Van Eyck studies: papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012
Since Paul Coreman's ground-breaking 'L'Agneau mystique au laboratoire' in 1953, the 'Ghent Altarpiece', masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in...
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| Format: | Tagungsbericht Buch |
| Sprache: | English French |
| Veröffentlicht: |
Paris ; Leuven ; Bristol, CT
Peeters
2017
|
| Schriftenreihe: | Underdrawing and technology in painting
symposium 18 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Since Paul Coreman's ground-breaking 'L'Agneau mystique au laboratoire' in 1953, the 'Ghent Altarpiece', masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in the wake of a new conservation campaign in which KIK-IRPA is again playing the leading role, the art of Hubert and Jan van Eyck took centre stage at the Symposium XVIII for the Study of Underdrawing and Technology in Painting (Brussels, 19-21 September 2012). The event was organised by the KIK-IRPA and the Centre for the Study of the Flemish Primitives in collaboration with the Laboratoire d'étude des uvres d'art par des méthodes scientifiques (Université catholique de Louvain-la-Neuve), and Illuminare - Centre for the Study of Medieval Art (Katholieke Universiteit Leuven). This book captures the variety of thirty-seven papers presented at the symposium and provides state-of-the-art knowledge on one of the most significant painters of all time. It should be read in conjunction with the widely acclaimed website "Closer to Van Eyck", which offers the scientific imagery of the 'Ghent Altarpiece' in glorious high resolution. |
| Beschreibung: | Zusammenfassungen in englischer Sprache |
| Beschreibung: | X, 598 Seiten Illustrationen, Diagramme, Karten, Pläne 31 cm |
| ISBN: | 9789042934153 |
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| 520 | 3 | |a Since Paul Coreman's ground-breaking 'L'Agneau mystique au laboratoire' in 1953, the 'Ghent Altarpiece', masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in the wake of a new conservation campaign in which KIK-IRPA is again playing the leading role, the art of Hubert and Jan van Eyck took centre stage at the Symposium XVIII for the Study of Underdrawing and Technology in Painting (Brussels, 19-21 September 2012). The event was organised by the KIK-IRPA and the Centre for the Study of the Flemish Primitives in collaboration with the Laboratoire d'étude des uvres d'art par des méthodes scientifiques (Université catholique de Louvain-la-Neuve), and Illuminare - Centre for the Study of Medieval Art (Katholieke Universiteit Leuven). This book captures the variety of thirty-seven papers presented at the symposium and provides state-of-the-art knowledge on one of the most significant painters of all time. It should be read in conjunction with the widely acclaimed website "Closer to Van Eyck", which offers the scientific imagery of the 'Ghent Altarpiece' in glorious high resolution. | |
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Datensatz im Suchindex
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| adam_text | CONTENTS
EDITORS PREFACE IX
NOTES TO THE READER XI
ABBREVIATIONS XII!
PART I. THE GHENT ALTARPIECE
1 THE QHENT ALTARPIECE REVISITED: 2012-2017
ANNE VAN GREVENSTEIN-KRUSE AND HELENE DUBOIS ^
2 GEMS IN THE WATER OF PARADISE. THE ICONOGRAPHY AND RECEPTION OF
HEAVENLY STONES
IN THE QHENT ALTARPIECE
MARJOLIJN BOL ^
3 THE ADORATION OF THE LAMB. PHILIP THE GOOD AND VAN EYCK S JUST JUDGES
LUC DEQUEKER 5 1
4 REVENONS A NOTRE MOUTON . PAUL COREMANS, ERWIN PANOFSKY, MARTIN
DAVIES
AND THE MY.S TIC LAMB
HELENE DUBOIS, JANA SANYOVA AND DOMINIQUE VANWIJNSBERGHE 67
5 RESULTS OF THREE CAMPAIGNS OF DENDROCHRONOLOGICAL ANALYSIS ON THE
QHENT ALTARPIECE
(1986-2013)
PASCALE FRAITURE 77
6 RESEARCH INTO THE STRUCTURAL CONDITION AND INSIGHTS AS TO THE ORIGINAL
APPEARANCE
OF THE PANELS AND FRAMES OF THE QHENT ALTARPIECE
ALINE GENBRU^E AND JESSICA ROEDERS 97
7 SMALL HAIRS. MEANING AND MATERIAL OF A MULTIPLE DETAIL IN THE QHENT
ALTARPIECE S
ADAM AND EVE PANELS
ANN-SOPHIE LEHMANN 107
8 LE ROLE DU DESSIN SOUS-JACENT ET DE PEBAUCHE PREPARATOIRE AU LAVIS
DANS LA GENESE
DES PEINTURES DE L AGNEAIT MYSTIQUE
CATHELINE PERIER-D IETEREN 121
9 ART AND COMPENSATION. JOOS VIJD AND THE PROGRAMME OF THE QHENT
ALTARPIECE
BERNHARD RIDDERBOS 157
10 JOHN THE BAPTIST AND THE BOOK OF ISAIAH IN THE QHENT ALTARPIECE
PATRICIA STIRNEMANN, CLAUDINE A. CHAVANNES-MAZEL AND HENRY DWARSWAARD
145
11 LA PRESENTATION DE I AGNEAU MYSTIQUE DANS LA CHAPELLE VIJD. LE
RAPPROCHEMENT PROGRESSIF
DE DEUX RETABLES
HELENE VEROUGSTRAETE 157
12 THE FRAMES BY SCHINKEL FOR THE WINGS OF THE QHENT ALTARPIECE AND THE
COPIES IN BERLIN
BETTINA VON ROENNE 179
PART II. STUDIES IN VAN EYCK PAINTINGS
13 VAN EYCK S TECHNIQUE AND MATERIALS: HISTORICAL PERSPECTIVES AND
CONTEMPORARY CONTEXT
MARIKA SPRING AND RACHEL MORRISON 195
14 REVELATIONS REGARDING THE CRUCIFIXION AND LAST JUDGMENT BY JAN VAN
EYCK AND WORKSHOP
MARYAN W. AINSWORTH 221
15 REMARKS ON CHARACTER AND FUNCTIONS IN JAN VAN EYCK S UNDERDRAWING OF
PORTRAITS:
THE CASE OF MARGARET VAN EYCK
PART 1
RACHEL BILLINGE 233
15 JAN VAN EYCK S UNDERDRAWING OF PORTRAITS
PART 2
TILL-HOLGER BORCHERT 241
16 THE SPEED OF ILLUSION
LOME CAMPBELL 257
17 LES AUTOPORTRAITS PRESUMES DE JAN VAN EYCK ET LA DATE APPROXIMATIVE
DE SA NAISSANCE
PIERRE COLMAN 263
18 PIGMENTS, MEDIA AND VARNISH LAYERS ON THE PORTRAIT OF MARGARET VAN
EYCK
JILL DUNKERTON, RACHEL MORRISON AND ASHOK ROY 271
19 NEW FINDINGS ON THE PAINTING MEDIUM OF THE WASHINGTON ANNUNCIATION
MELANIE GIFFORD, JOHN K. DELANEY, SUZANNE QUILLEN LOMAX, RACHEL MORRISON
AND MARIKA SPRING 281
20 JAN VAN EYCK S GREEK, HEBREW AND TRILINGUAL INSCRIPTIONS
SUSAN FRANCES JONES 291
21 EARLY TEXTS ON SOME PORTRAITS BY JAN VAN EYCK
STEPHAN KEMPERDICK 311
22 JAN VAN EYCK AND HIS STEREOSCOPIC APPROACH TO PAINTING
RENZO LEONARDI 327
23 THE DEVELOPMENT PROCESS OF THE DRESDEN TRIPTYCH. NEWS AND QUESTIONS
UTANEIDHARDT 351
24 VOYAGER DANS LES TABLEAUX DE VAN EYCK
JACQUES PAVIOT 367
25 REPLICATIONS OF EXEMPLARY FORM. NEW EVIDENCE ON JAN VAN EYCK S ST
FRANCIS RECEIVING
THE STIGMATA
JAMIE L. SMITH 375
26 QUESTIONING THE TECHNICAL PARADIGM OF THE QHENT ALTARPIECE
NOELLE L.W. STREETON 389
27 GOLD BROCADED VELVETS IN PAINTINGS BY JAN VAN EYCK. OBSERVATIONS ON
PAINTING TECHNIQUE
ESTHER E. VAN DUIJN 403
28 SURFACE EFFECTS IN PAINTINGS BY JAN VAN EYCK
ABB IE VAND IVERE 417
PART III. VAN EYCK IN CONTEXT: OTHER MEDIA, RECEPTION AND LEGACY
29 MURAL PAINTINGS BEFORE JAN VAN EYCK. A REMARKABLE DISCOVERY FROM
AROUND 1400
IN ST JOHN S CHURCH IN MECHELEN
MARJAN BUYLE AND ANNA BERGMANS 437
30 THE FISHING PARTY BY JAN VAN EYCK (?). A TECHNICAL ANALYSIS
CLAUDINE A. CHAVANNES-MAZEL, WITH MATTHIAS ALFELD, KOEN JANSSENS, GEERT
VAN DER SNICKT,
PETER KLEIN, MICHA LEEFLANG, MARGREET WOLTERS, CAREL VAN TUYLL VAN
SEROOSKERKEN
AND ANDRE LE PRAT 455
31 VAN EYCK IN VALENCIA
BART FRANSEN 469
32 JAN VAN EYCK S GENOESE COMMISSIONS. THE LOST TRIPTYCH OF BATTISTA
LOMELLINI
MARIA CLELIA GALASSI 481
33 JAN VAN EYCK, POLYCHROMER (AND DESIGNER?) OF STATUES
INGRID GEELEN 495
34 LES COPIES DE LA VIERGE A VENFANT DANS UNE EGLISE DE JAN VAN EYCK ET
LE ROLE DE LA VERSION
DESSINEE DU GRAND CURTIUS
VALENTINE HENDERIKS 509
35 JAN VAN EYCK AS ILLUMINATOR? HAND G OF THE TURIN-MILAN HOURS
CATHERINE REYNOLDS 519
36 THE TOMB-SLAB OF HUBERT VAN EYCK AND GERARD HORENBOUT. A TRIBUTE TO
THE GREAT
GHENT MASTER
RONALD VAN BELLE 535
37 A NOTE ON GOLD AND SILVER IN A METALPOINT DRAWING BY JAN VAN EYCK
ARIE WALLERT 547
BIBLIOGRAPHY 557
ILLUSTRATION CREDITS 597
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| spelling | Van Eyck studies papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 edited by Christina Currie, Bart Fransen, Valentine Henderiks, Cyriel Stroo, Dominique Vanwijnsberghe Paris ; Leuven ; Bristol, CT Peeters 2017 X, 598 Seiten Illustrationen, Diagramme, Karten, Pläne 31 cm txt rdacontent n rdamedia nc rdacarrier Underdrawing and technology in painting symposium 18 Zusammenfassungen in englischer Sprache Since Paul Coreman's ground-breaking 'L'Agneau mystique au laboratoire' in 1953, the 'Ghent Altarpiece', masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in the wake of a new conservation campaign in which KIK-IRPA is again playing the leading role, the art of Hubert and Jan van Eyck took centre stage at the Symposium XVIII for the Study of Underdrawing and Technology in Painting (Brussels, 19-21 September 2012). The event was organised by the KIK-IRPA and the Centre for the Study of the Flemish Primitives in collaboration with the Laboratoire d'étude des uvres d'art par des méthodes scientifiques (Université catholique de Louvain-la-Neuve), and Illuminare - Centre for the Study of Medieval Art (Katholieke Universiteit Leuven). This book captures the variety of thirty-seven papers presented at the symposium and provides state-of-the-art knowledge on one of the most significant painters of all time. It should be read in conjunction with the widely acclaimed website "Closer to Van Eyck", which offers the scientific imagery of the 'Ghent Altarpiece' in glorious high resolution. Beiträge überwiegend englisch, teilweise französisch Eyck, Jan van 1390-1441 (DE-588)118531557 gnd rswk-swf Eyck, Jan van 1390-1441 Genter Altar (DE-588)4065420-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 19.09.2012-21.09.2012 Brüssel gnd-content Eyck, Jan van 1390-1441 (DE-588)118531557 p Eyck, Jan van 1390-1441 Genter Altar (DE-588)4065420-5 u DE-604 Currie, Christina (DE-588)133159221 edt Symposium for the Study of Underdrawing and Technology in Painting 18. 2012 Brüssel (DE-588)1128679388 hst Underdrawing and technology in painting symposium 18 (DE-604)BV038747998 18 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029650909&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Van Eyck studies papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 Underdrawing and technology in painting Eyck, Jan van 1390-1441 (DE-588)118531557 gnd Eyck, Jan van 1390-1441 Genter Altar (DE-588)4065420-5 gnd |
| subject_GND | (DE-588)118531557 (DE-588)4065420-5 (DE-588)1071861417 |
| title | Van Eyck studies papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 |
| title_auth | Van Eyck studies papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 |
| title_exact_search | Van Eyck studies papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 |
| title_full | Van Eyck studies papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 edited by Christina Currie, Bart Fransen, Valentine Henderiks, Cyriel Stroo, Dominique Vanwijnsberghe |
| title_fullStr | Van Eyck studies papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 edited by Christina Currie, Bart Fransen, Valentine Henderiks, Cyriel Stroo, Dominique Vanwijnsberghe |
| title_full_unstemmed | Van Eyck studies papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 edited by Christina Currie, Bart Fransen, Valentine Henderiks, Cyriel Stroo, Dominique Vanwijnsberghe |
| title_short | Van Eyck studies |
| title_sort | van eyck studies papers presented at the eighteenth symposium for the study of underdrawing and technology in painting brussels 19 21 september 2012 |
| title_sub | papers presented at the Eighteenth Symposium for the Study of Underdrawing and Technology in Painting, Brussels, 19-21 september 2012 |
| topic | Eyck, Jan van 1390-1441 (DE-588)118531557 gnd Eyck, Jan van 1390-1441 Genter Altar (DE-588)4065420-5 gnd |
| topic_facet | Eyck, Jan van 1390-1441 Eyck, Jan van 1390-1441 Genter Altar Konferenzschrift 19.09.2012-21.09.2012 Brüssel |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029650909&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV038747998 |
| work_keys_str_mv | AT curriechristina vaneyckstudiespaperspresentedattheeighteenthsymposiumforthestudyofunderdrawingandtechnologyinpaintingbrussels1921september2012 AT symposiumforthestudyofunderdrawingandtechnologyinpaintingbrussel vaneyckstudiespaperspresentedattheeighteenthsymposiumforthestudyofunderdrawingandtechnologyinpaintingbrussels1921september2012 |