Lyric tactics: poetry, genre, and practice in later Medieval England
What shall we make of medieval English lyrics? They have no fixed line or meter, no consistent point of view, and their content may seem misaligned with the other texts in manuscripts in which they are found. Yet in Lyric Tactics, Ingrid Nelson argues that the lyric poetry of later medieval England...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia, Pa.
University of Pennsylvania Press
[2017]
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| Schriftenreihe: | The Middle Ages series
|
| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UBG01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | What shall we make of medieval English lyrics? They have no fixed line or meter, no consistent point of view, and their content may seem misaligned with the other texts in manuscripts in which they are found. Yet in Lyric Tactics, Ingrid Nelson argues that the lyric poetry of later medieval England is a distinct genre defined not by its poetic features—rhyme, meter, and stanza forms—but by its modes of writing and performance, which are ad hoc, improvisatory, and situational. Nelson looks at anonymous devotional and love poems that circulated in manuscripts of practical, religious, and literary material or were embedded in popular, courtly, and liturgical works. For her, the poems' abilities to participate in multiple modes of transmission are "lyric tactics," responsive and contingent modes of practice that emerge in opposition to institutional or poetic norms.Working across the three languages of medieval England (English, French, and Latin), Nelson examines the tactics of poetic voice in the trilingual texts of British Library MS Harley 2253, which contains the well-known English "Harley lyrics." In a study of the English hymns and French lyrics of the commonplace book of William Herebert, she unearths the moral implications of lyric tactics for the friars who produced and disseminated them. And last, she examines the work of Geoffrey Chaucer and shows how his introduction of Continental poetic forms such as the balade and the rondeau suggests continuity with rather than a break from earlier English lyric. Combining literary analysis, manuscript studies, and cultural history with modern social theory, Ingrid Nelson demonstrates that medieval lyric poetry formed a crucial part of the fabric of later medieval English society |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Beschreibung: | 1 Online-Ressource (214 Seiten) Illustrationen |
| ISBN: | 9780812293609 |
| DOI: | 10.9783/9780812293609 |
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| 520 | |a What shall we make of medieval English lyrics? They have no fixed line or meter, no consistent point of view, and their content may seem misaligned with the other texts in manuscripts in which they are found. Yet in Lyric Tactics, Ingrid Nelson argues that the lyric poetry of later medieval England is a distinct genre defined not by its poetic features—rhyme, meter, and stanza forms—but by its modes of writing and performance, which are ad hoc, improvisatory, and situational. Nelson looks at anonymous devotional and love poems that circulated in manuscripts of practical, religious, and literary material or were embedded in popular, courtly, and liturgical works. For her, the poems' abilities to participate in multiple modes of transmission are "lyric tactics," responsive and contingent modes of practice that emerge in opposition to institutional or poetic norms.Working across the three languages of medieval England (English, French, and Latin), Nelson examines the tactics of poetic voice in the trilingual texts of British Library MS Harley 2253, which contains the well-known English "Harley lyrics." In a study of the English hymns and French lyrics of the commonplace book of William Herebert, she unearths the moral implications of lyric tactics for the friars who produced and disseminated them. And last, she examines the work of Geoffrey Chaucer and shows how his introduction of Continental poetic forms such as the balade and the rondeau suggests continuity with rather than a break from earlier English lyric. Combining literary analysis, manuscript studies, and cultural history with modern social theory, Ingrid Nelson demonstrates that medieval lyric poetry formed a crucial part of the fabric of later medieval English society | ||
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Datensatz im Suchindex
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| indexdate | 2024-07-10T07:47:54Z |
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| spelling | Nelson, Ingrid 1975- Verfasser (DE-588)1125563621 aut Lyric tactics poetry, genre, and practice in later Medieval England Ingrid Nelson Philadelphia, Pa. University of Pennsylvania Press [2017] © 2017 1 Online-Ressource (214 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier The Middle Ages series Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) What shall we make of medieval English lyrics? They have no fixed line or meter, no consistent point of view, and their content may seem misaligned with the other texts in manuscripts in which they are found. Yet in Lyric Tactics, Ingrid Nelson argues that the lyric poetry of later medieval England is a distinct genre defined not by its poetic features—rhyme, meter, and stanza forms—but by its modes of writing and performance, which are ad hoc, improvisatory, and situational. Nelson looks at anonymous devotional and love poems that circulated in manuscripts of practical, religious, and literary material or were embedded in popular, courtly, and liturgical works. For her, the poems' abilities to participate in multiple modes of transmission are "lyric tactics," responsive and contingent modes of practice that emerge in opposition to institutional or poetic norms.Working across the three languages of medieval England (English, French, and Latin), Nelson examines the tactics of poetic voice in the trilingual texts of British Library MS Harley 2253, which contains the well-known English "Harley lyrics." In a study of the English hymns and French lyrics of the commonplace book of William Herebert, she unearths the moral implications of lyric tactics for the friars who produced and disseminated them. And last, she examines the work of Geoffrey Chaucer and shows how his introduction of Continental poetic forms such as the balade and the rondeau suggests continuity with rather than a break from earlier English lyric. Combining literary analysis, manuscript studies, and cultural history with modern social theory, Ingrid Nelson demonstrates that medieval lyric poetry formed a crucial part of the fabric of later medieval English society Mittelenglisch (DE-588)4039676-9 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Mittelenglisch (DE-588)4039676-9 s Lyrik (DE-588)4036774-5 s 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-0-8122-4879-1 https://doi.org/10.9783/9780812293609 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Nelson, Ingrid 1975- Lyric tactics poetry, genre, and practice in later Medieval England Mittelenglisch (DE-588)4039676-9 gnd Lyrik (DE-588)4036774-5 gnd |
| subject_GND | (DE-588)4039676-9 (DE-588)4036774-5 |
| title | Lyric tactics poetry, genre, and practice in later Medieval England |
| title_auth | Lyric tactics poetry, genre, and practice in later Medieval England |
| title_exact_search | Lyric tactics poetry, genre, and practice in later Medieval England |
| title_full | Lyric tactics poetry, genre, and practice in later Medieval England Ingrid Nelson |
| title_fullStr | Lyric tactics poetry, genre, and practice in later Medieval England Ingrid Nelson |
| title_full_unstemmed | Lyric tactics poetry, genre, and practice in later Medieval England Ingrid Nelson |
| title_short | Lyric tactics |
| title_sort | lyric tactics poetry genre and practice in later medieval england |
| title_sub | poetry, genre, and practice in later Medieval England |
| topic | Mittelenglisch (DE-588)4039676-9 gnd Lyrik (DE-588)4036774-5 gnd |
| topic_facet | Mittelenglisch Lyrik |
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