Cinema at the margins:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
London ; New York
Anthem Press
[2013]
|
| Series: | New perspectives on world cinema
|
| Subjects: | |
| Online Access: | FAW01 FAW02 |
| Item Description: | Print version record |
| Physical Description: | 1 online resource (xvii, 220 pages) illustrations |
| ISBN: | 9780857281951 085728195X 9780857281869 0857281860 9781783080168 1783080167 9781783080267 1783080264 |
Staff View
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| 505 | 8 | |a Part 1. Genre -- The future catches up with the past: Peter Bogdanovich's targets -- Surrealism and sudden death in the films of Lucio Fulci -- Flash Gordon and the 1930s and 40s science fiction serial -- Just the facts, man: the complicated genesis of television's Dragnet -- The disquieting aura of Fabián Bielinsky -- Part 2. History -- Fast worker: the films of Sam Newfield -- The power of resistance: Les Dames du Bois de Boulogne -- Beyond characterization: performance in 1960s -- Experimental cinema -- Vanishing point: the last days of film -- Part 3. Interviews -- "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini -- Margin call: an interview with J.C. Chandor -- "All my films are personal": an interview with Pat Jackson -- Working within the system: an interview with Gerry O'Hara -- Andrew V. McLaglen: last of the Hollywood professionals -- Pop star, director, actor: an interview with Michael Sarne | |
| 505 | 8 | |a More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s? This collection of essays aims to highlight some of the lesser-known treasures of the past--those titles that have been pushed aside by today's wave of cinema amnesia | |
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Record in the Search Index
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| any_adam_object | |
| author | Dixon, Wheeler W. 1950- |
| author_facet | Dixon, Wheeler W. 1950- |
| author_role | aut |
| author_sort | Dixon, Wheeler W. 1950- |
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| contents | Part 1. Genre -- The future catches up with the past: Peter Bogdanovich's targets -- Surrealism and sudden death in the films of Lucio Fulci -- Flash Gordon and the 1930s and 40s science fiction serial -- Just the facts, man: the complicated genesis of television's Dragnet -- The disquieting aura of Fabián Bielinsky -- Part 2. History -- Fast worker: the films of Sam Newfield -- The power of resistance: Les Dames du Bois de Boulogne -- Beyond characterization: performance in 1960s -- Experimental cinema -- Vanishing point: the last days of film -- Part 3. Interviews -- "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini -- Margin call: an interview with J.C. Chandor -- "All my films are personal": an interview with Pat Jackson -- Working within the system: an interview with Gerry O'Hara -- Andrew V. McLaglen: last of the Hollywood professionals -- Pop star, director, actor: an interview with Michael Sarne More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s? This collection of essays aims to highlight some of the lesser-known treasures of the past--those titles that have been pushed aside by today's wave of cinema amnesia |
| ctrlnum | (ZDB-4-EBA)ocn899045924 (OCoLC)899045924 (DE-599)BVBBV043958667 |
| dewey-full | 791.43/7 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/7 |
| dewey-search | 791.43/7 |
| dewey-sort | 3791.43 17 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Dixon, Wheeler W. 1950- Verfasser aut Cinema at the margins Wheeler Winston Dixon London ; New York Anthem Press [2013] © 2013 1 online resource (xvii, 220 pages) illustrations txt rdacontent c rdamedia cr rdacarrier New perspectives on world cinema Print version record Part 1. Genre -- The future catches up with the past: Peter Bogdanovich's targets -- Surrealism and sudden death in the films of Lucio Fulci -- Flash Gordon and the 1930s and 40s science fiction serial -- Just the facts, man: the complicated genesis of television's Dragnet -- The disquieting aura of Fabián Bielinsky -- Part 2. History -- Fast worker: the films of Sam Newfield -- The power of resistance: Les Dames du Bois de Boulogne -- Beyond characterization: performance in 1960s -- Experimental cinema -- Vanishing point: the last days of film -- Part 3. Interviews -- "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini -- Margin call: an interview with J.C. Chandor -- "All my films are personal": an interview with Pat Jackson -- Working within the system: an interview with Gerry O'Hara -- Andrew V. McLaglen: last of the Hollywood professionals -- Pop star, director, actor: an interview with Michael Sarne More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s? This collection of essays aims to highlight some of the lesser-known treasures of the past--those titles that have been pushed aside by today's wave of cinema amnesia Geschichte gnd rswk-swf Motion picture industry / Finance Motion pictures / History Motion pictures PERFORMING ARTS / Reference bisacsh Motion pictures fast Film Geschichte Motion pictures History Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschichte z 2\p DE-604 Erscheint auch als Druck-Ausgabe Dixon, Wheeler W , 1950-. Cinema at the margins 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dixon, Wheeler W. 1950- Cinema at the margins Part 1. Genre -- The future catches up with the past: Peter Bogdanovich's targets -- Surrealism and sudden death in the films of Lucio Fulci -- Flash Gordon and the 1930s and 40s science fiction serial -- Just the facts, man: the complicated genesis of television's Dragnet -- The disquieting aura of Fabián Bielinsky -- Part 2. History -- Fast worker: the films of Sam Newfield -- The power of resistance: Les Dames du Bois de Boulogne -- Beyond characterization: performance in 1960s -- Experimental cinema -- Vanishing point: the last days of film -- Part 3. Interviews -- "Let the sleepers sleep and the haters hate": an interview with Dale "Rage" Resteghini -- Margin call: an interview with J.C. Chandor -- "All my films are personal": an interview with Pat Jackson -- Working within the system: an interview with Gerry O'Hara -- Andrew V. McLaglen: last of the Hollywood professionals -- Pop star, director, actor: an interview with Michael Sarne More and more, just a few canonical classics, such as Michael Curtiz's "Casablanca" (1942) or Victor Fleming's "Gone With The Wind" (1939), are representing the entire film output of an era, to a new generation that knows little of the past, and is encouraged by popular media to live only in the eternal present. What will happen to the rest of the films that enchanted, informed and transported audiences in the 1930s, 1940s, and even as recently as the 1960s? This collection of essays aims to highlight some of the lesser-known treasures of the past--those titles that have been pushed aside by today's wave of cinema amnesia Motion picture industry / Finance Motion pictures / History Motion pictures PERFORMING ARTS / Reference bisacsh Motion pictures fast Film Geschichte Motion pictures History Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Cinema at the margins |
| title_auth | Cinema at the margins |
| title_exact_search | Cinema at the margins |
| title_full | Cinema at the margins Wheeler Winston Dixon |
| title_fullStr | Cinema at the margins Wheeler Winston Dixon |
| title_full_unstemmed | Cinema at the margins Wheeler Winston Dixon |
| title_short | Cinema at the margins |
| title_sort | cinema at the margins |
| topic | Motion picture industry / Finance Motion pictures / History Motion pictures PERFORMING ARTS / Reference bisacsh Motion pictures fast Film Geschichte Motion pictures History Film (DE-588)4017102-4 gnd |
| topic_facet | Motion picture industry / Finance Motion pictures / History Motion pictures PERFORMING ARTS / Reference Film Geschichte Motion pictures History USA Aufsatzsammlung |
| work_keys_str_mv | AT dixonwheelerw cinemaatthemargins |