Attic oratory and performance:
"This book addresses a relatively neglected area in the study of ancient rhetoric: the performance of the speeches that have come down to us in textual form. Although it has never been doubted that Athenian oratory was performed, only a limited amount of scholarly attention has been devoted to...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2017
|
| Schriftenreihe: | Routledge monographs in classical studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "This book addresses a relatively neglected area in the study of ancient rhetoric: the performance of the speeches that have come down to us in textual form. Although it has never been doubted that Athenian oratory was performed, only a limited amount of scholarly attention has been devoted to this dimension of the corpus. Scholarly opinion has tended to consider it an impossible task to reconstruct performance through an interpretation of the text or to elaborate on the exact nature of the relationship between oratory and theatre. Attic Oratory and Performance fills this gap by providing an in-depth analysis of the ways Attic orators wrote for and executed performance."... |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | x, 143 Seiten |
| ISBN: | 9781138828353 |
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Datensatz im Suchindex
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| adam_text | ATTIC ORATORY AND PERFORMANCE
/ SERAFIM, ANDREASYYEAUTHOR
: 2017
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION
THE HERMENEUTIC FRAMEWORK: AN ANALYTICAL APPROACH
CONSTRUCTION AND MANIPULATION
AESCHINES AND DEMOSTHENES IN THE THEATRE OF JUSTICE
ETHOPOIIA: AN INTER-GENERIC PORTRAYAL OF CHARACTER
HYPOCRISIS! HYPOCRISIS! HYPOCRISIS!
CONCLUSION
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Titel: Attic oratory and performance
Autor: Serafim, Andreas
Jahr: 2017
Contents
Acknowledgements
Abbreviations
Introduction
Current perspectives and approaches 1
What this book is about 2
Performance Studies and Attic oratory 3
Audience and speaker in the law-court 5
Four case studies 6
The Embassy Case 7
The Crown Case 8
Outline 9
1 The hermeneutic framework: An analytical approach
The notion of performance: Conceptual groundwork 15
Performance in the theatre and the law-court 17
Judicial oratory in/as performance: Aeschines 2, 3 and
Demosthenes 18, 19 20
Constructed audience 20
Other strategies to influence the audience 21
Reconsidering ekphrasis through the lens of ancient theory 23
The depiction of litigants, ethopoiia 25
Conceptual groundwork 25
The performative dimension of oratorical portraiture 26
Inter-generic portraiture 26
Hypocrisis - Delivery 28
Script, revision and extemporisation 32
A note on the use of ancient sources 33
2 Construction and manipulation 47
Addresses to the audience and civic community 47
Law-court BigBrother ! 55
Emotional appeals 60
Direct/explicit appeals to emotions 61
Indirect/inexplicit appeals to emotions 64
Defence versus prosecution 66
The language of performance: Imperatives and questions 68
3 Aeschines and Demosthenes in the theatre of justice 81
Political thespians in the law-court 82
The use of quotations 83
He is proud of his voice : Oral excess in the law-court 84
Drive him away and hiss him out : Inviting the audience reaction 86
4 Ethopoiia: An inter-generic portrayal of character 91
Comic or laughter-inducing ethopoiia 92
Comic stereotyping 92
Inversion of tragedy into comedy 96
Ridiculing sexuality 97
Character portraiture: Tragedy and epic 99
Identification with tragic and epic characters 99
Cursed or unlucky? 103
5 Hypocrisis! Hypocrisis! Hypocrisis! 113
Hypocrisis of emotions 114
Divine hypocrisis 117
Deixis 120
Figures of speech 121
Embassy speeches 121
Crown speeches 124
Direct speech, narrative and questions 128
Occasional aspects of hypocrisis 133
6 Conclusion 237
Index 141
|
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| title_full | Attic oratory and performance Andreas Serafim |
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