Prehistoric Future: Max Ernst and the Return of Painting between the Wars
One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automat...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Chicago
University of Chicago Press
2013
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| Online-Zugang: | KUBA3 |
| Zusammenfassung: | One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma-to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forged-rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mind's view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Shedding new light on Ernst's working methods and the reasons that his pieces continue to imprint themselves in viewers' memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 online resource (261 pages) |
| ISBN: | 9780226029313 |
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| 520 | |a One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma-to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forged-rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mind's view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Shedding new light on Ernst's working methods and the reasons that his pieces continue to imprint themselves in viewers' memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism | ||
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Datensatz im Suchindex
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| author | Ubl, Ralph 1969- |
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| isbn | 9780226029313 |
| language | English |
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| spelling | Ubl, Ralph 1969- Verfasser (DE-588)139285016 aut Prehistoric Future Max Ernst and the Return of Painting between the Wars Chicago University of Chicago Press 2013 © 2014 1 online resource (261 pages) txt rdacontent c rdamedia cr rdacarrier Description based on publisher supplied metadata and other sources One of the most admired artists of the twentieth century, Max Ernst was a proponent of Dada and founder of surrealism, known for his strange, evocative paintings and drawings. In Prehistoric Future, Ralph Ubl approaches Ernst like no one else has, using theories of the unconscious-surrealist automatism, Freudian psychoanalysis, the concept of history as trauma-to examine how Ernst's construction of collage departs from other modern artists. Ubl shows that while Picasso, Braque, and Man Ray used scissors and glue to create collages, Ernst employed techniques he himself had forged-rubbing and scraping to bring images forth onto a sheet of paper or canvas to simulate how a screen image or memory comes into the mind's view. In addition, Ernst scoured the past for obsolete scientific illustrations and odd advertisements to illustrate the rapidity with which time passes and to simulate the apprehension generated when rapid flows of knowledge turn living culture into artifact. Ultimately, Ubl reveals, Ernst was interested in the construction and phenomenology of both collective and individual modern history and memory. Shedding new light on Ernst's working methods and the reasons that his pieces continue to imprint themselves in viewers' memories, Prehistoric Future is an innovative work of critical writing on a key figure of surrealism Ernst, Max 1891-1976 (DE-588)118530895 gnd rswk-swf Geschichte 1900-2000 Geschichte Ernst, Max, -- 1891-1976 -- Criticism and interpretation Ernst, Max, -- 1891-1976 -- Influence Painting, Modern -- 20th century -- History Surrealismus (DE-588)4058665-0 gnd rswk-swf Ernst, Max 1891-1976 (DE-588)118530895 p Surrealismus (DE-588)4058665-0 s DE-604 Tucker, Elizabeth 1948- (DE-588)1058204564 trl Erscheint auch als Druck-Ausgabe Ubl, Ralph Prehistoric Future : Max Ernst and the Return of Painting between the Wars Chicago : University of Chicago Press,c2013 9780226823720 |
| spellingShingle | Ubl, Ralph 1969- Prehistoric Future Max Ernst and the Return of Painting between the Wars Ernst, Max 1891-1976 (DE-588)118530895 gnd Geschichte Ernst, Max, -- 1891-1976 -- Criticism and interpretation Ernst, Max, -- 1891-1976 -- Influence Painting, Modern -- 20th century -- History Surrealismus (DE-588)4058665-0 gnd |
| subject_GND | (DE-588)118530895 (DE-588)4058665-0 |
| title | Prehistoric Future Max Ernst and the Return of Painting between the Wars |
| title_auth | Prehistoric Future Max Ernst and the Return of Painting between the Wars |
| title_exact_search | Prehistoric Future Max Ernst and the Return of Painting between the Wars |
| title_full | Prehistoric Future Max Ernst and the Return of Painting between the Wars |
| title_fullStr | Prehistoric Future Max Ernst and the Return of Painting between the Wars |
| title_full_unstemmed | Prehistoric Future Max Ernst and the Return of Painting between the Wars |
| title_short | Prehistoric Future |
| title_sort | prehistoric future max ernst and the return of painting between the wars |
| title_sub | Max Ernst and the Return of Painting between the Wars |
| topic | Ernst, Max 1891-1976 (DE-588)118530895 gnd Geschichte Ernst, Max, -- 1891-1976 -- Criticism and interpretation Ernst, Max, -- 1891-1976 -- Influence Painting, Modern -- 20th century -- History Surrealismus (DE-588)4058665-0 gnd |
| topic_facet | Ernst, Max 1891-1976 Geschichte Ernst, Max, -- 1891-1976 -- Criticism and interpretation Ernst, Max, -- 1891-1976 -- Influence Painting, Modern -- 20th century -- History Surrealismus |
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