Experimental Latin American cinema: history and aesthetics
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Austin
University of Texas Press
2013
|
| Ausgabe: | 1st ed |
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 294 p. |
| ISBN: | 9780292744165 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044118916 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170217s2013 |||| o||u| ||||||eng d | ||
| 020 | |a 9780292744165 |c Online |9 978-0-292-74416-5 | ||
| 035 | |a (ZDB-30-PAD)EBC3443647 | ||
| 035 | |a (ZDB-89-EBL)EBL3443647 | ||
| 035 | |a (OCoLC)827944895 | ||
| 035 | |a (DE-599)BVBBV044118916 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-Y3 | ||
| 082 | 0 | |a 791.43098 |2 23 | |
| 084 | |a AP 44985 |0 (DE-625)7516:745 |2 rvk | ||
| 100 | 1 | |a Tompkins, Cynthia |d 1958- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Experimental Latin American cinema |b history and aesthetics |c by Cynthia Tompkins |
| 250 | |a 1st ed | ||
| 264 | 1 | |a Austin |b University of Texas Press |c 2013 | |
| 300 | |a x, 294 p. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures | |
| 648 | 7 | |a Geschichte 1998-2010 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Experimental films |z Latin America |x History and criticism | |
| 650 | 0 | 7 | |a Experimentalfilm |0 (DE-588)4153359-8 |2 gnd |9 rswk-swf |
| 651 | 4 | |a Lateinamerika | |
| 651 | 7 | |a Lateinamerika |0 (DE-588)4074032-8 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Lateinamerika |0 (DE-588)4074032-8 |D g |
| 689 | 0 | 1 | |a Experimentalfilm |0 (DE-588)4153359-8 |D s |
| 689 | 0 | 2 | |a Geschichte 1998-2010 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-292-74415-8 |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-30-PAD | ||
| 940 | 1 | |q KUBA2-ZDB-30-PAD-2024 | |
| 940 | 1 | |q KUBA1-ZDB-30-PAD-2023 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029525761 | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=3443647 |l DE-255 |p ZDB-30-PAD |q BZI |x Aggregator |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=3443647 |l DE-Y3 |p ZDB-30-PAD |q KHI |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1809222596175069184 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Tompkins, Cynthia 1958- |
| author_facet | Tompkins, Cynthia 1958- |
| author_role | aut |
| author_sort | Tompkins, Cynthia 1958- |
| author_variant | c t ct |
| building | Verbundindex |
| bvnumber | BV044118916 |
| classification_rvk | AP 44985 |
| collection | ZDB-30-PAD |
| contents | Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures |
| ctrlnum | (ZDB-30-PAD)EBC3443647 (ZDB-89-EBL)EBL3443647 (OCoLC)827944895 (DE-599)BVBBV044118916 |
| dewey-full | 791.43098 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43098 |
| dewey-search | 791.43098 |
| dewey-sort | 3791.43098 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 1st ed |
| era | Geschichte 1998-2010 gnd |
| era_facet | Geschichte 1998-2010 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV044118916</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170217s2013 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780292744165</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-292-74416-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC3443647</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL3443647</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)827944895</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044118916</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43098</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44985</subfield><subfield code="0">(DE-625)7516:745</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Tompkins, Cynthia</subfield><subfield code="d">1958-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Experimental Latin American cinema</subfield><subfield code="b">history and aesthetics</subfield><subfield code="c">by Cynthia Tompkins</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin</subfield><subfield code="b">University of Texas Press</subfield><subfield code="c">2013</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 294 p.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1998-2010</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Experimental films</subfield><subfield code="z">Latin America</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Experimentalfilm</subfield><subfield code="0">(DE-588)4153359-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Lateinamerika</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Lateinamerika</subfield><subfield code="0">(DE-588)4074032-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Lateinamerika</subfield><subfield code="0">(DE-588)4074032-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Experimentalfilm</subfield><subfield code="0">(DE-588)4153359-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1998-2010</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-292-74415-8</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PAD</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2-ZDB-30-PAD-2024</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA1-ZDB-30-PAD-2023</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029525761</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=3443647</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-30-PAD</subfield><subfield code="q">BZI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=3443647</subfield><subfield code="l">DE-Y3</subfield><subfield code="p">ZDB-30-PAD</subfield><subfield code="q">KHI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| geographic | Lateinamerika Lateinamerika (DE-588)4074032-8 gnd |
| geographic_facet | Lateinamerika |
| id | DE-604.BV044118916 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-04T00:18:42Z |
| institution | BVB |
| isbn | 9780292744165 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029525761 |
| oclc_num | 827944895 |
| open_access_boolean | |
| owner | DE-255 DE-Y3 |
| owner_facet | DE-255 DE-Y3 |
| physical | x, 294 p. |
| psigel | ZDB-30-PAD KUBA2-ZDB-30-PAD-2024 KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD BZI ZDB-30-PAD KHI |
| publishDate | 2013 |
| publishDateSearch | 2013 |
| publishDateSort | 2013 |
| publisher | University of Texas Press |
| record_format | marc |
| spelling | Tompkins, Cynthia 1958- Verfasser aut Experimental Latin American cinema history and aesthetics by Cynthia Tompkins 1st ed Austin University of Texas Press 2013 x, 294 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures Geschichte 1998-2010 gnd rswk-swf Experimental films Latin America History and criticism Experimentalfilm (DE-588)4153359-8 gnd rswk-swf Lateinamerika Lateinamerika (DE-588)4074032-8 gnd rswk-swf Lateinamerika (DE-588)4074032-8 g Experimentalfilm (DE-588)4153359-8 s Geschichte 1998-2010 z 1\p DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-292-74415-8 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Tompkins, Cynthia 1958- Experimental Latin American cinema history and aesthetics Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabián Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sorín's El camino de San Diego -- Orphans' solidarity: María Victoria Menis's El cielito -- Drama. Sculpting time: Inês de Oliveira Cézar's Como pasan las horas -- The past engulfs the present: Josue Mendez's Días de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Japón -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: Inês de Oliveira Cézar's Extranjera -- The irrevocable nature of curses: Inês de Oliveira Cézar's El recuento de Los Daños -- Splintered mirrors, echoes, and reverberations: Fernando Pérez Valdés's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando Pérez Valdés's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures Experimental films Latin America History and criticism Experimentalfilm (DE-588)4153359-8 gnd |
| subject_GND | (DE-588)4153359-8 (DE-588)4074032-8 |
| title | Experimental Latin American cinema history and aesthetics |
| title_auth | Experimental Latin American cinema history and aesthetics |
| title_exact_search | Experimental Latin American cinema history and aesthetics |
| title_full | Experimental Latin American cinema history and aesthetics by Cynthia Tompkins |
| title_fullStr | Experimental Latin American cinema history and aesthetics by Cynthia Tompkins |
| title_full_unstemmed | Experimental Latin American cinema history and aesthetics by Cynthia Tompkins |
| title_short | Experimental Latin American cinema |
| title_sort | experimental latin american cinema history and aesthetics |
| title_sub | history and aesthetics |
| topic | Experimental films Latin America History and criticism Experimentalfilm (DE-588)4153359-8 gnd |
| topic_facet | Experimental films Latin America History and criticism Experimentalfilm Lateinamerika |
| work_keys_str_mv | AT tompkinscynthia experimentallatinamericancinemahistoryandaesthetics |