Between the Eye and the World:
The point-of-view shot is usually perceived as a «natural» device, yet its naturalness is illusory. This book provides an answer to the question: «Where does the point-of-view shot come from?» It investigates the emergence of this filmic form as the product of a culture and its history, unravelling...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
P.I.E.-Peter Lang S.A
2015
|
| Ausgabe: | 0 |
| Schriftenreihe: | Repenser le cinéma / Rethinking Cinema
v.6 |
| Schlagworte: | |
| Zusammenfassung: | The point-of-view shot is usually perceived as a «natural» device, yet its naturalness is illusory. This book provides an answer to the question: «Where does the point-of-view shot come from?» It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character's subjective viewpoint. In so doing, it shows that what would become the point of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 online resource (246 pages) |
| ISBN: | 9783035265262 9789052010359 |
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| 520 | |a The point-of-view shot is usually perceived as a «natural» device, yet its naturalness is illusory. This book provides an answer to the question: «Where does the point-of-view shot come from?» It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character's subjective viewpoint. In so doing, it shows that what would become the point of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Dagrada, Elena |
| author_facet | Dagrada, Elena |
| author_role | aut |
| author_sort | Dagrada, Elena |
| author_variant | e d ed |
| building | Verbundindex |
| bvnumber | BV044051287 |
| collection | ZDB-30-PAD |
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| dewey-full | 791.43 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43 |
| dewey-search | 791.43 |
| dewey-sort | 3791.43 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | 0 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| id | DE-604.BV044051287 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:42:13Z |
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| isbn | 9783035265262 9789052010359 |
| language | English |
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| publishDate | 2015 |
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| publisher | P.I.E.-Peter Lang S.A |
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| series2 | Repenser le cinéma / Rethinking Cinema |
| spelling | Dagrada, Elena Verfasser aut Between the Eye and the World 0 P.I.E.-Peter Lang S.A 2015 © 2015 1 online resource (246 pages) txt rdacontent c rdamedia cr rdacarrier Repenser le cinéma / Rethinking Cinema v.6 Description based on publisher supplied metadata and other sources The point-of-view shot is usually perceived as a «natural» device, yet its naturalness is illusory. This book provides an answer to the question: «Where does the point-of-view shot come from?» It investigates the emergence of this filmic form as the product of a culture and its history, unravelling the difference between a point-of-view shot and a character's subjective viewpoint. In so doing, it shows that what would become the point of-view shot developed from the interposition, between the eye and the world, of a prosthesis capable of modifying the conditions needed to access the visible, and thus to expand the potential of human vision. Moreover, the book offers inspiration for further research on modern (and postmodern) vision as a mediated vision, an important topic in contemporary debates in the digital media landscape Geschichte gnd rswk-swf Massenmedien Digital media Film industry Mass media Point of view Film (DE-588)1077024738 gnd rswk-swf Point of view Film (DE-588)1077024738 s Geschichte z 1\p DE-604 Erscheint auch als Druck-Ausgabe Dagrada, Elena Between the Eye and the World 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dagrada, Elena Between the Eye and the World Massenmedien Digital media Film industry Mass media Point of view Film (DE-588)1077024738 gnd |
| subject_GND | (DE-588)1077024738 |
| title | Between the Eye and the World |
| title_auth | Between the Eye and the World |
| title_exact_search | Between the Eye and the World |
| title_full | Between the Eye and the World |
| title_fullStr | Between the Eye and the World |
| title_full_unstemmed | Between the Eye and the World |
| title_short | Between the Eye and the World |
| title_sort | between the eye and the world |
| topic | Massenmedien Digital media Film industry Mass media Point of view Film (DE-588)1077024738 gnd |
| topic_facet | Massenmedien Digital media Film industry Mass media Point of view Film |
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