a role in understanding and explaining how films are made and experienced?
Embracing a third cultural approach which aims to go beyond the two cultures divide memorably
identified by C. P. Snow, Murray Smith seeks to bring the arts, humanities, and sciences together to
illuminate artistic creation and aesthetic experience. Smith explores the general strategies and
principles necessary to build a naturalized approach to film and art-—one that roots itself in an
appreciation of scientific knowledge and method. Focusing on the role of emotion in the arts, Smith
examines, among other things, the role of facial expression in film in the light of Darwin s work on
the emotions, and the dynamics of suspense, shock, and empathy in film in relation to contemporary
neuroscience. While acknowledging that not all the questions we ask are scientific in nature, Smith
contends that we cannot disregard the insights wrought by adopting a naturalized perspective on
the aesthetics of film and the other arts.
|
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| discipline | Allgemeines |
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| spelling | Smith, Murray Stuart 1962- Verfasser (DE-588)140072802 aut Film, art, and the third culture a naturalized aesthetics of film Murray Smith First edition Oxford Oxford University Press 2017 xvi, 294 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Film Philosophie Ästhetik Motion pictures / Aesthetics Motion pictures / Philosophy Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmästhetik (DE-588)4140881-0 s DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029687618&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029687618&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| subject_GND | (DE-588)4140881-0 |
| title | Film, art, and the third culture a naturalized aesthetics of film |
| title_auth | Film, art, and the third culture a naturalized aesthetics of film |
| title_exact_search | Film, art, and the third culture a naturalized aesthetics of film |
| title_full | Film, art, and the third culture a naturalized aesthetics of film Murray Smith |
| title_fullStr | Film, art, and the third culture a naturalized aesthetics of film Murray Smith |
| title_full_unstemmed | Film, art, and the third culture a naturalized aesthetics of film Murray Smith |
| title_short | Film, art, and the third culture |
| title_sort | film art and the third culture a naturalized aesthetics of film |
| title_sub | a naturalized aesthetics of film |
| topic | Film Philosophie Ästhetik Motion pictures / Aesthetics Motion pictures / Philosophy Filmästhetik (DE-588)4140881-0 gnd |
| topic_facet | Film Philosophie Ästhetik Motion pictures / Aesthetics Motion pictures / Philosophy Filmästhetik |
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