Nobody’s Business: Twenty-First Century Avant-Garde Poetics
Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, N.Y.
Cornell University Press
[2013]
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| Schlagworte: | |
| Online-Zugang: | FHA01 FKE01 FLA01 UBG01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody's Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) |
| Beschreibung: | 1 online resource |
| ISBN: | 9780801469589 |
| DOI: | 10.7591/9780801469589 |
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| era | Geschichte 2000-2013 gnd |
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| format | Electronic eBook |
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| spelling | Reed, Brian M. Verfasser aut Nobody’s Business Twenty-First Century Avant-Garde Poetics Brian M. Reed Ithaca, N.Y. Cornell University Press [2013] © 2013 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody's Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it In English Geschichte 2000-2013 gnd rswk-swf Geschichte American poetry 21st century History and criticism Experimental poetry, American History and criticism Poetics History 21st century Lyrik (DE-588)4036774-5 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Experimentelle Lyrik (DE-588)4153364-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Lyrik (DE-588)4036774-5 s Experimentelle Lyrik (DE-588)4153364-1 s Neue Medien (DE-588)4196910-8 s Geschichte 2000-2013 z 1\p DE-604 https://doi.org/10.7591/9780801469589 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Reed, Brian M. Nobody’s Business Twenty-First Century Avant-Garde Poetics Geschichte American poetry 21st century History and criticism Experimental poetry, American History and criticism Poetics History 21st century Lyrik (DE-588)4036774-5 gnd Neue Medien (DE-588)4196910-8 gnd Experimentelle Lyrik (DE-588)4153364-1 gnd |
| subject_GND | (DE-588)4036774-5 (DE-588)4196910-8 (DE-588)4153364-1 (DE-588)4078704-7 |
| title | Nobody’s Business Twenty-First Century Avant-Garde Poetics |
| title_auth | Nobody’s Business Twenty-First Century Avant-Garde Poetics |
| title_exact_search | Nobody’s Business Twenty-First Century Avant-Garde Poetics |
| title_full | Nobody’s Business Twenty-First Century Avant-Garde Poetics Brian M. Reed |
| title_fullStr | Nobody’s Business Twenty-First Century Avant-Garde Poetics Brian M. Reed |
| title_full_unstemmed | Nobody’s Business Twenty-First Century Avant-Garde Poetics Brian M. Reed |
| title_short | Nobody’s Business |
| title_sort | nobody s business twenty first century avant garde poetics |
| title_sub | Twenty-First Century Avant-Garde Poetics |
| topic | Geschichte American poetry 21st century History and criticism Experimental poetry, American History and criticism Poetics History 21st century Lyrik (DE-588)4036774-5 gnd Neue Medien (DE-588)4196910-8 gnd Experimentelle Lyrik (DE-588)4153364-1 gnd |
| topic_facet | Geschichte American poetry 21st century History and criticism Experimental poetry, American History and criticism Poetics History 21st century Lyrik Neue Medien Experimentelle Lyrik USA |
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