Musical instruments in the 21st century: identities, configurations, practices
Gespeichert in:
| Weitere Verfasser: | , , , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Singapore
Springer
[2017]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | vii, 412 Seiten Illustrationen, Diagramme |
| ISBN: | 9789811029509 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction.............................................................. 1
Till Bovermann, Alberto de Campo, Hauke Egermann,
Sarah Hardjowirogo and Stefan Weinzierl
Part I Think Know Reflect
Instrumentality. On the Construction of Instrumental Identity............. 9
Sarah-Indriyati Hardjowirogo
From Musical Instruments as Ontological Entities to Instrumental
Quality: A Linguistic Exploration of Musical Instrumentality
in the Digital Era........................................................ 25
Caroline Cance
From Idiophone to Touchpad. The Technological Development
to the Virtual Musical Instrument........................................ 45
Bemd Enders
Musical Instruments as Assemblage........................................ 59
Paul Theberge
Instrumentality as Distributed, Interpersonal, and Self-Agential:
Aesthetic Implications of an Instrumental Assemblage and Its
Fortuitous Voice.......................................................... 67
Deniz Peters
Interactivity of Digital Musical Instruments: Implications
of Classifying Musical Instruments on Basic Music Research............. 79
Jin Hyun Kim and Uwe Seifert
v
VI
Contents
Part II Design Make Create
Movement Meets Material—An Improvisational
Approach to Design................................................. 97
Johanna Schindler and Amelie Hinrichsen
Instrumentality, Time and Perseverance . .......................... 127
Giuseppe Torre and Kristina Andersen
Machine Learning as Meta-Instrument: Human-Machine
Partnerships Shaping Expressive Instrumental Creation.............. 137
Rebecca Fiebrink
Interfacing Sound: Visual Representation of Sound in Musical
Software Instruments ............................................. 153
Thor Magnusson
Digital Media and Electronic Music in the Classroom—The Loop
Ensemble....................................................... 167
Marten Seedorf and Christof Martin Schultz
The Birl: Adventures in the Development of an Electronic
Wind Instrument.................................................... 181
Jeff Snyder
Case Study: The Endangered Guitar.................................. 207
Hans Tammen
Part III Compose Play Perform
Interplay Between Composition, Instrument Design
and Performance.................................................... 225
M.A.J. Baalman
Instrumentality in Sonic Wild{er}ness............................ 243
Antye Greie-Ripatti and Till Bovermann
Instrumental Modality. On Wanting to Play Something................ 263
Bjomar Habbestad and Jeff Carey
Instruments for Spatial Sound Control in Real Time Music
Performances. A Review......................................... 273
Andreas Pysiewicz and Stefan Weinzierl
Lucille Meets GuitarBot: Instrumentality, Agency,
and Technology in Musical Performance.............................. 297
Philip Ausländer
No Flute Is an Island, Entire of Itself. Transgressing Performers,
Instruments and Instrumentality in Contemporary Music.............. 315
Bjomar Habbestad
Contents vii
LiveCodeNet Ensamble: A Network for Improvising
Music with Code...................................................... 327
Hemani Villasenor Ramirez
Three Flavors of Post-Instruxnentalities: The Musical Practices of,
and a Many-Festo by Trio Brachiale.................................. 335
Dominik Hildebrand Marques Lopes, Hannes Hoelzl
and Alberto de Campo
Part IV Listen Perceive Feel
Mapping, Causality and the Perception of Instrumentality:
Theoretical and Empirical Approaches to the Audience’s
Experience of Digital Musical Instruments............................ 363
Gina Emerson and Hauke Egermann
Western Orchestral Instruments in the Foreground:
What Features Make an Instrument More Attractive
for a Solo Role in Concertos?....................................... 371
Song Hui Chon
Instruments Unheard of: On the Role of Familiarity
and Sound Source Categories in Timbre Perception.................... 385
Kai Siedenburg
What If Your Instrument Is Invisible?............................... 397
Dafha Naphtali
|
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| spelling | Musical instruments in the 21st century identities, configurations, practices Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors Musical instruments in the twenty-first century Singapore Springer [2017] © 2017 vii, 412 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier Geschichte 2000-2015 gnd rswk-swf Geschichte Komposition (DE-588)4032012-1 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Musikwahrnehmung (DE-588)4126097-1 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Computermusik (DE-588)4113239-7 gnd rswk-swf Elektronisches Musikinstrument (DE-588)4014362-4 gnd rswk-swf Musical instruments / History / 21st century Electronic musical instruments (DE-588)4143413-4 Aufsatzsammlung gnd-content Computermusik (DE-588)4113239-7 s Elektronisches Musikinstrument (DE-588)4014362-4 s Neue Medien (DE-588)4196910-8 s Komposition (DE-588)4032012-1 s Aufführung (DE-588)4143388-9 s Musikwahrnehmung (DE-588)4126097-1 s Geschichte 2000-2015 z DE-604 Bovermann, Till 1979- (DE-588)1055010947 edt de Campo, Alberto edt Egermann, Hauke 1981- (DE-588)135749654 edt Hardjowirogo, Sarah-Indriyati edt Weinzierl, Stefan 1967- (DE-588)123643295 edt Erscheint auch als Online-Ausgabe 978-981-10-2951-6 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029425566&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Musical instruments in the 21st century identities, configurations, practices Geschichte Komposition (DE-588)4032012-1 gnd Neue Medien (DE-588)4196910-8 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Aufführung (DE-588)4143388-9 gnd Computermusik (DE-588)4113239-7 gnd Elektronisches Musikinstrument (DE-588)4014362-4 gnd |
| subject_GND | (DE-588)4032012-1 (DE-588)4196910-8 (DE-588)4126097-1 (DE-588)4143388-9 (DE-588)4113239-7 (DE-588)4014362-4 (DE-588)4143413-4 |
| title | Musical instruments in the 21st century identities, configurations, practices |
| title_alt | Musical instruments in the twenty-first century |
| title_auth | Musical instruments in the 21st century identities, configurations, practices |
| title_exact_search | Musical instruments in the 21st century identities, configurations, practices |
| title_full | Musical instruments in the 21st century identities, configurations, practices Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors |
| title_fullStr | Musical instruments in the 21st century identities, configurations, practices Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors |
| title_full_unstemmed | Musical instruments in the 21st century identities, configurations, practices Till Bovermann, Alberto de Campo, Hauke Egermann, Sarah-Indriyati Hardjowirogo, Stefan Weinzierl, editors |
| title_short | Musical instruments in the 21st century |
| title_sort | musical instruments in the 21st century identities configurations practices |
| title_sub | identities, configurations, practices |
| topic | Geschichte Komposition (DE-588)4032012-1 gnd Neue Medien (DE-588)4196910-8 gnd Musikwahrnehmung (DE-588)4126097-1 gnd Aufführung (DE-588)4143388-9 gnd Computermusik (DE-588)4113239-7 gnd Elektronisches Musikinstrument (DE-588)4014362-4 gnd |
| topic_facet | Geschichte Komposition Neue Medien Musikwahrnehmung Aufführung Computermusik Elektronisches Musikinstrument Aufsatzsammlung |
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