Experimental Latin American cinema: history and aesthetics
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Austin
University of Texas Press
2013
|
| Edition: | 1st ed |
| Subjects: | |
| Online Access: | DE-255 DE-Y3 |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | x, 294 p. |
| ISBN: | 9780292744165 |
Staff View
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| 245 | 1 | 0 | |a Experimental Latin American cinema |b history and aesthetics |c by Cynthia Tompkins |
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| 505 | 0 | |a Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures | |
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Record in the Search Index
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|---|---|
| adam_text | |
| any_adam_object | |
| author | Tompkins, Cynthia 1958- |
| author_facet | Tompkins, Cynthia 1958- |
| author_role | aut |
| author_sort | Tompkins, Cynthia 1958- |
| author_variant | c t ct |
| building | Verbundindex |
| bvnumber | BV044118916 |
| classification_rvk | AP 44985 |
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| contents | Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures |
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| dewey-full | 791.43098 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43098 |
| dewey-search | 791.43098 |
| dewey-sort | 3791.43098 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1st ed |
| era | Geschichte 1998-2010 gnd |
| era_facet | Geschichte 1998-2010 |
| format | Electronic eBook |
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| isbn | 9780292744165 |
| language | English |
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| publishDate | 2013 |
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| publisher | University of Texas Press |
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| spelling | Tompkins, Cynthia 1958- Verfasser aut Experimental Latin American cinema history and aesthetics by Cynthia Tompkins 1st ed Austin University of Texas Press 2013 x, 294 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures Geschichte 1998-2010 gnd rswk-swf Experimental films Latin America History and criticism Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Lateinamerika Lateinamerika (DE-588)4074032-8 gnd rswk-swf Lateinamerika (DE-588)4074032-8 g Experimentalfilm (DE-588)4153359-8 s Geschichte 1998-2010 z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-292-74415-8 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Tompkins, Cynthia 1958- Experimental Latin American cinema history and aesthetics Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures Experimental films Latin America History and criticism Experimentalfilm (DE-588)4153359-8 gnd |
| subject_GND | (DE-588)4153359-8 (DE-588)4074032-8 |
| title | Experimental Latin American cinema history and aesthetics |
| title_auth | Experimental Latin American cinema history and aesthetics |
| title_exact_search | Experimental Latin American cinema history and aesthetics |
| title_full | Experimental Latin American cinema history and aesthetics by Cynthia Tompkins |
| title_fullStr | Experimental Latin American cinema history and aesthetics by Cynthia Tompkins |
| title_full_unstemmed | Experimental Latin American cinema history and aesthetics by Cynthia Tompkins |
| title_short | Experimental Latin American cinema |
| title_sort | experimental latin american cinema history and aesthetics |
| title_sub | history and aesthetics |
| topic | Experimental films Latin America History and criticism Experimentalfilm (DE-588)4153359-8 gnd |
| topic_facet | Experimental films Latin America History and criticism Experimentalfilm Lateinamerika |
| work_keys_str_mv | AT tompkinscynthia experimentallatinamericancinemahistoryandaesthetics |