Bachelor Japanists: Japanese aesthetics and Western masculinities
Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Columbia University Press
[2016]
|
| Schriftenreihe: | Modernist latitudes
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FHA01 FKE01 FLA01 UBG01 UBW01 UPA01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s.Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity |
| Beschreibung: | 1 Online-Ressource (xiii, 422 Seiten) Illustrationen, Portraits |
| ISBN: | 9780231542760 |
| DOI: | 10.7312/reed17574 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044254286 | ||
| 003 | DE-604 | ||
| 005 | 20201027 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170403s2016 |||| o||u| ||||||eng d | ||
| 020 | |a 9780231542760 |9 978-0-231-54276-0 | ||
| 024 | 7 | |a 10.7312/reed17574 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780231542760 | ||
| 035 | |a (OCoLC)960495011 | ||
| 035 | |a (DE-599)BVBBV044254286 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1046 |a DE-1043 |a DE-20 |a DE-858 | ||
| 082 | 0 | |a 111/.8509 |2 23 | |
| 084 | |a CC 6900 |0 (DE-625)17665: |2 rvk | ||
| 100 | 1 | |a Reed, Christopher |d 1961- |e Verfasser |0 (DE-588)1017967709 |4 aut | |
| 245 | 1 | 0 | |a Bachelor Japanists |b Japanese aesthetics and Western masculinities |c Christopher Reed |
| 264 | 1 | |a New York, NY |b Columbia University Press |c [2016] | |
| 264 | 4 | |c © 2016 | |
| 300 | |a 1 Online-Ressource (xiii, 422 Seiten) |b Illustrationen, Portraits | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Modernist latitudes | |
| 520 | |a Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s.Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity | ||
| 648 | 7 | |a Geschichte 1860-1960 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Aesthetics, Japanese | |
| 650 | 4 | |a East and West | |
| 650 | 4 | |a Masculinity in art | |
| 650 | 4 | |a Masculinity in literature | |
| 650 | 0 | 7 | |a Queer-Theorie |0 (DE-588)7628620-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Männlichkeit |g Motiv |0 (DE-588)4372433-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Japanbild |0 (DE-588)4137010-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Japonismus |0 (DE-588)4137107-0 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
| 689 | 0 | 1 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 2 | |a Japonismus |0 (DE-588)4137107-0 |D s |
| 689 | 0 | 3 | |a Japanbild |0 (DE-588)4137010-7 |D s |
| 689 | 0 | 4 | |a Queer-Theorie |0 (DE-588)7628620-4 |D s |
| 689 | 0 | 5 | |a Männlichkeit |g Motiv |0 (DE-588)4372433-4 |D s |
| 689 | 0 | 6 | |a Geschichte 1860-1960 |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-231-17574-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-231-17575-3 |
| 856 | 4 | 0 | |u https://doi.org/10.7312/reed17574 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-39-JBK |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-029659319 | ||
| 966 | e | |u https://doi.org/10.7312/reed17574 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/reed17574 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/reed17574 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/reed17574 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/reed17574 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/reed17574 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://www.jstor.org/stable/10.7312/reed17574 |l UBW01 |p ZDB-39-JBK |q UBW_Paketkauf |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/reed17574 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.7312/reed17574 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804177424961765376 |
|---|---|
| any_adam_object | |
| author | Reed, Christopher 1961- |
| author_GND | (DE-588)1017967709 |
| author_facet | Reed, Christopher 1961- |
| author_role | aut |
| author_sort | Reed, Christopher 1961- |
| author_variant | c r cr |
| building | Verbundindex |
| bvnumber | BV044254286 |
| classification_rvk | CC 6900 |
| collection | ZDB-39-JBK ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780231542760 (OCoLC)960495011 (DE-599)BVBBV044254286 |
| dewey-full | 111/.8509 |
| dewey-hundreds | 100 - Philosophy & psychology |
| dewey-ones | 111 - Ontology |
| dewey-raw | 111/.8509 |
| dewey-search | 111/.8509 |
| dewey-sort | 3111 48509 |
| dewey-tens | 110 - Metaphysics |
| discipline | Philosophie |
| doi_str_mv | 10.7312/reed17574 |
| era | Geschichte 1860-1960 gnd |
| era_facet | Geschichte 1860-1960 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04463nmm a2200721zc 4500</leader><controlfield tag="001">BV044254286</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201027 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170403s2016 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231542760</subfield><subfield code="9">978-0-231-54276-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/reed17574</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780231542760</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)960495011</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044254286</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">111/.8509</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">CC 6900</subfield><subfield code="0">(DE-625)17665:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Reed, Christopher</subfield><subfield code="d">1961-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1017967709</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Bachelor Japanists</subfield><subfield code="b">Japanese aesthetics and Western masculinities</subfield><subfield code="c">Christopher Reed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xiii, 422 Seiten)</subfield><subfield code="b">Illustrationen, Portraits</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Modernist latitudes</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s.Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1860-1960</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Aesthetics, Japanese</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">East and West</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Masculinity in art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Masculinity in literature</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Queer-Theorie</subfield><subfield code="0">(DE-588)7628620-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Männlichkeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4372433-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Japanbild</subfield><subfield code="0">(DE-588)4137010-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Japonismus</subfield><subfield code="0">(DE-588)4137107-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Japonismus</subfield><subfield code="0">(DE-588)4137107-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Japanbild</subfield><subfield code="0">(DE-588)4137010-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Queer-Theorie</subfield><subfield code="0">(DE-588)7628620-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Männlichkeit</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4372433-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Geschichte 1860-1960</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-231-17574-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-231-17575-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-39-JBK</subfield><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029659319</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://www.jstor.org/stable/10.7312/reed17574</subfield><subfield code="l">UBW01</subfield><subfield code="p">ZDB-39-JBK</subfield><subfield code="q">UBW_Paketkauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.7312/reed17574</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | USA (DE-588)4078704-7 gnd Frankreich (DE-588)4018145-5 gnd |
| geographic_facet | USA Frankreich |
| id | DE-604.BV044254286 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:47:52Z |
| institution | BVB |
| isbn | 9780231542760 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029659319 |
| oclc_num | 960495011 |
| open_access_boolean | |
| owner | DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1046 DE-1043 DE-20 DE-858 |
| owner_facet | DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1046 DE-1043 DE-20 DE-858 |
| physical | 1 Online-Ressource (xiii, 422 Seiten) Illustrationen, Portraits |
| psigel | ZDB-39-JBK ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-39-JBK UBW_Paketkauf ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Columbia University Press |
| record_format | marc |
| series2 | Modernist latitudes |
| spelling | Reed, Christopher 1961- Verfasser (DE-588)1017967709 aut Bachelor Japanists Japanese aesthetics and Western masculinities Christopher Reed New York, NY Columbia University Press [2016] © 2016 1 Online-Ressource (xiii, 422 Seiten) Illustrationen, Portraits txt rdacontent c rdamedia cr rdacarrier Modernist latitudes Challenging clichés of Japanism as a feminine taste, Bachelor Japanists argues that Japanese aesthetics were central to contests over the meanings of masculinity in the West. Christopher Reed draws attention to the queerness of Japanist communities of writers, collectors, curators, and artists in the tumultuous century between the 1860s and the 1960s.Reed combines extensive archival research; analysis of art, architecture, and literature; the insights of queer theory; and an appreciation of irony to explore the East-West encounter through three revealing artistic milieus: the Goncourt brothers and other japonistes of late-nineteenth-century Paris; collectors and curators in turn-of-the-century Boston; and the mid-twentieth-century circles of artists associated with Seattle's Mark Tobey. The result is a groundbreaking integration of well-known and forgotten episodes and personalities that illuminates how Japanese aesthetics were used to challenge Western gender conventions. These disruptive effects are sustained in Reed's analysis, which undermines conventional scholarly investments in the heroism of avant-garde accomplishment and ideals of cultural authenticity Geschichte 1860-1960 gnd rswk-swf Aesthetics, Japanese East and West Masculinity in art Masculinity in literature Queer-Theorie (DE-588)7628620-4 gnd rswk-swf Männlichkeit Motiv (DE-588)4372433-4 gnd rswk-swf Japanbild (DE-588)4137010-7 gnd rswk-swf Japonismus (DE-588)4137107-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g USA (DE-588)4078704-7 g Japonismus (DE-588)4137107-0 s Japanbild (DE-588)4137010-7 s Queer-Theorie (DE-588)7628620-4 s Männlichkeit Motiv (DE-588)4372433-4 s Geschichte 1860-1960 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-231-17574-6 Erscheint auch als Druck-Ausgabe, Paperback 978-0-231-17575-3 https://doi.org/10.7312/reed17574 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Reed, Christopher 1961- Bachelor Japanists Japanese aesthetics and Western masculinities Aesthetics, Japanese East and West Masculinity in art Masculinity in literature Queer-Theorie (DE-588)7628620-4 gnd Männlichkeit Motiv (DE-588)4372433-4 gnd Japanbild (DE-588)4137010-7 gnd Japonismus (DE-588)4137107-0 gnd |
| subject_GND | (DE-588)7628620-4 (DE-588)4372433-4 (DE-588)4137010-7 (DE-588)4137107-0 (DE-588)4078704-7 (DE-588)4018145-5 |
| title | Bachelor Japanists Japanese aesthetics and Western masculinities |
| title_auth | Bachelor Japanists Japanese aesthetics and Western masculinities |
| title_exact_search | Bachelor Japanists Japanese aesthetics and Western masculinities |
| title_full | Bachelor Japanists Japanese aesthetics and Western masculinities Christopher Reed |
| title_fullStr | Bachelor Japanists Japanese aesthetics and Western masculinities Christopher Reed |
| title_full_unstemmed | Bachelor Japanists Japanese aesthetics and Western masculinities Christopher Reed |
| title_short | Bachelor Japanists |
| title_sort | bachelor japanists japanese aesthetics and western masculinities |
| title_sub | Japanese aesthetics and Western masculinities |
| topic | Aesthetics, Japanese East and West Masculinity in art Masculinity in literature Queer-Theorie (DE-588)7628620-4 gnd Männlichkeit Motiv (DE-588)4372433-4 gnd Japanbild (DE-588)4137010-7 gnd Japonismus (DE-588)4137107-0 gnd |
| topic_facet | Aesthetics, Japanese East and West Masculinity in art Masculinity in literature Queer-Theorie Männlichkeit Motiv Japanbild Japonismus USA Frankreich |
| url | https://doi.org/10.7312/reed17574 |
| work_keys_str_mv | AT reedchristopher bachelorjapanistsjapaneseaestheticsandwesternmasculinities |