The new woman's film: femme-centric movies for smart chicks
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Routledge, Taylor & Francis Group
2017
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 211 Seiten Illustrationen |
| ISBN: | 9781138186804 9781138186811 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
List of Figures ix
Acknowledgments xi
Introduction: What Do Women Watch? 1
1 After the Womans Picture: The New Womans Film
and the Chick Flick 7
2 The New Womans Film in the Twenty-First Century:
The Smart-Chick Film and Rachel Getting Married
(Jonathan Demme, 2008) 26
3 Anticipating the Twenty-First Century: “Dirty Harry
Bathed in a Romantic Glow?” and The Bridges of
Madison Country (Clint Eastwood, 1995) 48
4 Nicole Holofcener as the American Female Auteur:
“Keeping It Real”—Walking and Talking (1996),
Lovely Amazing (2002), Friends with Money (2006),
Please Give (2010), Enough Said (2013) 69
5 Stardom, Celebrity and the New Womans Film: Tilda
Swinton and the Maternal Melodrama—“Winning an
Oscar Was Wasted on Me”
91
6 Oscars for Women and the Films of Woody
Allen: Blue Jasmine (Woody Allen, 2013)
112
7 The Girl Crush: Frances Ha (Noah Baumbach, 2012),
“The Toast of Telluride” 131
8 Diversity, the Female Biopic and the New Womans
Film: Belle (Amma Asante, 2013) 152
9 A Past with a Future, the Ongoing Evolution of the
New Woman s Film: From Top of the Lake
(Sundance Channel, 2013—) to Fifty Shades of Grey
(Sam Taylor-Johnson, 2015) 173
Coda: Feminism Redux 190
Select Bibliography 195
Index 202
With the chick flick arguably in decline, film scholars may well ask: what has
become of the womans film? Little attention has been paid to the proliferation
of films, often from the independent sector, that do not sit comfortably in either
the category of popular culture or that of high art—films that are perhaps the
corollary of the middle-brow novel, or “smart-chick flicks.” This book seeks to
fill this void by focusing on the steady stream of films about and for women that
emerge out of independent American and European cinema, and that are designed
to address an international female audience. The new womans film as a genre
includes narratives with strong ties to the womans film of classical Hollywood
while constituting a new distinctive cycle of female-centered films that in many
ways continue the project of second-wave feminism, albeit in a modified form.
Topics addressed include The Bridges of Madison County (Clint Eastwood, 1995);
the feature-length films of Nicole Holofcener, 1996-2013; the film roles of Tilda
Swinton; Rachel Getting Married (Jonathan Demme, 2008); Blue Jasmine (Woody
Allen, 2013); Frances Ha (Noah Baumbach, 2012); Belle (Amma Asante, 2013);
Fifty Shades of Grey (Sam Taylor-Johnson, 2015); and Jane Campions Top of the
Lake (Sundance Channel, 2013—).
|
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