Reframing immersive theatre: the politics and pragmatics of participatory performance
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| Format: | Book |
| Language: | English |
| Published: |
London
Palgrave Macmillan
[2016]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Physical Description: | xvii, 345 Seiten Illustrationen |
| ISBN: | 9781137366030 |
Staff View
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| adam_text | Contents
1 Reframing Immersive Theatre: The Politics and
Pragmatics of Participatory Performance 1
James Frieze
Part I Participant as Co-designer: Critical Reflections 27
2 On Being Immersed: The Pleasure of Being: Washing,
Feedingy Holding 29
Josephine Machon
3 In the Body of the Beholder: Insider Dynamics and
Extended Audiencing Transform Dance Spectatorship
in Sleep No More 43
Julia M. Ritter
4 Troubling Bodies in Follow the North Star 63
Ruth Laurion Bowman
vii
viii CONTENTS
5 Experiencing Michael Mayhew’s Away in a Manger:
Spectatorial Immersion in Durational Performance
Roberta Mock
6 Integrating Realities Through Immersive Gaming
Lindsay Brandon Hunter
7 Negotiating the Possible Worlds of Uninvited Guests’
Make Better Please: A Hypertextual Experience
Elizabeth Swift
8 Outdoors: A Rimini Protokoll Theatre-Maze
Esther Belvis Pons
9 Immersed in Sound: Kursk and the Phenomenology
of Aural Experience
George Home-Cook and Kristian Derek Ball
Part II Facilitating Immersive Performance: Ethics
and Practicalities
10 Reflections on Immersion and Interaction
non zero one
11 Caravaniah Intimacy and Immersion for
Family Audiences
Adam J. Ledger
12 A Dramaturgy of Participation: Participatory Rituals,
Immersive Environments, and Interactive Gameplay in
Hotel Medea
Jorge Lopes Ramos and Persis Jade Maravala
77
93
103
119
129
135
137
145
151
CONTENTS IX
13 She Wants You to Kiss Her: Negotiating Risk in the
Immersive Theatre Contract
Richard Talbot
14 The Fourth Wall and Other Ruins: Immersive Theatre
as a Brand
Rachael Blyth
15 Immersive Performance and the Marketplace: The Hit
Sherrill Gow and Merryn Owen
Part III Where Material Meets Magic: Theories, Histories,
and Myths of Immersive Participation
16 Spectral Illusions: Ghostly Presence in Phantasmagoria
Shows
Nele Wynants
17 Playing a Punchdrunk Game: Immersive Theatre
and Videogaming
Rosemary Klich
18 Proximity to Violence: War, Games, Glitch
James R Ball III
19 The Promise of Experience: Immersive Theatre in the
Experience Economy
Adam Alston
20 Differences in Degree or Kind? Ockham’s Razor’s
Not Until We Are Lost and Punchdrunk’s
The Drowned Man: A Hollywood Table
Geraldine Harris
171
193
199
203
207
221
229
243
265
X CONTENTS
21 Coriolan/us and the Limits of ‘Immersive’ 289
Andrew Filmer
22 Participation, Ecology, Cosmos 303
Carl Lavery
Bibliography 317
Index 335
This diverse collection of essays and testimonies challenges critical orthodoxies about the
twenty-first century boom in immersive theatre and performance. A culturally and institutionally
eclectic range of producers and critics comprehensively reconsider the term Immersive* and the
practices it has been used to describe. Applying ecological, phenomenological and political ideas
to both renowned and lesser-known performances, contributing scholars and artists offer fresh
ideas on the ethics and practicalities of participatory performance. These ideas interrogate claims
that have frequently been made by producers and by critics that participatory performance extends
engagement. These claims are interrogated across nine dimensions of engagement: bodily,
technological, spatial, temporal, spiritual, performative, pedagogical, textual, social. Enquiry is
focussed along the following seams of analysis: the participant as co-designer; the challenges
facing the facilitator of immersive/participatory performance; the challenges facing the critic of
immersive/participatory performance; how and why immersion troubles boundaries between
the material and the magical
James Frieze is the author of Naming Theatre: Demonstrative Diagnosis in Performance (2009}
and essays on contemporary performance in various journals and collections. Senior Lecturer in
Drama at Liverpool John Moores University, UK, his teaching and production work focusses on
devising, improvisation, and contemporary performance. He is currently working on a monograph
on theatre and the forensic turn.
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| title | Reframing immersive theatre the politics and pragmatics of participatory performance |
| title_auth | Reframing immersive theatre the politics and pragmatics of participatory performance |
| title_exact_search | Reframing immersive theatre the politics and pragmatics of participatory performance |
| title_full | Reframing immersive theatre the politics and pragmatics of participatory performance James Frieze, editor |
| title_fullStr | Reframing immersive theatre the politics and pragmatics of participatory performance James Frieze, editor |
| title_full_unstemmed | Reframing immersive theatre the politics and pragmatics of participatory performance James Frieze, editor |
| title_short | Reframing immersive theatre |
| title_sort | reframing immersive theatre the politics and pragmatics of participatory performance |
| title_sub | the politics and pragmatics of participatory performance |
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