Arnold Schönberg, Variationen: Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Partitur Buch |
| Sprache: | German English |
| Veröffentlicht: |
Wien
Universal Edition
[2017]
|
| Schriftenreihe: | Listening lab
6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 76 Seiten Illustrationen, Notenbeispiele 31 cm |
| ISBN: | 9783702474232 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804177014483058688 |
|---|---|
| adam_text | Titel: Arnold Schönberg, Variationen
Autor: Friedrich, Burkhard
Jahr: 2017
INHALTSVERZEICHNIS
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LISTENING LAB • VORWORT 10
ERKLÄRUNG DER SYMBOLE 11
WEG UND VISION DES KÜNSTLERS 12
Interaktion 1.1 Das Neue und das Andere ....................................................13
Recherche 1.2 Ist das Neue neu oder längst veraltet?....................................15
Recherche und Interaktion 1.3 Vision von der Freiheit der Kunst...........................................16
Interaktion 1.4 Das Hör-Mikroskop ..............................................................18
Hören und Erfindung 1.5 Der Weg des Künstlers: Das Fremde und das Eigene.................19
Imagination 1.6 K.u.k. Doppelmonarchie......................................................22
Hören und Interaktion 1.7 Staub aus alter Märchenzeit? ................................................25
KOSMOS DER ZWÖLF .....................................................................................................28
Recherche 2.1 Fünf vor zwölf ....................................................................28
Interaktion 2.2 Akustische Serialität oder Ocean s Twelve...............................29
Hören 2.3 Zwölf Töne und der Rhabarber-Kontrapunkt...........................31
Recherche 2.4 Harmonie versus Geplärr und Geleyer.....................................32
Interaktion und Reflexion 2.5 Rhabarber-Variationen.........................................................33
Hören und Interaktion 2.6 Die Widmung .....................................................................34
Hören und Erfindung 2.7 Der Zwölf klang-Hit I ............................................................36
DAS DRAMA DER VARIATION 38
Hören 3.1 Topografie der Ereignisse .....................................................38
Hören 3.2 LoopLoopLoopLoopLoop .....................................................39
Interaktion 3.3 (No) Significant Change? ......................................................41
Hören 3.4 unREAL - Parallelwelten.......................................................43
Hören 3.5 Forschungsreise ins Innere von Schönbergs Universum .............44
Interaktion 3.6 Symphonie des Grauens .......................................................45
Erfindung 3.7 Chor der Farben ..................................................................47
Hören und Erfindung 3.8 eine Variation war eine Variation
ist eine Variation wird eine Variation ......................................49
Interaktion 3.9 Rhythmus...........................................................................50
FARBEN-BILDER-THEATER 53
Recherche 4.1 Der Blaue Reiter..................................................................53
Imagination 4.2 Selfies................................................................................55
Recherche und Interaktion 4.3 Malen nach Zahlen ..............................................................57
Hören und Erfindung 4.4 Farbenspiele .......................................................................58
Interaktion 4.5 Spieglein, Spieglein............................................................59
Interaktion 4.6 Slow Motion Morphing ........................................................60
RAUM UND ZEIT 63
Interaktion 5.1 Denkmal der Moderne.........................................................63
Imagination 5.2 Matrix Berlin.......................................................................64
Interaktion 5.3 In die Zeit hinein .................................................................66
PROJEKTVORSCHLÄGE 68
ANHANG 72
Literaturempfehlungen........................................................................72
Hörempfehlungen....................................... 72
Abbildungsverzeichnis ............................................ 73
Lebensläufe............................................... 74
Endnoten ............................................... 75
CONTENTS
LISTENING LAB • PREFACE 10
EXPLANATION OF SYMBOLS 11
THE ARTIST S PATH AND VISION 12
Interaction 1.1 The New and the Other........................................................13
Research 1.2 ls the New Still New or Already Outmoded?............................15
Research and Interaction 1.3 A Vision of Artistic Freedom .................................................16
Interaction 1.4 The Listening-Microscope.....................................................18
Listening and Invention 1.5 The Artist s Path: The Foreign and the Familiär........................19
Imagination 1.6 The Double Monarchy..........................................................22
ListeningandInteraction 1.7 Traces from Bygone Days? ....................................................25
COSMOS OF TWELVE 28
Research 2.1 Five to Twelve .....................................................................28
Interaction 2.2 Acoustic Serialism or Ocean s Twelve......................................29
Listening 2.3 Twelve Tones and Rhubarb Counterpoint ...............................31
Research 2.4 Harmony versus Cacophony ..................................................32
Interaction andReflection 2.5 Rhubarb Variations..............................................................33
Listeningand Interaction 2.6 The Dedication ...................................................................34
Listeningand Invention 2.7 The Twelve-Tone Hit I...........................................................36
THE DRAMA OF VARIATION 38
Listening 3.1 The Topography of Events ....................................................38
Listening 3.2 LoopLoopLoopLoopLoop .....................................................39
Interaction 3.3 (No) Significant Change? ......................................................41
Listening 3.4 unREAL - Parallel Worlds......................................................43
Listening 3.5 Voyage of Discovery to the Inside of Schoenberg s Universe......44
Interaction 3.6 Symphony of Horror ............................................................45
Invention 3.7 Choir of Colours ..................................................................47
Listening and Invention 3.8 a Variation was a Variation is a Variation becomes a Variation ...49
Interaction 3.9 Rhythm..............................................................................50
COLOURS-PICTURES-THEATRE 53
Research 4.1 The Blue Rider ....................................................................53
Imagination 4.2 Seifies................................................................................55
Research and Interaction 4.3 Painting by Numbers 57
Listening and Invention 4.4 Colour Games 58
Interaction 4.5 Mirror, Mirror....................................................................59
Interaction 4.6 Slow Motion Morphing ........................................................60
TIME AND SPACE ..........................................................................................................63
Interaction 5.1 Monuments of Modernism 63
Imagination 5.2 Matrix Berlin 64
Interaction 5.3 Getting into Time 66
Q PROJECT SUGGESTIONS 68
APPENDIX.....................................................................................................................72
Further Reading ...................................................................................72
Further Listening..................................................................................72
Picture Acknowledgements 73
Biographical Notes ...............................................................................74
Notes..................................................................................................75
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| any_adam_object | 1 |
| author | Friedrich, Burkhard 1962- Brinkmann, Rainer O. |
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| bvnumber | BV044019428 |
| classification_rvk | LR 56967 LP 94606 |
| ctrlnum | (OCoLC)971023527 (DE-599)BVBBV044019428 |
| discipline | Musikwissenschaft |
| format | Musical Score Book |
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| id | DE-604.BV044019428 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:41:20Z |
| institution | BVB |
| isbn | 9783702474232 |
| language | German English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-029426994 |
| oclc_num | 971023527 |
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| owner | DE-473 DE-BY-UBG DE-703 DE-20 DE-384 DE-11 |
| owner_facet | DE-473 DE-BY-UBG DE-703 DE-20 DE-384 DE-11 |
| physical | 76 Seiten Illustrationen, Notenbeispiele 31 cm |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | Universal Edition |
| record_format | marc |
| series | Listening lab |
| series2 | Listening lab |
| spelling | Friedrich, Burkhard 1962- Komponist (DE-588)121911845 cmp Arnold Schönberg, Variationen Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music Burkhard Friedrich & Rainer O. Brinkmann Arnold Schönberg, Variations Wien Universal Edition [2017] © 2017 76 Seiten Illustrationen, Notenbeispiele 31 cm txt rdacontent n rdamedia nc rdacarrier Listening lab 6 Text deutsch und englisch Schönberg, Arnold 1874-1951 Variationen op. 31 (DE-588)300139411 gnd rswk-swf Musikvermittlung (DE-588)7605135-3 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Schönberg, Arnold 1874-1951 Variationen op. 31 (DE-588)300139411 u Komposition Musik (DE-588)4133320-2 s Musikvermittlung (DE-588)7605135-3 s DE-604 Brinkmann, Rainer O. Komponist (DE-588)128768169 cmp Listening lab 6 (DE-604)BV046037676 6 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029426994&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Friedrich, Burkhard 1962- Brinkmann, Rainer O. Arnold Schönberg, Variationen Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music Listening lab Schönberg, Arnold 1874-1951 Variationen op. 31 (DE-588)300139411 gnd Musikvermittlung (DE-588)7605135-3 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)300139411 (DE-588)7605135-3 (DE-588)4133320-2 |
| title | Arnold Schönberg, Variationen Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music |
| title_alt | Arnold Schönberg, Variations |
| title_auth | Arnold Schönberg, Variationen Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music |
| title_exact_search | Arnold Schönberg, Variationen Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music |
| title_full | Arnold Schönberg, Variationen Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music Burkhard Friedrich & Rainer O. Brinkmann |
| title_fullStr | Arnold Schönberg, Variationen Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music Burkhard Friedrich & Rainer O. Brinkmann |
| title_full_unstemmed | Arnold Schönberg, Variationen Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music Burkhard Friedrich & Rainer O. Brinkmann |
| title_short | Arnold Schönberg, Variationen |
| title_sort | arnold schonberg variationen materialien zur musikvermittlung arnold schonberg variations materials for communicating music |
| title_sub | Materialien zur Musikvermittlung = Arnold Schönberg, Variations : materials for communicating music |
| topic | Schönberg, Arnold 1874-1951 Variationen op. 31 (DE-588)300139411 gnd Musikvermittlung (DE-588)7605135-3 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Schönberg, Arnold 1874-1951 Variationen op. 31 Musikvermittlung Komposition Musik |
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