Writing the history of the British stage, 1660-1900:
"This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of B...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "This is the first book on British theatre historiography. It traces the practice of theatre history from its origins in the Restoration to its emergence as an academic discipline in the early twentieth century. In this compelling revisionist study, Richard Schoch reclaims the deep history of British theatre history, valorizing the usually overlooked scholarship undertaken by antiquarians, booksellers, bibliographers, journalists and theatrical insiders, none of whom considered themselves to be professional historians. Drawing together deep archival research, close readings of historical texts from the seventeenth, eighteenth and nineteenth centuries, and an awareness of contemporary debates about disciplinary practice, Schoch overturns received interpretations of British theatre historiography and shows that the practice - and the diverse practitioners - of theatre history were far more complicated and far more sophisticated than we had realised. His book is a landmark contribution to how theatre historians today can understand their own history"... |
| Beschreibung: | xii, 393 Seiten Faksimiles, Portraits |
| ISBN: | 9781107166929 |
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Datensatz im Suchindex
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| adam_text | WRITING THE HISTORY OF THE BRITISH STAGE, 1660-1900
/ SCHOCH, RICHARD W.YYEAUTHOR
: 2016
TABLE OF CONTENTS / INHALTSVERZEICHNIS
LIST OF ILLUSTRATIONS; ACKNOWLEDGMENTS; INTRODUCTION; PRELUDE. EARLY
MODERN HISTORIOGRAPHY; 1. RESTORATION BOOKSELLERS AS THEATRE HISTORIANS;
2. TRIVIAL DISCOURSES AND PERSONS NOT WORTH REMEMBERING; 3. GERARD
LANGBAINE AND HIS PROGENY; 4. JOHN DOWNES AND WHAT THE PROMPTER SAW; 5.
THE BIOGRAPHY OF BIOGRAPHIA DRAMATICA; INTERLUDE. THE RISE OF NARRATIVE
HISTORIOGRAPHY; 6. THE DESIGN OF THEATRUM ANGLICANUM; 7. HISTORIES OF MY
OWN TIME; 8. EDMOND MALONE AND THE SEARCH FOR THEATRICAL INTELLIGENCE;
9. THE ANXIETIES OF JOHN PAYNE COLLIER; POSTLUDE. THE ART AND SCIENCE OF
NINETEENTH-CENTURY HISTORIOGRAPHY; BIBLIOGRAPHY; INDEX
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Titel: Writing the history of the British stage, 1660-1900
Autor: Schoch, Richard
Jahr: 2016
Contents
List ofFigures page viii
Acknoivledgments x
Introduction i
Prelude: On Early Modern Historiography and the
Inconceivability of Theatre History 31
1 Restoration Booksellers as Theatre Historians 48
2 Trivial Discourses and Persons Not Worth Remembering 73
3 Gerard Langbaine and His Progeny 107
4 John Downes and What the Prompter Saw 138
5 The Biography of Biographia Dramatica 165
Interlude: On The Rise of Narrative Historiography 192
6 The Design of Theatrum Anglicanum 199
7 Histories of My Own Time 228
8 Edmond Malone and the Search for Theatrical Intelligence 255
9 The Anxieties of John Payne Collier 294
Posdude: On The Art and Science of Nineteenth-Century
Historiography 336
Bibliography 355
Index 37*
vii
|
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