Modernist form and the myth of Jewification:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York
Fordham University Press
2014
|
| Ausgabe: | 1st ed |
| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Beschreibung: | Includes bibliographical references and index "Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"-- |
| Beschreibung: | x, 261 p. |
| ISBN: | 9780823255061 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV044098955 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 170217s2014 |||| o||u| ||||||eng d | ||
| 020 | |a 9780823255061 |c hardback |9 978-0-8232-5506-1 | ||
| 035 | |a (ZDB-30-PAD)EBC3239836 | ||
| 035 | |a (ZDB-89-EBL)EBL3239836 | ||
| 035 | |a (OCoLC)859159649 | ||
| 035 | |a (DE-599)BVBBV044098955 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-255 |a DE-Y3 | ||
| 082 | 0 | |a 700/.4112 |2 23 | |
| 100 | 1 | |a Levi, Neil Jonathan |d 1967- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Modernist form and the myth of Jewification |c Neil Levi |
| 250 | |a 1st ed | ||
| 264 | 1 | |a New York |b Fordham University Press |c 2014 | |
| 300 | |a x, 261 p. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a "Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"-- | ||
| 505 | 0 | |a Machine generated contents note: -- Acknowledgments -- Introduction: Phobic Reading, Modernist Form, and the Figure of the Antisemite -- Part I: Modernist Form as Judaization -- 1. Genealogies: Judaization, Wagner, Nordau -- 2. Jews, Art, and History: The Nazi Exhibition of "Degenerate Art" as Historicopolitical Spectacle -- 3. Fanatical Abstraction: Wyndham Lewis's Critique of Modernist Form as Judaization in Time and Western Man -- Part II: Modernist Form and the Antisemitic Imagination -- 4. Straw Men: Projection, Personification, and Narrative Form in Ulysses -- 5. Images of the Bilderverbot: Adorno, Antisemitism, and the Enemies of Modernism -- 6. The Labor of Late Modernist Poetics: Beckett after Céline -- Notes -- Bibliography -- Index | |
| 650 | 4 | |a Antisemitismus | |
| 650 | 4 | |a Modernism (Art) | |
| 650 | 4 | |a Art criticism | |
| 650 | 4 | |a Antisemitism | |
| 650 | 0 | 7 | |a Musikkritik |0 (DE-588)4139777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Antisemitismus |0 (DE-588)4002333-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Modernismus |0 (DE-588)4133275-1 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Modernismus |0 (DE-588)4133275-1 |D s |
| 689 | 0 | 1 | |a Antisemitismus |0 (DE-588)4002333-3 |D s |
| 689 | 0 | 2 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
| 689 | 0 | 3 | |a Musikkritik |0 (DE-588)4139777-0 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-30-PAD | ||
| 940 | 1 | |q KUBA2-ZDB-30-PAD-2024 | |
| 940 | 1 | |q KUBA1-ZDB-30-PAD-2023 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-029505800 | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=3239836 |l DE-255 |p ZDB-30-PAD |q BZI |x Aggregator |3 Volltext | |
| 966 | e | |u https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=3239836 |l DE-Y3 |p ZDB-30-PAD |q KHI |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1809222594864349184 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Levi, Neil Jonathan 1967- |
| author_facet | Levi, Neil Jonathan 1967- |
| author_role | aut |
| author_sort | Levi, Neil Jonathan 1967- |
| author_variant | n j l nj njl |
| building | Verbundindex |
| bvnumber | BV044098955 |
| collection | ZDB-30-PAD |
| contents | Machine generated contents note: -- Acknowledgments -- Introduction: Phobic Reading, Modernist Form, and the Figure of the Antisemite -- Part I: Modernist Form as Judaization -- 1. Genealogies: Judaization, Wagner, Nordau -- 2. Jews, Art, and History: The Nazi Exhibition of "Degenerate Art" as Historicopolitical Spectacle -- 3. Fanatical Abstraction: Wyndham Lewis's Critique of Modernist Form as Judaization in Time and Western Man -- Part II: Modernist Form and the Antisemitic Imagination -- 4. Straw Men: Projection, Personification, and Narrative Form in Ulysses -- 5. Images of the Bilderverbot: Adorno, Antisemitism, and the Enemies of Modernism -- 6. The Labor of Late Modernist Poetics: Beckett after Céline -- Notes -- Bibliography -- Index |
| ctrlnum | (ZDB-30-PAD)EBC3239836 (ZDB-89-EBL)EBL3239836 (OCoLC)859159649 (DE-599)BVBBV044098955 |
| dewey-full | 700/.4112 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700/.4112 |
| dewey-search | 700/.4112 |
| dewey-sort | 3700 44112 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| edition | 1st ed |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nmm a2200000zc 4500</leader><controlfield tag="001">BV044098955</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">170217s2014 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780823255061</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-8232-5506-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-30-PAD)EBC3239836</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-89-EBL)EBL3239836</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)859159649</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV044098955</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700/.4112</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Levi, Neil Jonathan</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Modernist form and the myth of Jewification</subfield><subfield code="c">Neil Levi</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1st ed</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Fordham University Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 261 p.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">"Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"--</subfield></datafield><datafield tag="505" ind1="0" ind2=" "><subfield code="a">Machine generated contents note: -- Acknowledgments -- Introduction: Phobic Reading, Modernist Form, and the Figure of the Antisemite -- Part I: Modernist Form as Judaization -- 1. Genealogies: Judaization, Wagner, Nordau -- 2. Jews, Art, and History: The Nazi Exhibition of "Degenerate Art" as Historicopolitical Spectacle -- 3. Fanatical Abstraction: Wyndham Lewis's Critique of Modernist Form as Judaization in Time and Western Man -- Part II: Modernist Form and the Antisemitic Imagination -- 4. Straw Men: Projection, Personification, and Narrative Form in Ulysses -- 5. Images of the Bilderverbot: Adorno, Antisemitism, and the Enemies of Modernism -- 6. The Labor of Late Modernist Poetics: Beckett after Céline -- Notes -- Bibliography -- Index</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Antisemitismus</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Art)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Antisemitism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikkritik</subfield><subfield code="0">(DE-588)4139777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Antisemitismus</subfield><subfield code="0">(DE-588)4002333-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Modernismus</subfield><subfield code="0">(DE-588)4133275-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Modernismus</subfield><subfield code="0">(DE-588)4133275-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Antisemitismus</subfield><subfield code="0">(DE-588)4002333-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Musikkritik</subfield><subfield code="0">(DE-588)4139777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PAD</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA2-ZDB-30-PAD-2024</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">KUBA1-ZDB-30-PAD-2023</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-029505800</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/zikg/detail.action?docID=3239836</subfield><subfield code="l">DE-255</subfield><subfield code="p">ZDB-30-PAD</subfield><subfield code="q">BZI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://ebookcentral.proquest.com/lib/khifiit/detail.action?docID=3239836</subfield><subfield code="l">DE-Y3</subfield><subfield code="p">ZDB-30-PAD</subfield><subfield code="q">KHI</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV044098955 |
| illustrated | Not Illustrated |
| indexdate | 2024-09-04T00:18:41Z |
| institution | BVB |
| isbn | 9780823255061 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029505800 |
| oclc_num | 859159649 |
| open_access_boolean | |
| owner | DE-255 DE-Y3 |
| owner_facet | DE-255 DE-Y3 |
| physical | x, 261 p. |
| psigel | ZDB-30-PAD KUBA2-ZDB-30-PAD-2024 KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD BZI ZDB-30-PAD KHI |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Fordham University Press |
| record_format | marc |
| spelling | Levi, Neil Jonathan 1967- Verfasser aut Modernist form and the myth of Jewification Neil Levi 1st ed New York Fordham University Press 2014 x, 261 p. txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index "Why were modernist works of art, literature, and music that were neither by nor about Jews nevertheless interpreted as Jewish? In this book, Neil Levi explores how the antisemitic fantasy of a mobile, dangerous, contagious Jewish spirit unfolds in the antimodernist polemics of Richard Wagner, Max Nordau, Wyndham Lewis, and Louis-Ferdinand Celine, reaching its apotheosis in the notorious 1937 Nazi exhibition "Degenerate Art." Levi then turns to James Joyce, Theodor W. Adorno, and Samuel Beckett, offering radical new interpretations of these modernist authors to show how each presents his own poetics as a self-conscious departure from the modern antisemitic imaginary. Levi claims that, just as antisemites once feared their own contamination by a mobile, polluting Jewish spirit, so too much of postwar thought remains governed by the fear that it might be contaminated by the spirit of antisemitism. Thus he argues for the need to confront and work through our own fantasies and projections not only about the figure of the Jew but also about that of the antisemite"-- Machine generated contents note: -- Acknowledgments -- Introduction: Phobic Reading, Modernist Form, and the Figure of the Antisemite -- Part I: Modernist Form as Judaization -- 1. Genealogies: Judaization, Wagner, Nordau -- 2. Jews, Art, and History: The Nazi Exhibition of "Degenerate Art" as Historicopolitical Spectacle -- 3. Fanatical Abstraction: Wyndham Lewis's Critique of Modernist Form as Judaization in Time and Western Man -- Part II: Modernist Form and the Antisemitic Imagination -- 4. Straw Men: Projection, Personification, and Narrative Form in Ulysses -- 5. Images of the Bilderverbot: Adorno, Antisemitism, and the Enemies of Modernism -- 6. The Labor of Late Modernist Poetics: Beckett after Céline -- Notes -- Bibliography -- Index Antisemitismus Modernism (Art) Art criticism Antisemitism Musikkritik (DE-588)4139777-0 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Antisemitismus (DE-588)4002333-3 gnd rswk-swf Modernismus (DE-588)4133275-1 gnd rswk-swf Modernismus (DE-588)4133275-1 s Antisemitismus (DE-588)4002333-3 s Kunstkritik (DE-588)4033659-1 s Musikkritik (DE-588)4139777-0 s 1\p DE-604 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Levi, Neil Jonathan 1967- Modernist form and the myth of Jewification Machine generated contents note: -- Acknowledgments -- Introduction: Phobic Reading, Modernist Form, and the Figure of the Antisemite -- Part I: Modernist Form as Judaization -- 1. Genealogies: Judaization, Wagner, Nordau -- 2. Jews, Art, and History: The Nazi Exhibition of "Degenerate Art" as Historicopolitical Spectacle -- 3. Fanatical Abstraction: Wyndham Lewis's Critique of Modernist Form as Judaization in Time and Western Man -- Part II: Modernist Form and the Antisemitic Imagination -- 4. Straw Men: Projection, Personification, and Narrative Form in Ulysses -- 5. Images of the Bilderverbot: Adorno, Antisemitism, and the Enemies of Modernism -- 6. The Labor of Late Modernist Poetics: Beckett after Céline -- Notes -- Bibliography -- Index Antisemitismus Modernism (Art) Art criticism Antisemitism Musikkritik (DE-588)4139777-0 gnd Kunstkritik (DE-588)4033659-1 gnd Antisemitismus (DE-588)4002333-3 gnd Modernismus (DE-588)4133275-1 gnd |
| subject_GND | (DE-588)4139777-0 (DE-588)4033659-1 (DE-588)4002333-3 (DE-588)4133275-1 |
| title | Modernist form and the myth of Jewification |
| title_auth | Modernist form and the myth of Jewification |
| title_exact_search | Modernist form and the myth of Jewification |
| title_full | Modernist form and the myth of Jewification Neil Levi |
| title_fullStr | Modernist form and the myth of Jewification Neil Levi |
| title_full_unstemmed | Modernist form and the myth of Jewification Neil Levi |
| title_short | Modernist form and the myth of Jewification |
| title_sort | modernist form and the myth of jewification |
| topic | Antisemitismus Modernism (Art) Art criticism Antisemitism Musikkritik (DE-588)4139777-0 gnd Kunstkritik (DE-588)4033659-1 gnd Antisemitismus (DE-588)4002333-3 gnd Modernismus (DE-588)4133275-1 gnd |
| topic_facet | Antisemitismus Modernism (Art) Art criticism Antisemitism Musikkritik Kunstkritik Modernismus |
| work_keys_str_mv | AT levineiljonathan modernistformandthemythofjewification |