Narratives of identity in Alban Berg's 'Lulu':
Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist (1895) and Die Büchse der Pandora (1904) -- the plays used inthe formation of the libretto for Lulu -- according to notions of gender i...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Suffolk
Boydell & Brewer
2014
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| Subjects: | |
| Online Access: | BSB01 Volltext |
| Summary: | Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist (1895) and Die Büchse der Pandora (1904) -- the plays used inthe formation of the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays by Wedekind and incorporated serial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as anideal identity to be played out in the compositional process. In the process of composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, and others. Adopting an approach that combines a systematic analysis of Berg's numerous sketches for Lulu, correspondence, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled with his self-image as an "incorrigible romantic" (unverbesserliche Romantiker) at the end of his life, explaining aspects of his musical language that have been considered strange or anomalous in the scholarship. Silvio J. dos Santos is assistant professor of musicology at the University of Florida |
| Item Description: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Physical Description: | 1 online resource (x, 226 pages) |
| ISBN: | 9781580468497 |
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| 520 | |a Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist (1895) and Die Büchse der Pandora (1904) -- the plays used inthe formation of the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays by Wedekind and incorporated serial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as anideal identity to be played out in the compositional process. In the process of composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, and others. Adopting an approach that combines a systematic analysis of Berg's numerous sketches for Lulu, correspondence, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled with his self-image as an "incorrigible romantic" (unverbesserliche Romantiker) at the end of his life, explaining aspects of his musical language that have been considered strange or anomalous in the scholarship. Silvio J. dos Santos is assistant professor of musicology at the University of Florida | ||
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Record in the Search Index
| _version_ | 1804176878658912256 |
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| any_adam_object | |
| author | Santos, Silvio J. dos |
| author_facet | Santos, Silvio J. dos |
| author_role | aut |
| author_sort | Santos, Silvio J. dos |
| author_variant | s j d s sjd sjds |
| building | Verbundindex |
| bvnumber | BV043939224 |
| classification_rvk | LP 91370 |
| collection | ZDB-20-CBO |
| contents | Berg's ideal identities. Between Schoenberg and Wagner ; Berg as Wagner : in pursuit of an ideal identity ; Refiguring Tristan -- Personal and cultural identities. The Bild motif and Lulu's identity ; Marriage as prostitution ; Masculine, feminine, and "in-between" : Geschwitz as neue Frau -- Conclusion : Berg's Wagnerism |
| ctrlnum | (ZDB-20-CBO)CR9781580468497 (OCoLC)967411034 (DE-599)BVBBV043939224 |
| dewey-full | 782.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1 |
| dewey-search | 782.1 |
| dewey-sort | 3782.1 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| format | Electronic eBook |
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| id | DE-604.BV043939224 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:39:11Z |
| institution | BVB |
| isbn | 9781580468497 |
| language | English |
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| physical | 1 online resource (x, 226 pages) |
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| publishDate | 2014 |
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| spelling | Santos, Silvio J. dos Verfasser aut Narratives of identity in Alban Berg's 'Lulu' Silvio J. dos Santos Suffolk Boydell & Brewer 2014 1 online resource (x, 226 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Berg's ideal identities. Between Schoenberg and Wagner ; Berg as Wagner : in pursuit of an ideal identity ; Refiguring Tristan -- Personal and cultural identities. The Bild motif and Lulu's identity ; Marriage as prostitution ; Masculine, feminine, and "in-between" : Geschwitz as neue Frau -- Conclusion : Berg's Wagnerism Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist (1895) and Die Büchse der Pandora (1904) -- the plays used inthe formation of the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays by Wedekind and incorporated serial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as anideal identity to be played out in the compositional process. In the process of composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, and others. Adopting an approach that combines a systematic analysis of Berg's numerous sketches for Lulu, correspondence, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled with his self-image as an "incorrigible romantic" (unverbesserliche Romantiker) at the end of his life, explaining aspects of his musical language that have been considered strange or anomalous in the scholarship. Silvio J. dos Santos is assistant professor of musicology at the University of Florida Berg, Alban / 1885-1935 / Criticism and interpretation Berg, Alban / 1885-1935 / Lulu Wagner, Richard / 1813-1883 / Criticism and interpretation Berg, Alban 1885-1935 Lulu (DE-588)300018657 gnd rswk-swf Berg, Alban 1885-1935 Lulu (DE-588)300018657 u 1\p DE-604 Erscheint auch als Druckausgabe 978-1-58046-483-3 http://www.cambridge.org/core/product/identifier/9781580468497/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Santos, Silvio J. dos Narratives of identity in Alban Berg's 'Lulu' Berg's ideal identities. Between Schoenberg and Wagner ; Berg as Wagner : in pursuit of an ideal identity ; Refiguring Tristan -- Personal and cultural identities. The Bild motif and Lulu's identity ; Marriage as prostitution ; Masculine, feminine, and "in-between" : Geschwitz as neue Frau -- Conclusion : Berg's Wagnerism Berg, Alban / 1885-1935 / Criticism and interpretation Berg, Alban / 1885-1935 / Lulu Wagner, Richard / 1813-1883 / Criticism and interpretation Berg, Alban 1885-1935 Lulu (DE-588)300018657 gnd |
| subject_GND | (DE-588)300018657 |
| title | Narratives of identity in Alban Berg's 'Lulu' |
| title_auth | Narratives of identity in Alban Berg's 'Lulu' |
| title_exact_search | Narratives of identity in Alban Berg's 'Lulu' |
| title_full | Narratives of identity in Alban Berg's 'Lulu' Silvio J. dos Santos |
| title_fullStr | Narratives of identity in Alban Berg's 'Lulu' Silvio J. dos Santos |
| title_full_unstemmed | Narratives of identity in Alban Berg's 'Lulu' Silvio J. dos Santos |
| title_short | Narratives of identity in Alban Berg's 'Lulu' |
| title_sort | narratives of identity in alban berg s lulu |
| topic | Berg, Alban / 1885-1935 / Criticism and interpretation Berg, Alban / 1885-1935 / Lulu Wagner, Richard / 1813-1883 / Criticism and interpretation Berg, Alban 1885-1935 Lulu (DE-588)300018657 gnd |
| topic_facet | Berg, Alban / 1885-1935 / Criticism and interpretation Berg, Alban / 1885-1935 / Lulu Wagner, Richard / 1813-1883 / Criticism and interpretation Berg, Alban 1885-1935 Lulu |
| url | http://www.cambridge.org/core/product/identifier/9781580468497/type/BOOK |
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