Mapping Degas: Real Spaces, Symbolic Spaces and Invented Spaces in the Life and Work of Edgar Degas (1834-1917)

The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas's approach to space and his self-fashioning attitude towards identity within the ambi...

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Bibliographische Detailangaben
1. Verfasser: Crisci-Richardson, Roberta (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Newcastle-upon-Tyne Cambridge Scholars Publishing 2015
Ausgabe:1st ed
Schlagworte:
Online-Zugang:DE-255
DE-Y3
Zusammenfassung:The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas's approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas..
Beschreibung:Description based on publisher supplied metadata and other sources
Beschreibung:1 online resource (394 pages)
ISBN:9781443879330
9781443874496

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