Revolutionary horizons: art and polemics in 1950s Cuba
"Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the cou...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the country's cultural worldliness and its purchase within the international avant-garde. This pioneering book offers the first in-depth examination of Cuban art during that time, following the intersecting trajectories of the artist groups Los Once and Los Diez against a dramatic backdrop of modernization and armed rebellion. Abigail McEwen explores the activities of a constellation of artists and writers invested in the ideological promises of abstraction, and reflects on art's capacity to effect radical social change. Featuring previously unpublished artworks, new archival research, and extensive primary sources, this remarkable volume excavates a rich cultural history with links to the development of abstraction in Europe and the Americas." |
| Beschreibung: | Includes bibliographical references (pages 215-251) and index |
| Beschreibung: | viii, 264 Seiten Illustrationen 26 cm |
| ISBN: | 9780300216813 |
Internformat
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| 245 | 1 | 0 | |a Revolutionary horizons |b art and polemics in 1950s Cuba |c Abigail McEwen |
| 264 | 1 | |a New Haven ; London |b Yale University Press |c [2016] | |
| 300 | |a viii, 264 Seiten |b Illustrationen |c 26 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (pages 215-251) and index | ||
| 505 | 8 | |a 1 The horizon of vanguards<br>2 Los Once and the polemics of abstraction<br>3 Anti-Bienal, Bienal, and the dissolution of Los Once<br>4 The offices of abstraction<br>5 Cuba's concretos and the constructivist turn<br>6 The endgame of abstraction | |
| 520 | |a "Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the country's cultural worldliness and its purchase within the international avant-garde. This pioneering book offers the first in-depth examination of Cuban art during that time, following the intersecting trajectories of the artist groups Los Once and Los Diez against a dramatic backdrop of modernization and armed rebellion. Abigail McEwen explores the activities of a constellation of artists and writers invested in the ideological promises of abstraction, and reflects on art's capacity to effect radical social change. Featuring previously unpublished artworks, new archival research, and extensive primary sources, this remarkable volume excavates a rich cultural history with links to the development of abstraction in Europe and the Americas." | ||
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 7 | |a Geschichte 1950-1960 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Art, Abstract / Cuba / History / 20th century | |
| 650 | 4 | |a Grupo Los Once (Artists' group) | |
| 650 | 4 | |a Geschichte | |
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Datensatz im Suchindex
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|---|---|
| any_adam_object | 1 |
| author | McEwen, Abigail 1980- |
| author_GND | (DE-588)1127082779 |
| author_facet | McEwen, Abigail 1980- |
| author_role | aut |
| author_sort | McEwen, Abigail 1980- |
| author_variant | a m am |
| building | Verbundindex |
| bvnumber | BV043980509 |
| classification_rvk | LO 97100 |
| contents | 1 The horizon of vanguards<br>2 Los Once and the polemics of abstraction<br>3 Anti-Bienal, Bienal, and the dissolution of Los Once<br>4 The offices of abstraction<br>5 Cuba's concretos and the constructivist turn<br>6 The endgame of abstraction |
| ctrlnum | (OCoLC)968696920 (DE-599)BVBBV043980509 |
| dewey-full | 709.04052097291 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04052097291 |
| dewey-search | 709.04052097291 |
| dewey-sort | 3709.04052097291 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1950-1960 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1950-1960 |
| format | Book |
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| language | English |
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| publisher | Yale University Press |
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| spelling | McEwen, Abigail 1980- Verfasser (DE-588)1127082779 aut Revolutionary horizons art and polemics in 1950s Cuba Abigail McEwen New Haven ; London Yale University Press [2016] viii, 264 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (pages 215-251) and index 1 The horizon of vanguards<br>2 Los Once and the polemics of abstraction<br>3 Anti-Bienal, Bienal, and the dissolution of Los Once<br>4 The offices of abstraction<br>5 Cuba's concretos and the constructivist turn<br>6 The endgame of abstraction "Modernism in Havana reached its climax during the turbulent years of the 1950s as a generation of artists took up abstraction as a means to advance artistic and political goals in the name of Cuba Libre. During a decade of insurrection and, ultimately, revolution, abstract art signaled the country's cultural worldliness and its purchase within the international avant-garde. This pioneering book offers the first in-depth examination of Cuban art during that time, following the intersecting trajectories of the artist groups Los Once and Los Diez against a dramatic backdrop of modernization and armed rebellion. Abigail McEwen explores the activities of a constellation of artists and writers invested in the ideological promises of abstraction, and reflects on art's capacity to effect radical social change. Featuring previously unpublished artworks, new archival research, and extensive primary sources, this remarkable volume excavates a rich cultural history with links to the development of abstraction in Europe and the Americas." Geschichte 1900-2000 Geschichte 1950-1960 gnd rswk-swf Art, Abstract / Cuba / History / 20th century Grupo Los Once (Artists' group) Geschichte Kunst (DE-588)4114333-4 gnd rswk-swf Kuba (DE-588)4033340-1 gnd rswk-swf Kuba (DE-588)4033340-1 g Kunst (DE-588)4114333-4 s Geschichte 1950-1960 z DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=029388946&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | McEwen, Abigail 1980- Revolutionary horizons art and polemics in 1950s Cuba 1 The horizon of vanguards<br>2 Los Once and the polemics of abstraction<br>3 Anti-Bienal, Bienal, and the dissolution of Los Once<br>4 The offices of abstraction<br>5 Cuba's concretos and the constructivist turn<br>6 The endgame of abstraction Art, Abstract / Cuba / History / 20th century Grupo Los Once (Artists' group) Geschichte Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4033340-1 |
| title | Revolutionary horizons art and polemics in 1950s Cuba |
| title_auth | Revolutionary horizons art and polemics in 1950s Cuba |
| title_exact_search | Revolutionary horizons art and polemics in 1950s Cuba |
| title_full | Revolutionary horizons art and polemics in 1950s Cuba Abigail McEwen |
| title_fullStr | Revolutionary horizons art and polemics in 1950s Cuba Abigail McEwen |
| title_full_unstemmed | Revolutionary horizons art and polemics in 1950s Cuba Abigail McEwen |
| title_short | Revolutionary horizons |
| title_sort | revolutionary horizons art and polemics in 1950s cuba |
| title_sub | art and polemics in 1950s Cuba |
| topic | Art, Abstract / Cuba / History / 20th century Grupo Los Once (Artists' group) Geschichte Kunst (DE-588)4114333-4 gnd |
| topic_facet | Art, Abstract / Cuba / History / 20th century Grupo Los Once (Artists' group) Geschichte Kunst Kuba |
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