Shane Meadows: critical essays
From his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema. Dann...
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| Other Authors: | , , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
2013
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| Subjects: | |
| Online Access: | BSB01 Volltext |
| Summary: | From his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema. Danny Perkins, CEO of StudioCanal UK, credits Meadows as the key figure in British film’s contemporary renaissance, with This Is England 'doing more than any other [film] to change British audiences' attitudes' to home-grown cinema. This book will explore the full range of Meadows’ work, from its origins in local D.I.Y. media through to international festival acclaim. Over the course of its 15 chapters, it will present a comprehensive analysis of Meadows’ oeuvre to date, situating it in the context of British cinema history as well as wider cultural changes from the nineties to now |
| Item Description: | Title from publisher's bibliographic system (viewed on 02 Oct 2015) |
| Physical Description: | 1 online resource (viii, 216 pages) |
| ISBN: | 9780748676408 |
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| 505 | 8 | |a Introduction: Shane's world / Martin Fradley, Sarah Godfrey and Melanie Williams -- Structure and agency: Shane Meadows and the new regional production sectors / Jack Newsinger -- Twenty-first-century social realism: Shane Meadows and new British realism / Dave Forrest -- 'Al Fresco? that's up yer anus, innit?': Shane Meadows and the politics of abjection / Martin Fradley -- No more heroes: the politics of marginality and disenchantment in TwentyFourSeven and This is England / Jill Steans -- 'Now I'm The Monster': remembering, repeating and working through in Dead Man's Shoes and TwentyFourSeven / Paul Elliott -- 'An object of indecipherable bastardry -- a true monster': homosociality, homoeroticism and generic hybridity in Dead Man's Shoes / Clair Schwarz -- A message to you, Maggie: 1980s skinhead subculture and music in This Is England / Tim Snelson and Emma Sutton -- Changing spaces of 'Englishness': psychogeography and spatial practices in This is England and Somers Town / Sarah N. Petrovic -- 'Shane, don't film this bit': comedy and performance in Le Donk and Scor-zay-zee / Brett Mills -- 'Them over there': motherhood and marginality in Shane Meadows' films / Louise FitzGerald and Sarah Godfrey -- 'What do you think makes a bad dad?': Shane Meadows and fatherhood / Martin Fradley and Sean Kingston -- Is this England '86 and '88? memory, haunting and return through television seriality / David Rolinson and Faye Woods -- After laughter comes tears: passion and redemption in This is England '88 / Robert Murphy | |
| 520 | |a From his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema. Danny Perkins, CEO of StudioCanal UK, credits Meadows as the key figure in British film’s contemporary renaissance, with This Is England 'doing more than any other [film] to change British audiences' attitudes' to home-grown cinema. This book will explore the full range of Meadows’ work, from its origins in local D.I.Y. media through to international festival acclaim. Over the course of its 15 chapters, it will present a comprehensive analysis of Meadows’ oeuvre to date, situating it in the context of British cinema history as well as wider cultural changes from the nineties to now | ||
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| contents | Introduction: Shane's world / Martin Fradley, Sarah Godfrey and Melanie Williams -- Structure and agency: Shane Meadows and the new regional production sectors / Jack Newsinger -- Twenty-first-century social realism: Shane Meadows and new British realism / Dave Forrest -- 'Al Fresco? that's up yer anus, innit?': Shane Meadows and the politics of abjection / Martin Fradley -- No more heroes: the politics of marginality and disenchantment in TwentyFourSeven and This is England / Jill Steans -- 'Now I'm The Monster': remembering, repeating and working through in Dead Man's Shoes and TwentyFourSeven / Paul Elliott -- 'An object of indecipherable bastardry -- a true monster': homosociality, homoeroticism and generic hybridity in Dead Man's Shoes / Clair Schwarz -- A message to you, Maggie: 1980s skinhead subculture and music in This Is England / Tim Snelson and Emma Sutton -- Changing spaces of 'Englishness': psychogeography and spatial practices in This is England and Somers Town / Sarah N. Petrovic -- 'Shane, don't film this bit': comedy and performance in Le Donk and Scor-zay-zee / Brett Mills -- 'Them over there': motherhood and marginality in Shane Meadows' films / Louise FitzGerald and Sarah Godfrey -- 'What do you think makes a bad dad?': Shane Meadows and fatherhood / Martin Fradley and Sean Kingston -- Is this England '86 and '88? memory, haunting and return through television seriality / David Rolinson and Faye Woods -- After laughter comes tears: passion and redemption in This is England '88 / Robert Murphy |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4302/33092 |
| dewey-search | 791.4302/33092 |
| dewey-sort | 3791.4302 533092 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| spelling | Shane Meadows critical essays edited by Martin Fradley, Sarah Godfrey and Melanie Williams Edinburgh Edinburgh University Press 2013 1 online resource (viii, 216 pages) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Oct 2015) Introduction: Shane's world / Martin Fradley, Sarah Godfrey and Melanie Williams -- Structure and agency: Shane Meadows and the new regional production sectors / Jack Newsinger -- Twenty-first-century social realism: Shane Meadows and new British realism / Dave Forrest -- 'Al Fresco? that's up yer anus, innit?': Shane Meadows and the politics of abjection / Martin Fradley -- No more heroes: the politics of marginality and disenchantment in TwentyFourSeven and This is England / Jill Steans -- 'Now I'm The Monster': remembering, repeating and working through in Dead Man's Shoes and TwentyFourSeven / Paul Elliott -- 'An object of indecipherable bastardry -- a true monster': homosociality, homoeroticism and generic hybridity in Dead Man's Shoes / Clair Schwarz -- A message to you, Maggie: 1980s skinhead subculture and music in This Is England / Tim Snelson and Emma Sutton -- Changing spaces of 'Englishness': psychogeography and spatial practices in This is England and Somers Town / Sarah N. Petrovic -- 'Shane, don't film this bit': comedy and performance in Le Donk and Scor-zay-zee / Brett Mills -- 'Them over there': motherhood and marginality in Shane Meadows' films / Louise FitzGerald and Sarah Godfrey -- 'What do you think makes a bad dad?': Shane Meadows and fatherhood / Martin Fradley and Sean Kingston -- Is this England '86 and '88? memory, haunting and return through television seriality / David Rolinson and Faye Woods -- After laughter comes tears: passion and redemption in This is England '88 / Robert Murphy From his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema. Danny Perkins, CEO of StudioCanal UK, credits Meadows as the key figure in British film’s contemporary renaissance, with This Is England 'doing more than any other [film] to change British audiences' attitudes' to home-grown cinema. This book will explore the full range of Meadows’ work, from its origins in local D.I.Y. media through to international festival acclaim. Over the course of its 15 chapters, it will present a comprehensive analysis of Meadows’ oeuvre to date, situating it in the context of British cinema history as well as wider cultural changes from the nineties to now Meadows, Shane / 1972- / Criticism and interpretation Meadows, Shane 1972- (DE-588)138379149 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Meadows, Shane 1972- (DE-588)138379149 p Film (DE-588)4017102-4 s 2\p DE-604 Fradley, Martin edt Godfrey, Sarah 1975- edt Williams, Melanie 1974- edt Erscheint auch als Druckausgabe 978-0-7486-7639-2 http://www.cambridge.org/core/product/identifier/9780748676408/type/BOOK Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Shane Meadows critical essays Introduction: Shane's world / Martin Fradley, Sarah Godfrey and Melanie Williams -- Structure and agency: Shane Meadows and the new regional production sectors / Jack Newsinger -- Twenty-first-century social realism: Shane Meadows and new British realism / Dave Forrest -- 'Al Fresco? that's up yer anus, innit?': Shane Meadows and the politics of abjection / Martin Fradley -- No more heroes: the politics of marginality and disenchantment in TwentyFourSeven and This is England / Jill Steans -- 'Now I'm The Monster': remembering, repeating and working through in Dead Man's Shoes and TwentyFourSeven / Paul Elliott -- 'An object of indecipherable bastardry -- a true monster': homosociality, homoeroticism and generic hybridity in Dead Man's Shoes / Clair Schwarz -- A message to you, Maggie: 1980s skinhead subculture and music in This Is England / Tim Snelson and Emma Sutton -- Changing spaces of 'Englishness': psychogeography and spatial practices in This is England and Somers Town / Sarah N. Petrovic -- 'Shane, don't film this bit': comedy and performance in Le Donk and Scor-zay-zee / Brett Mills -- 'Them over there': motherhood and marginality in Shane Meadows' films / Louise FitzGerald and Sarah Godfrey -- 'What do you think makes a bad dad?': Shane Meadows and fatherhood / Martin Fradley and Sean Kingston -- Is this England '86 and '88? memory, haunting and return through television seriality / David Rolinson and Faye Woods -- After laughter comes tears: passion and redemption in This is England '88 / Robert Murphy Meadows, Shane / 1972- / Criticism and interpretation Meadows, Shane 1972- (DE-588)138379149 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)138379149 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | Shane Meadows critical essays |
| title_auth | Shane Meadows critical essays |
| title_exact_search | Shane Meadows critical essays |
| title_full | Shane Meadows critical essays edited by Martin Fradley, Sarah Godfrey and Melanie Williams |
| title_fullStr | Shane Meadows critical essays edited by Martin Fradley, Sarah Godfrey and Melanie Williams |
| title_full_unstemmed | Shane Meadows critical essays edited by Martin Fradley, Sarah Godfrey and Melanie Williams |
| title_short | Shane Meadows |
| title_sort | shane meadows critical essays |
| title_sub | critical essays |
| topic | Meadows, Shane / 1972- / Criticism and interpretation Meadows, Shane 1972- (DE-588)138379149 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Meadows, Shane / 1972- / Criticism and interpretation Meadows, Shane 1972- Film Aufsatzsammlung |
| url | http://www.cambridge.org/core/product/identifier/9780748676408/type/BOOK |
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