Performing Manuscript Culture: Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes"
This study conceives of Thomas Hoccleve’s Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed thro...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ;Boston
De Gruyter
[2016]
|
| Schriftenreihe: | Trends in Medieval Philology
33 |
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | This study conceives of Thomas Hoccleve’s Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed through mere descriptions of, but through complex references to this manuscript context. Performances of manuscript culture manifest themselves in several aspects of the text. The first is the narrator persona, and especially the question of how persona and text are intertwined. The second is the constantly recurring interpretation of "es from authoritative sources that pervades the Regement. This urge to interpret is expressed both in the tradition of adding marginal glosses and in the process of subjecting the text to an exegetical reading. The third aspect is the relation between text and images in the Regement’s manuscripts, which shows how mediality is performed and how the manuscript context is made the focus of this performance. In this monograph, all of these aspects are studied in a mindset that combines the concept of performativity with the postulations of Material Philology |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016) |
| Beschreibung: | 1 online resource (216pages) |
| ISBN: | 9783110522587 9783110523089 9783110523096 |
| DOI: | 10.1515/9783110523089 |
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| 520 | |a This study conceives of Thomas Hoccleve’s Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed through mere descriptions of, but through complex references to this manuscript context. Performances of manuscript culture manifest themselves in several aspects of the text. The first is the narrator persona, and especially the question of how persona and text are intertwined. The second is the constantly recurring interpretation of "es from authoritative sources that pervades the Regement. This urge to interpret is expressed both in the tradition of adding marginal glosses and in the process of subjecting the text to an exegetical reading. The third aspect is the relation between text and images in the Regement’s manuscripts, which shows how mediality is performed and how the manuscript context is made the focus of this performance. In this monograph, all of these aspects are studied in a mindset that combines the concept of performativity with the postulations of Material Philology | ||
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Datensatz im Suchindex
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| spelling | Kempf, Elisabeth Verfasser aut Performing Manuscript Culture Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" Elisabeth Kempf Berlin ;Boston De Gruyter [2016] © 2017 1 online resource (216pages) txt rdacontent c rdamedia cr rdacarrier Trends in Medieval Philology 33 Description based on online resource; title from PDF title page (publisher's Web site, viewed Dec. 14, 2016) This study conceives of Thomas Hoccleve’s Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed through mere descriptions of, but through complex references to this manuscript context. Performances of manuscript culture manifest themselves in several aspects of the text. The first is the narrator persona, and especially the question of how persona and text are intertwined. The second is the constantly recurring interpretation of "es from authoritative sources that pervades the Regement. This urge to interpret is expressed both in the tradition of adding marginal glosses and in the process of subjecting the text to an exegetical reading. The third aspect is the relation between text and images in the Regement’s manuscripts, which shows how mediality is performed and how the manuscript context is made the focus of this performance. In this monograph, all of these aspects are studied in a mindset that combines the concept of performativity with the postulations of Material Philology In English Occleve, Thomas 1368-1430 The regement of princes (DE-588)4566520-5 gnd rswk-swf Hoccleve, Thomas Material Philology Performativität Regement of Princes Materialität (DE-588)4512697-5 gnd rswk-swf Autorschaft (DE-588)4130545-0 gnd rswk-swf Fiktion (DE-588)4192723-0 gnd rswk-swf 1\p (DE-588)4113937-9 Hochschulschrift gnd-content Occleve, Thomas 1368-1430 The regement of princes (DE-588)4566520-5 u Fiktion (DE-588)4192723-0 s Autorschaft (DE-588)4130545-0 s Materialität (DE-588)4512697-5 s 2\p DE-604 Erscheint auch als Druck-Ausgabe 978-3-11-052245-7 Erscheint auch als Druckausgabe 978-3-11-052245-7 https://doi.org/10.1515/9783110523089 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Kempf, Elisabeth Performing Manuscript Culture Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" Occleve, Thomas 1368-1430 The regement of princes (DE-588)4566520-5 gnd Hoccleve, Thomas Material Philology Performativität Regement of Princes Materialität (DE-588)4512697-5 gnd Autorschaft (DE-588)4130545-0 gnd Fiktion (DE-588)4192723-0 gnd |
| subject_GND | (DE-588)4566520-5 (DE-588)4512697-5 (DE-588)4130545-0 (DE-588)4192723-0 (DE-588)4113937-9 |
| title | Performing Manuscript Culture Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" |
| title_auth | Performing Manuscript Culture Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" |
| title_exact_search | Performing Manuscript Culture Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" |
| title_full | Performing Manuscript Culture Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" Elisabeth Kempf |
| title_fullStr | Performing Manuscript Culture Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" Elisabeth Kempf |
| title_full_unstemmed | Performing Manuscript Culture Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" Elisabeth Kempf |
| title_short | Performing Manuscript Culture |
| title_sort | performing manuscript culture poetry materiality and authorship in thomas hoccleve s regement of princes |
| title_sub | Poetry, Materiality, and Authorship in Thomas Hoccleve’s "Regement of Princes" |
| topic | Occleve, Thomas 1368-1430 The regement of princes (DE-588)4566520-5 gnd Hoccleve, Thomas Material Philology Performativität Regement of Princes Materialität (DE-588)4512697-5 gnd Autorschaft (DE-588)4130545-0 gnd Fiktion (DE-588)4192723-0 gnd |
| topic_facet | Occleve, Thomas 1368-1430 The regement of princes Hoccleve, Thomas Material Philology Performativität Regement of Princes Materialität Autorschaft Fiktion Hochschulschrift |
| url | https://doi.org/10.1515/9783110523089 |
| work_keys_str_mv | AT kempfelisabeth performingmanuscriptculturepoetrymaterialityandauthorshipinthomashocclevesregementofprinces |