The global reach of the Fandango in music, song and dance: Spaniards, Indians, Africans ans Gypsies
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2016
|
| Ausgabe: | Revised and translated edition of bilingual conference proceedings |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Proceedings from the international conference organized and held at The Foundation for Iberian Music, The Graduate Center, The City University of New York, on April 17 and 18, 2015 Bilinguale Ausgabe erschienen in: Música oral del Sur, Número 12 (2015) |
| Beschreibung: | xxii, 711 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781443899635 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804176953692913665 |
|---|---|
| adam_text | Table of Contents
Acknowledgements............................................... xii
Introduction....................................................xiii
I. Genres and Forms
Chapter One........................................................2
The Fandango Complex in the Spanish Atlantic: A Panoramic View
Peter Manuel
Chapter Two.......................................................12
The Fandangos of Southern Spain in the Context of other Spanish
and American Fandangos
Miguel Ángel Berlanga
Chapter Three.....................................................29
Cante libre is Not Free—Contrasting Approaches to fandangos personales
John Moore
Chapter Four......................................................45
The Fandango in Malaga: From a Dance to a Rending Song
Ramón Soler Díaz
Chapter Five......................................................69
Fandango in Nineteenth Century Flamenco: The Untold Story
José Miguel Hernández Jaramillo
Chapter Six.......................................................93
Musical Relationships between Spanish Malagueña and Fandango
in the Nineteenth Century
Lénica Reyes Zúñiga
Chapter Seven....................................................120
Rhythmic Evolution in the Spanish Fandango: Binary and Ternary Rhythms
Guillermo Castro Buendia
viii
Table of Contents
Chapter Eight...................................................153
El Murciano s ‘Rondeña’ and Early Flamenco Guitar Music:
New Findings and Perspectives
Ma Luisa Martínez Martinez and Peter Manuel
II. Migration, Diaspora, and Global Pop
Chapter Nine....................................................182
Two Glances at the Fandango: The Fandango in Classical Music,
and an Example of Popular Andalusian Fandangos—el Trovo
de la Alpujarra
Reynaldo Fernández Manzano
Chapter Ten.....................................................191
Son jarocho in New York: Jarana and Fandango as Symbols of a New
Mexican Identity
Bruno Bartra
Chapter Eleven..................................................203
Yo no soy marinero, soy capitán: Contemporary Sociopolitical Uses
of Fandango and Son Jarocho
Rafael Figueroa-Hemández
Chapter Twelve..................................................217
Playing the Social, Dancing the Social, Singing the Social: From ‘Say It
Loud (I’m Black and I’m Proud)’ to Fandango Sin Fronteras
Wilfried Raussert
Chapter Thirteen................................................236
The Malagueñas of Breva, Albéniz, and Lecuona: From Regional
Fandango to Global Pop Tune
Walter Aaron Clark
Chapter Fourteen................................................244
Fandangos, Fandanguillos, and Fandangazos: Fernando El De Triana
on Popular and Flamenco Music and Dance
Cristina Cruces-Roldán
Chapter Fifteen.................................................270
Sounds of Spain in the Nineteenth Century USA: An Introduction
Kiko Mora
The Global Reach of the Fandango in Music, Song and Dance ix
III. Mestizaje and Hybridization
Chapter Sixteen................................................ 310
The Fandango as an Expression of Cultural Circulation in Mexico
and the Caribbean
Ricardo Pérez Montfort
Chapter Seventeen................................................335
The Fandango: A Space for Resistance, Creation, and Freedom
Nubia Flórez Forero
Chapter Eighteen.................................................351
Musical Aspects of the Joropos of Venezuela and Colombia
Claudia Calderón Sáenz
Chapter Nineteen.................................................375
The Fandango as a Fiesta and the Fandango within the Fiesta:
Tarima, Cante, and Dance
Jessica Gottfried Hesketh
Chapter Twenty...................................................396
Re-contextualizing Traditions and the Construction of Social Identities
through Music and Dance: A Fandango in Huetamo, Michoacán
Raquel Paraíso
IV. Politics and Policies
Chapter Twenty-One...............................................418
The Fandango in Mozart’s The Marriage of Figaro: The Prism
of Revolution in the Enlightenment
Craig H. Russell
Chapter Twenty-Two...............................................443
The Revels of a Young Republic: Revolutionary Possibilities
of the Fandango in Timothy Flint’s 1826 Francis Berrian
Paul D. Naish
Chapter Twenty-Three..................................
Fandango in the Franco Era: The Politics of Classification
Theresa Goldbach
453
X
Table of Contents
Chapter Twenty Four.............................................461
Brazilian Fandango: Traditionalism, Identity, and Policies of Cultural
Heritage
Allan de Paula Oliveira
Chapter Twenty-Five......................................... 469
Fandangos in Voices of Women: Enacting Tradition, Affirming Identity
Loren Chuse
Chapter Twenty-Six..............................................480
Fandango and the Rhetoric of Resistance in Flamenco
Tony Dumas
Chapter Twenty-Seven........................................ 498
Spaces of Affect: The Political Anatomy of Contemporary
Fandango Performance in Mexico
Alex E. Chavez
V. The Exotic and The Other
Chapter Twenty-Eight.......................................... 518
Emergence and Transformations of the Fandango
Alan Jones
Chapter Twenty-Nine.............................................536
Like Salamanders in a Flame: The Fandango and Foreign Travelers
to Spain
Lou Chamon-Deutsch
Chapter Thirty..................................................553
Corral, Cafe, and Concert Hall: Enrique Granados’s ‘El fandango
de candil’ and Manuel de Falla’s ‘Danza de la molinera’
Adam Kent
Chapter Thirty-One..............................................568
Fandango in Nineteenth-Century Theory and on European Stages
Claudia Jeschke
The Global Reach of the Fandango in Music, Song and Dance xi
Chapter Thirty-Two................................................579
Changing Places: Toward the Reconstruction of an Eighteenth Century
Danced Fandango
Thomas Baird, K. Meira Goldberg, and Paul Jared Newman
Chapter Thirty-Three..............................................622
Choreological Gestures in Iberian Music of the Second Half
of the Eighteenth Century: A Proposal for Historically Informed
Performance of the Fandango
Maria José Ruiz Mayordomo and Aurélia Pessarrodona
Contributors..................................................... 668
Appendices........................................................682
2015 Conference Poster
2015 Conference Program
2017 Conference Poster
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| spelling | The global reach of the Fandango in music, song and dance Spaniards, Indians, Africans ans Gypsies edited by K. Meira Goldberg and Antoni Pizà Revised and translated edition of bilingual conference proceedings Newcastle upon Tyne Cambridge Scholars Publishing 2016 xxii, 711 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Proceedings from the international conference organized and held at The Foundation for Iberian Music, The Graduate Center, The City University of New York, on April 17 and 18, 2015 Bilinguale Ausgabe erschienen in: Música oral del Sur, Número 12 (2015) Sozialgeschichte gnd rswk-swf Fandango (DE-588)4416956-5 gnd rswk-swf Verbreitung (DE-588)4187586-2 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 17.04.2015-18.04.2015 New York, NY gnd-content Fandango (DE-588)4416956-5 s Verbreitung (DE-588)4187586-2 s Sozialgeschichte z DE-604 Goldberg, K. Meira ca. 20./21. Jh. (DE-588)1081517239 edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029393012&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The global reach of the Fandango in music, song and dance Spaniards, Indians, Africans ans Gypsies Fandango (DE-588)4416956-5 gnd Verbreitung (DE-588)4187586-2 gnd |
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| title | The global reach of the Fandango in music, song and dance Spaniards, Indians, Africans ans Gypsies |
| title_auth | The global reach of the Fandango in music, song and dance Spaniards, Indians, Africans ans Gypsies |
| title_exact_search | The global reach of the Fandango in music, song and dance Spaniards, Indians, Africans ans Gypsies |
| title_full | The global reach of the Fandango in music, song and dance Spaniards, Indians, Africans ans Gypsies edited by K. Meira Goldberg and Antoni Pizà |
| title_fullStr | The global reach of the Fandango in music, song and dance Spaniards, Indians, Africans ans Gypsies edited by K. Meira Goldberg and Antoni Pizà |
| title_full_unstemmed | The global reach of the Fandango in music, song and dance Spaniards, Indians, Africans ans Gypsies edited by K. Meira Goldberg and Antoni Pizà |
| title_short | The global reach of the Fandango in music, song and dance |
| title_sort | the global reach of the fandango in music song and dance spaniards indians africans ans gypsies |
| title_sub | Spaniards, Indians, Africans ans Gypsies |
| topic | Fandango (DE-588)4416956-5 gnd Verbreitung (DE-588)4187586-2 gnd |
| topic_facet | Fandango Verbreitung Konferenzschrift 17.04.2015-18.04.2015 New York, NY |
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