Fascist modernism in Italy: arts and regimes
Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a ‘new man/woman’ as the foundation of a modern collective social...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
I. B. Tauris
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a ‘new man/woman’ as the foundation of a modern collective social identity. As they did so these regimes uniformly adopted what we would call a modernist aesthetic – huge-scale experiments in modernism were funded and supported by fascist and totalitarian dictators. Famous examples include Mussolini’s New Rome at EUR, or the Stalinist apartment blocks built in urban Russia. Focusing largely on Mussolini’s Italy, Francesca Billiani argues that modernity was intertwined irrecoverably with fascism – that too often modernist buildings, art and writings are seen as a purely cultural output, when in fact the principles of modernist aesthetics constitute and are constituted by the principles of fascism. The obsession with the creation of the ‘new man’ in art and in reality shows this synergy at work. This book is a key contribution to the field of twentieth century history – particularly in the study of fascism, while also appealing to students of art history and philosophy. |
| Beschreibung: | Angekündigt bereits 2017 mit dem abweichenden Titel: "Fascist modernism : The arts under dictatorship" |
| Beschreibung: | xv, 239 Seiten 13 Illustrationen |
| ISBN: | 9781784535230 1784535230 |
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Datensatz im Suchindex
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Contents List of Figures Acknowledgements Prologue ix xi xiii Parode Autonomy and Heteronomy: Regimes Modern Subjectivities: Liberalism vs Fascism Historicizing Spectacles 1 7 10 Agons 11 A Note on Sources 13 Agon 1: Realism and Fascist State Art Dissonances: Geographies 15 Synthesis: State of the Art 17 Hypothesis I: Realism at the Boundaries of Collective Subjectivities 19 Fusions I: Towards a New State Art 23 Fusions II: The Peripheries, the Futurists et al. 29 Theatre of Objects I: Realisms + Avant-gardes 34 Fusions III: Building the Modern Novel 38 Theatre of Objects II: To Carla, Michele and All the Others 44 Theatre of Objects III: The Boundaries of Realism: Constructing a Collective Subjectivity? Theatre of Objects IV: Embodied Modern Subjects 48 52 Agon 2: The Fascist New Man/Woman and the Bourgeois Ulysses Synthesis: What is Public Art? 57 Dissonances: Heads of Mussolini 58 Hypothesis I: The Total Work of Art 63 Fusions I: Spaces of, and for, Public Art 68 Hypothesis II: Monumentaliem: Visualizing Subjectivity and Objectivity 76 Fusions II: Visualizing Visions, 1933 V Triennale 78 Fusions III: Visualizing Visions, 1936 VI Triennale and X Biennale 88 Theatre of Objects I: Mail and Rails 92
Contents viii Theatre of Objects II: E42 101 Hypothesis II: The Reality of the New Man/Woman 104 Agon 3: Architecture and the Arts in the Public Domain Synthesis: Arte di Stato and the Art of Building 109 Fusions I: Architectural Functions, 1923-36 111 Theatre of Objects I: The Novocomum 115 Fusions II: Towards a New State Art: From Milan to Rome via Turin 119 Theatre of Objects II: Case Brutte, Case Economiche, Case Tipo 123 Theatre of Objects III: Rationalist Villas 129 Theatre of Objects IV: Case Minime, Case Popolari 138 Theatre of Objects V: New and Old Towns: Urban Planning 145 Agon 4: Art and Construction: The Avant-gardes Dissonances: Photodynamism 155 Synthesis I: Autonomy and Heteronomy 157 Synthesis II: The Relationship between Modernity and Modernization as a Dialectical Project 160 Fusions I: Futurisms and Their Politics 163 Hypothesis I: Linee 167 Hypothesis II: Universo Meccanico 171 Fusions II: The Machine of Exhibitions: 1924-30 178 Theatre of Objects: Analogie Cosmiche 184 Fusions III: The Machine of Exhibitions: 1932-3 187 Fusions IV: Abstracticism 190 Agon 5: Aerofuturism: Journeys and Explorations Prepare for Take-off 197 Suspended in the Air 200 Prepare for Landing 203 Towards an Aesthetic of War, 1934-44 205 Exodus 213 Bibliography 215 Index 230 |
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| publisher | I. B. Tauris |
| record_format | marc |
| spelling | Billiani, Francesca 1972- Verfasser (DE-588)1103698176 aut Fascist modernism in Italy arts and regimes Francesca Billiani Fascist modernism - The arts under dictatorship London ; New York ; Oxford ; New Delhi ; Sydney I. B. Tauris 2021 xv, 239 Seiten 13 Illustrationen txt rdacontent n rdamedia nc rdacarrier Angekündigt bereits 2017 mit dem abweichenden Titel: "Fascist modernism : The arts under dictatorship" Between 1917 to 1975 Germany, Italy, Portugal, the Soviet Union, and Spain shifted from liberal parliamentary democracies to authoritarian and totalitarian dictatorships, seeking total control, mass consensus, and the constitution of a ‘new man/woman’ as the foundation of a modern collective social identity. As they did so these regimes uniformly adopted what we would call a modernist aesthetic – huge-scale experiments in modernism were funded and supported by fascist and totalitarian dictators. Famous examples include Mussolini’s New Rome at EUR, or the Stalinist apartment blocks built in urban Russia. Focusing largely on Mussolini’s Italy, Francesca Billiani argues that modernity was intertwined irrecoverably with fascism – that too often modernist buildings, art and writings are seen as a purely cultural output, when in fact the principles of modernist aesthetics constitute and are constituted by the principles of fascism. The obsession with the creation of the ‘new man’ in art and in reality shows this synergy at work. This book is a key contribution to the field of twentieth century history – particularly in the study of fascism, while also appealing to students of art history and philosophy. Mussolini, Benito 1883-1945 (DE-588)118585967 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Faschismus (DE-588)4016494-9 gnd rswk-swf Propaganda (DE-588)4076374-2 gnd rswk-swf Staatskunst (DE-588)4332862-3 gnd rswk-swf Diktatur (DE-588)4149920-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Portugal (DE-588)4046843-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Italien (DE-588)4027833-5 g Deutschland (DE-588)4011882-4 g Portugal (DE-588)4046843-4 g Sowjetunion (DE-588)4077548-3 g Diktatur (DE-588)4149920-7 s Kunst (DE-588)4114333-4 s Politik (DE-588)4046514-7 s Propaganda (DE-588)4076374-2 s Faschismus (DE-588)4016494-9 s DE-604 Mussolini, Benito 1883-1945 (DE-588)118585967 p Staatskunst (DE-588)4332862-3 s Ästhetik (DE-588)4000626-8 s Erscheint auch als Online-Ausgabe, PDF 978-1-7883-1759-7 Erscheint auch als Online-Ausgabe 978-1-7883-1758-0 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029437390&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Billiani, Francesca 1972- Fascist modernism in Italy arts and regimes Mussolini, Benito 1883-1945 (DE-588)118585967 gnd Politik (DE-588)4046514-7 gnd Ästhetik (DE-588)4000626-8 gnd Faschismus (DE-588)4016494-9 gnd Propaganda (DE-588)4076374-2 gnd Staatskunst (DE-588)4332862-3 gnd Diktatur (DE-588)4149920-7 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)118585967 (DE-588)4046514-7 (DE-588)4000626-8 (DE-588)4016494-9 (DE-588)4076374-2 (DE-588)4332862-3 (DE-588)4149920-7 (DE-588)4114333-4 (DE-588)4011882-4 (DE-588)4046843-4 (DE-588)4027833-5 (DE-588)4077548-3 |
| title | Fascist modernism in Italy arts and regimes |
| title_alt | Fascist modernism - The arts under dictatorship |
| title_auth | Fascist modernism in Italy arts and regimes |
| title_exact_search | Fascist modernism in Italy arts and regimes |
| title_full | Fascist modernism in Italy arts and regimes Francesca Billiani |
| title_fullStr | Fascist modernism in Italy arts and regimes Francesca Billiani |
| title_full_unstemmed | Fascist modernism in Italy arts and regimes Francesca Billiani |
| title_short | Fascist modernism in Italy |
| title_sort | fascist modernism in italy arts and regimes |
| title_sub | arts and regimes |
| topic | Mussolini, Benito 1883-1945 (DE-588)118585967 gnd Politik (DE-588)4046514-7 gnd Ästhetik (DE-588)4000626-8 gnd Faschismus (DE-588)4016494-9 gnd Propaganda (DE-588)4076374-2 gnd Staatskunst (DE-588)4332862-3 gnd Diktatur (DE-588)4149920-7 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Mussolini, Benito 1883-1945 Politik Ästhetik Faschismus Propaganda Staatskunst Diktatur Kunst Deutschland Portugal Italien Sowjetunion |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029437390&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT billianifrancesca fascistmodernisminitalyartsandregimes AT billianifrancesca fascistmodernismtheartsunderdictatorship |