Feasting our eyes: food films and cultural identity in the United States
Big Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance,...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2017]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-188 DE-473 DE-739 Volltext |
| Zusammenfassung: | Big Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility—but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo.Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power |
| Beschreibung: | 1 Online-Ressource (xiii, 261 Seiten) Illustrationen |
| ISBN: | 9780231542975 |
| DOI: | 10.7312/lind17250 |
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| 520 | |a Big Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility—but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo.Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power | ||
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| spelling | Lindenfeld, Laura Verfasser (DE-588)1124012990 aut Feasting our eyes food films and cultural identity in the United States Laura Lindenfeld, Fabio Parasecoli New York, NY Columbia University Press [2017] © 2017 1 Online-Ressource (xiii, 261 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Big Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility—but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo.Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power Film Geschichte Gesellschaft Food in motion pictures Food Social aspects United States Motion pictures United States History Nahrungsaufnahme Motiv (DE-588)4205642-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Nahrungsaufnahme Motiv (DE-588)4205642-1 s DE-604 Parasecoli, Fabio 1964- Verfasser (DE-588)14120866X aut Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-17250-9 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-17251-6 https://doi.org/10.7312/lind17250 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Lindenfeld, Laura Parasecoli, Fabio 1964- Feasting our eyes food films and cultural identity in the United States Film Geschichte Gesellschaft Food in motion pictures Food Social aspects United States Motion pictures United States History Nahrungsaufnahme Motiv (DE-588)4205642-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4205642-1 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Feasting our eyes food films and cultural identity in the United States |
| title_auth | Feasting our eyes food films and cultural identity in the United States |
| title_exact_search | Feasting our eyes food films and cultural identity in the United States |
| title_full | Feasting our eyes food films and cultural identity in the United States Laura Lindenfeld, Fabio Parasecoli |
| title_fullStr | Feasting our eyes food films and cultural identity in the United States Laura Lindenfeld, Fabio Parasecoli |
| title_full_unstemmed | Feasting our eyes food films and cultural identity in the United States Laura Lindenfeld, Fabio Parasecoli |
| title_short | Feasting our eyes |
| title_sort | feasting our eyes food films and cultural identity in the united states |
| title_sub | food films and cultural identity in the United States |
| topic | Film Geschichte Gesellschaft Food in motion pictures Food Social aspects United States Motion pictures United States History Nahrungsaufnahme Motiv (DE-588)4205642-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Gesellschaft Food in motion pictures Food Social aspects United States Motion pictures United States History Nahrungsaufnahme Motiv USA |
| url | https://doi.org/10.7312/lind17250 |
| work_keys_str_mv | AT lindenfeldlaura feastingoureyesfoodfilmsandculturalidentityintheunitedstates AT parasecolifabio feastingoureyesfoodfilmsandculturalidentityintheunitedstates |